℗ 2016 Glossa
| Released | April 29, 2016 |
| Duration | 1h 35m 37s |
| Record Label | Glossa |
| Catalogue No. | GCD923508 |
| Genre | Classical (Choral - Sacred) |
Mondonville: Grands Motets
Purcell Choir, Orfeo Orchestra, György Vashegyi
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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De profundis
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1.1
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De profundis clamavi (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
2:56 | |||
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1.2
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Recitative: Fiant aures tuae (Bass)
Jean-Joseph Cassanéa de Mondonville; Alain Buet; Orfeo Orchestra; György Vashegyi |
2:27 | |||
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1.3
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Recitative: Quia apud te propitiatio (Counter-tenor)
Jean-Joseph Cassanéa de Mondonville; Jeffrey Thompson; Orfeo Orchestra; György Vashegyi |
4:11 | |||
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1.4
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A cusodia matutina (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
2:13 | |||
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1.5
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Recitative: Quia apud dominum (Soprano)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Orfeo Orchestra; György Vashegyi |
1:56 | |||
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1.6
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Recitative: Et ipse redimet Israel (Soprano, Chorus)
Jean-Joseph Cassanéa de Mondonville; Daniela Skorka; Purcell Choir; Orfeo Orchestra; György Vashegyi |
2:47 | |||
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1.7
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Requiem eternam (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
3:51 | |||
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Magnus Dominus
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1.8
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Recitative: Magnus Dominus (Counter-tenor, Chorus)
Jean-Joseph Cassanéa de Mondonville; Jeffrey Thompson; Purcell Choir; Orfeo Orchestra; György Vashegyi |
4:50 | |||
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1.9
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Recitative: Deus in domibus ejus cognoscetur (Soprano)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Orfeo Orchestra; György Vashegyi |
3:21 | |||
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1.10
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Ipsi videntes sic admirati sunt (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
4:03 | |||
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1.11
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Recitative: Secundum nomen tuum (Soprano)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Orfeo Orchestra; György Vashegyi |
0:37 | |||
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1.12
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Recitative: Laetetur mons Sion (Soprano, Chorus)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Purcell Choir; Orfeo Orchestra; György Vashegyi |
2:53 | |||
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1.13
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Duet: Quoniam hic est Deus (Soprano 1, Soprano 2)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Daniela Skorka; Orfeo Orchestra; György Vashegyi |
3:00 | |||
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1.14
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Gloria Patri (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
4:00 | |||
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Nisi Dominus
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2.1
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Recitative: Nisi Dominus (Bass)
Jean-Joseph Cassanéa de Mondonville; Alain Buet; Orfeo Orchestra; György Vashegyi |
2:58 | |||
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2.2
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Vanum est vobis (Soprano, Bass, Chorus)
Jean-Joseph Cassanéa de Mondonville; Daniela Skorka; Alain Buet; Purcell Choir; Orfeo Orchestra; György Vashegyi |
2:05 | |||
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2.3
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Recitative: Cum dederit dilectis (Counter-tenor)
Jean-Joseph Cassanéa de Mondonville; Jeffrey Thompson; Orfeo Orchestra; György Vashegyi |
4:33 | |||
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2.4
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Sicut sagittae (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
3:03 | |||
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2.5
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Duet: Beatus vir (Counter-tenor 1, Counter-tenor 2)
Jean-Joseph Cassanéa de Mondonville; Jeffrey Thompson; Mathias Vidal; Orfeo Orchestra; György Vashegyi |
1:29 | |||
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2.6
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Air: Non confundetur (Bass, Chorus)
Jean-Joseph Cassanéa de Mondonville; Alain Buet; Purcell Choir; Orfeo Orchestra; György Vashegyi |
3:38 | |||
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Cantate Domino
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2.7
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Cantate Domino (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
3:38 | |||
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2.8
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Duet: Laetetur Israël (Soprano 1, Soprano 2)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Daniela Skorka; Orfeo Orchestra; György Vashegyi |
4:18 | |||
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2.9
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Recitative: Adorate et invocate (Counter-tenor)
Jean-Joseph Cassanéa de Mondonville; Jeffrey Thompson; Orfeo Orchestra; György Vashegyi |
3:13 | |||
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2.10
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Recitative: Laudent nomen ejus (Counter-tenor, Chorus)
Jean-Joseph Cassanéa de Mondonville; Jeffrey Thompson; Purcell Choir; Orfeo Orchestra; György Vashegyi |
3:16 | |||
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2.11
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Recitative: Quia beneplacitum (Soprano)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Orfeo Orchestra; György Vashegyi |
4:05 | |||
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2.12
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Recitative: Exultabunt sancti in gloria (Bass)
Jean-Joseph Cassanéa de Mondonville; Alain Buet; Orfeo Orchestra; György Vashegyi |
3:34 | |||
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2.13
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Exaltationes (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
3:26 | |||
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2.14
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Trio: Ad alligandos Reges (Soprano, Counter-tenor, Bass)
Jean-Joseph Cassanéa de Mondonville; Chantal Santon-Jeffery; Jeffrey Thompson; Alain Buet; Orfeo Orchestra; György Vashegyi |
3:34 | |||
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2.15
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Gloria Patri (Chorus)
Jean-Joseph Cassanéa de Mondonville; Purcell Choir; Orfeo Orchestra; György Vashegyi |
0:51 | |||
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2.16
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Sicut erat in principio (Counter-tenor, Bass, Chorus)
Jean-Joseph Cassanéa de Mondonville; Jeffrey Thompson; Alain Buet; Purcell Choir; Orfeo Orchestra; György Vashegyi |
4:51 | |||
"Mondonville’s grands motets are just wonderful ... (Cantate Domino) begins with a well-crafted chorus of which Handel would have been proud ... these performers have a strong record in French Baroque repertoire and maintain their standard here ... as good as one might hope for."
