℗ 2020 First Hand Records
Released | December 11, 2020 |
Duration | 2h 30m 12s |
Record Label | First Hand Records |
Catalogue No. | FHR92 |
Genre | Classical (Solo Instrumental) |
J.S. Bach: 6 Partitas, BWVV 825-830
Asako Ogawa
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Keyboard Partita No. 1 in B-Flat Major, BWV 825
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1.1
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I. Praeludium
Johann Sebastian Bach; Asako Ogawa |
1:57 | |||
1.2
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II. Allemande
Johann Sebastian Bach; Asako Ogawa |
4:19 | |||
1.3
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III. Corrente
Johann Sebastian Bach; Asako Ogawa |
3:00 | |||
1.4
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IV. Sarabande
Johann Sebastian Bach; Asako Ogawa |
5:21 | |||
1.5
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V. Menuets I & II
Johann Sebastian Bach; Asako Ogawa |
2:55 | |||
1.6
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VI. Giga
Johann Sebastian Bach; Asako Ogawa |
2:15 | |||
Keyboard Partita No. 2 in C Minor, BWV 826
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1.7
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I. Sinfonia
Johann Sebastian Bach; Asako Ogawa |
4:38 | |||
1.8
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II. Allemande
Johann Sebastian Bach; Asako Ogawa |
5:17 | |||
1.9
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III. Courante
Johann Sebastian Bach; Asako Ogawa |
2:32 | |||
1.10
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IV. Sarabande
Johann Sebastian Bach; Asako Ogawa |
3:20 | |||
1.11
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V. Rondeaux
Johann Sebastian Bach; Asako Ogawa |
1:31 | |||
1.12
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VI. Capriccio
Johann Sebastian Bach; Asako Ogawa |
3:41 | |||
Keyboard Partita No. 4 in D Major, BWV 828
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1.13
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I. Ouverture
Johann Sebastian Bach; Asako Ogawa |
6:14 | |||
1.14
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II. Allemande
Johann Sebastian Bach; Asako Ogawa |
9:30 | |||
1.15
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III. Courante
Johann Sebastian Bach; Asako Ogawa |
4:02 | |||
1.16
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IV. Aria
Johann Sebastian Bach; Asako Ogawa |
2:15 | |||
1.17
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V. Sarabande
Johann Sebastian Bach; Asako Ogawa |
6:08 | |||
1.18
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VI. Menuett
Johann Sebastian Bach; Asako Ogawa |
1:35 | |||
1.19
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VII. Gigue
Johann Sebastian Bach; Asako Ogawa |
4:07 | |||
Keyboard Partita No. 3 in A Minor, BWV 827
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2.1
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I. Fantasia
Johann Sebastian Bach; Asako Ogawa |
3:06 | |||
2.2
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II. Allemande
Johann Sebastian Bach; Asako Ogawa |
2:42 | |||
2.3
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III. Corrente
Johann Sebastian Bach; Asako Ogawa |
3:00 | |||
2.4
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IV. Sarabande
Johann Sebastian Bach; Asako Ogawa |
4:31 | |||
2.5
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V. Burlesca
Johann Sebastian Bach; Asako Ogawa |
2:17 | |||
2.6
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VI. Scherzo
Johann Sebastian Bach; Asako Ogawa |
1:18 | |||
2.7
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VII. Gigue
Johann Sebastian Bach; Asako Ogawa |
3:18 | |||
Keyboard Partita No. 5 in G Major, BWV 829
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2.8
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I. Preambulum
Johann Sebastian Bach; Asako Ogawa |
2:35 | |||
2.9
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II. Allemande
Johann Sebastian Bach; Asako Ogawa |
4:34 | |||
2.10
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III. Corrente
Johann Sebastian Bach; Asako Ogawa |
2:07 | |||
2.11
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IV. Sarabande
Johann Sebastian Bach; Asako Ogawa |
4:54 | |||
2.12
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V. Tempo di minuetto
Johann Sebastian Bach; Asako Ogawa |
2:04 | |||
2.13
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VI. Passepied
Johann Sebastian Bach; Asako Ogawa |
1:39 | |||
2.14
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VII. Gigue
Johann Sebastian Bach; Asako Ogawa |
4:04 | |||
Keyboard Partita No. 6 in E Minor, BWV 830
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2.15
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I. Toccata
Johann Sebastian Bach; Asako Ogawa |
7:54 | |||
2.16
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II. Allemande
Johann Sebastian Bach; Asako Ogawa |
3:48 | |||
2.17
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III. Corrente
Johann Sebastian Bach; Asako Ogawa |
4:20 | |||
2.18
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IV. Air
Johann Sebastian Bach; Asako Ogawa |
1:42 | |||
2.19
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V. Sarabande
Johann Sebastian Bach; Asako Ogawa |
7:07 | |||
2.20
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VI. Tempo di gavotta
Johann Sebastian Bach; Asako Ogawa |
2:16 | |||
2.21
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VII. Gigue
Johann Sebastian Bach; Asako Ogawa |
6:19 | |||
Digital Booklet
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The Six Partitas, BWV 825830 were the first of a series of works for keyboard instruments that Bach published under the general title of Clavierübung (Keyboard Practice). They consist of a set of six harpsichord suites, are amongst the last set of keyboard suites Bach composed and the most technically demanding. In fact, although Bach was age 40 at the time, these were the first of his compositions to see publication.
