℗ 2020 Seattle Symphony Media
| Released | October 16, 2020 |
| Duration | 52m 24s |
| Record Label | Seattle Symphony Media |
| Catalogue No. | SSM1025 |
| Genre | Classical (Orchestral) |
R. Strauss: Also sprach Zarathustra, Op. 30, Trv 176 - Scriabin: The Poem of Ecstasy, Op. 54 (Live)
Seattle Symphony, Thomas Dausgaard
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Also sprach Zarathustra, Op. 30, Trv 176
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1.1
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I. Einleitung, oder Sonnenaufgang (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
1:38 | |||
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1.2
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II. Von den Hinterweltlern (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
3:16 | |||
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1.3
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III. Von der großen Sehnsucht (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
1:45 | |||
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1.4
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IV. Von den Freuden und Leidenschaften (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
2:02 | |||
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1.5
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V. Das Grablied (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
2:30 | |||
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1.6
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VI. Von der Wissenschaft (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
4:26 | |||
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1.7
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VII. Der Genesende (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
5:10 | |||
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1.8
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VIII. Das Tanzlied (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
7:14 | |||
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1.9
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IX. Nachtwandlerlied (Live)
Richard Strauss; Seattle Symphony; Thomas Dausgaard |
4:06 | |||
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1.10
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The Poem of Ecstasy, Op. 54 (Live)
Alexander Scriabin; Seattle Symphony; Thomas Dausgaard |
20:17 | |||
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Digital Booklet
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Grammy Award Nomination, 2022 – Best Orchestral Performance
Thomas Dausgaard and the Seattle Symphony release thought-provoking live performances of two extraordinary orchestral works composed near the turn of the 20th century: Richard Strauss’ "Also sprach Zarathustra" and Alexander Scriabin’s "The Poem of Ecstasy". Recorded in the stunning acoustics of Benaroya Hall, these bold, colorful scores celebrate the search for creative meaning and the triumph of the human spirit.
96 kHz / 24-bit PCM – Seattle Symphony Media Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.00 -5.83 to -0.18 | -22.80 -28.21 to -16.81 | -19.28 -24.20 to -14.20 | 12 9 to 15 | |
| 1 | I. Einleitung, oder Sonnenaufgang (Live) | -0.26 | -16.85 | -14.2 | 9 |
| 2 | II. Von den Hinterweltlern (Live) | -5.45 | -25.83 | -23.0 | 12 |
| 3 | III. Von der großen Sehnsucht (Live) | -2.26 | -22.84 | -18.2 | 12 |
| 4 | IV. Von den Freuden und Leidenschaften (Live) | -0.18 | -16.81 | -14.2 | 10 |
| 5 | V. Das Grablied (Live) | -5.83 | -27.31 | -23.7 | 12 |
| 6 | VI. Von der Wissenschaft (Live) | -4.13 | -28.21 | -24.2 | 15 |
| 7 | VII. Der Genesende (Live) | -0.39 | -21.05 | -17.6 | 12 |
| 8 | VIII. Das Tanzlied (Live) | -0.63 | -22.08 | -18.7 | 13 |
| 9 | IX. Nachtwandlerlied (Live) | -0.36 | -24.72 | -21.0 | 12 |
| 10 | The Poem of Ecstasy, Op. 54 (Live) | -0.57 | -22.29 | -18.0 | 13 |