- Early Music Review
This recording features grand motets by Jean-Joseph Cassanéa de Mondonville, presented by György Vashegyi with a quintet of masterly soloists, the Orfeo Orchestra and the Purcell Choir. Vashegyi, fast making his name in French repertoire, has chosen to showcase the music of this underrated composer who was at the height of his career in Paris in the middle of the 18th century. As well as operas, oratorios and instrumental music, Mondonville wrote grands motets: spectacular religious works which were often performed in the public sphere. The four offered on this double album are fine examples of Mondonville’s art, constantly displaying his taste for virtuosic scoring and tuneful, flowing melodies.
48 kHz / 24-bit PCM – Glossa Studio Masters
48 kHz / 24-bit PCM – Glossa Studio Master
48 kHz / 24-bit PCM – Glossa Studio Master
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.48 -9.23 to -0.72 | -23.27 -28.48 to -18.93 | -20.05 -25.60 to -15.50 | 13 10 to 14 | |
| 1.1 | De profundis clamavi (Chorus) | -2.47 | -22.09 | -18.9 | 12 |
| 1.2 | Recitative: Fiant aures tuae (Bass) | -6.76 | -27.73 | -24.2 | 12 |
| 1.3 | Recitative: Quia apud te propitiatio (Counter-tenor) | -5.20 | -26.40 | -23.2 | 14 |
| 1.4 | A cusodia matutina (Chorus) | -3.06 | -22.76 | -19.7 | 12 |
| 1.5 | Recitative: Quia apud dominum (Soprano) | -6.74 | -26.04 | -23.0 | 12 |
| 1.6 | Recitative: Et ipse redimet Israel (Soprano, Chorus) | -0.72 | -22.22 | -18.7 | 13 |
| 1.7 | Requiem eternam (Chorus) | -0.72 | -20.89 | -17.8 | 13 |
| 1.8 | Recitative: Magnus Dominus (Counter-tenor, Chorus) | -0.72 | -21.92 | -18.7 | 13 |
| 1.9 | Recitative: Deus in domibus ejus cognoscetur (Soprano) | -6.16 | -25.29 | -22.2 | 12 |
| 1.10 | Ipsi videntes sic admirati sunt (Chorus) | -0.72 | -19.80 | -16.7 | 12 |
| 1.11 | Recitative: Secundum nomen tuum (Soprano) | -6.60 | -22.44 | -18.7 | 10 |
| 1.12 | Recitative: Laetetur mons Sion (Soprano, Chorus) | -3.88 | -23.57 | -20.3 | 12 |
| 1.13 | Duet: Quoniam hic est Deus (Soprano 1, Soprano 2) | -4.38 | -24.83 | -21.4 | 13 |
| 1.14 | Gloria Patri (Chorus) | -0.72 | -20.57 | -17.4 | 13 |
| 2.1 | Recitative: Nisi Dominus (Bass) | -5.11 | -24.79 | -21.8 | 13 |
| 2.2 | Vanum est vobis (Soprano, Bass, Chorus) | -3.48 | -23.00 | -19.7 | 13 |
| 2.3 | Recitative: Cum dederit dilectis (Counter-tenor) | -3.17 | -24.48 | -21.3 | 14 |
| 2.4 | Sicut sagittae (Chorus) | -0.72 | -19.98 | -16.9 | 13 |
| 2.5 | Duet: Beatus vir (Counter-tenor 1, Counter-tenor 2) | -5.93 | -24.35 | -20.8 | 11 |
| 2.6 | Air: Non confundetur (Bass, Chorus) | -0.80 | -20.86 | -17.8 | 13 |
| 2.7 | Cantate Domino (Chorus) | -0.72 | -20.99 | -17.6 | 13 |
| 2.8 | Duet: Laetetur Israël (Soprano 1, Soprano 2) | -2.46 | -24.41 | -21.1 | 14 |
| 2.9 | Recitative: Adorate et invocate (Counter-tenor) | -6.10 | -26.42 | -23.2 | 13 |
| 2.10 | Recitative: Laudent nomen ejus (Counter-tenor, Chorus) | -0.72 | -21.39 | -18.0 | 13 |
| 2.11 | Recitative: Quia beneplacitum (Soprano) | -9.23 | -28.48 | -25.6 | 13 |
| 2.12 | Recitative: Exultabunt sancti in gloria (Bass) | -7.57 | -27.19 | -24.5 | 13 |
| 2.13 | Exaltationes (Chorus) | -0.72 | -18.93 | -15.5 | 12 |
| 2.14 | Trio: Ad alligandos Reges (Soprano, Counter-tenor, Bass) | -3.92 | -23.76 | -20.5 | 12 |
| 2.15 | Gloria Patri (Chorus) | -3.65 | -21.88 | -18.6 | 11 |
| 2.16 | Sicut erat in principio (Counter-tenor, Bass, Chorus) | -1.31 | -20.73 | -17.6 | 13 |