The Partitas follow the basic form of the Baroque dance suite. An elaborate opening movement is followed by four stylized dances: the Allemande, Courante, Sarabande, and Gigue.
Harpsichordist Asako Ogawa is based in London and actively performs as a soloist and as a continuo player in UK, Europe and Japan. She is also a baroque repertoire coach at the Guildhall School of Music and Drama.
Her main appearances include: the Halle International Handel Festival, Leicester International Music Festival, Faversham Music Festival, London Bach Festival. Brighton Early Music Festival, BBC Radio 3, and the Georgian Concert Society, Edinburgh. Ogawa is also a regular performer at the London Handel Festival since 2008, and one of the official accompanists for the London Handel Singing Competition after winning the Accompanist's Prize in 2007.
96 kHz / 24-bit PCM – First Hand Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.92 -12.62 to -3.36 | -25.89 -30.78 to -21.49 | -22.64 -27.40 to -18.10 | 12 11 to 14 | |
1.1 | I. Praeludium | -12.24 | -30.33 | -26.7 | 12 |
1.2 | II. Allemande | -9.51 | -27.04 | -24.2 | 12 |
1.3 | III. Corrente | -7.28 | -24.60 | -21.5 | 12 |
1.4 | IV. Sarabande | -12.49 | -30.78 | -27.4 | 12 |
1.5 | V. Menuets I & II | -11.86 | -28.57 | -25.6 | 11 |
1.6 | VI. Giga | -9.55 | -27.49 | -24.0 | 11 |
1.7 | I. Sinfonia | -5.85 | -27.10 | -23.6 | 13 |
1.8 | II. Allemande | -10.80 | -28.02 | -25.1 | 11 |
1.9 | III. Courante | -8.00 | -26.16 | -22.7 | 12 |
1.10 | IV. Sarabande | -9.58 | -30.41 | -27.2 | 12 |
1.11 | V. Rondeaux | -9.48 | -26.55 | -23.3 | 12 |
1.12 | VI. Capriccio | -7.46 | -24.78 | -21.5 | 12 |
1.13 | I. Ouverture | -5.08 | -23.57 | -20.3 | 13 |
1.14 | II. Allemande | -10.39 | -29.29 | -26.2 | 12 |
1.15 | III. Courante | -6.49 | -23.25 | -20.1 | 12 |
1.16 | IV. Aria | -5.99 | -25.05 | -21.8 | 12 |
1.17 | V. Sarabande | -9.28 | -27.90 | -24.4 | 12 |
1.18 | VI. Menuett | -8.96 | -25.73 | -23.1 | 11 |
1.19 | VII. Gigue | -4.03 | -21.49 | -18.1 | 11 |
2.1 | I. Fantasia | -8.70 | -25.26 | -22.3 | 11 |
2.2 | II. Allemande | -6.54 | -24.14 | -20.8 | 11 |
2.3 | III. Corrente | -5.29 | -21.58 | -18.5 | 12 |
2.4 | IV. Sarabande | -9.04 | -26.52 | -23.4 | 12 |
2.5 | V. Burlesca | -3.36 | -22.47 | -19.3 | 11 |
2.6 | VI. Scherzo | -4.33 | -22.03 | -18.6 | 12 |
2.7 | VII. Gigue | -4.16 | -21.92 | -18.8 | 12 |
2.8 | I. Preambulum | -5.87 | -22.76 | -19.3 | 11 |
2.9 | II. Allemande | -7.87 | -26.05 | -23.0 | 12 |
2.10 | III. Corrente | -6.69 | -24.65 | -21.3 | 12 |
2.11 | IV. Sarabande | -8.37 | -28.53 | -25.3 | 13 |
2.12 | V. Tempo di minuetto | -9.96 | -26.95 | -24.2 | 11 |
2.13 | VI. Passepied | -7.58 | -25.33 | -21.9 | 12 |
2.14 | VII. Gigue | -5.05 | -22.18 | -18.9 | 12 |
2.15 | I. Toccata | -6.79 | -26.33 | -22.8 | 13 |
2.16 | II. Allemande | -10.67 | -29.14 | -26.0 | 12 |
2.17 | III. Corrente | -7.22 | -25.23 | -22.0 | 11 |
2.18 | IV. Air | -12.62 | -28.90 | -25.3 | 11 |
2.19 | V. Sarabande | -6.86 | -27.07 | -23.3 | 14 |
2.20 | VI. Tempo di gavotta | -8.28 | -25.23 | -22.0 | 12 |
2.21 | VII. Gigue | -7.19 | -25.16 | -21.9 | 12 |