1.1
|
Jazz Me Blues
Brian Bromberg |
2:22 | ||
1.2
|
Full Circle
Brian Bromberg |
8:47 | ||
1.3
|
Sneaky Pete
Brian Bromberg |
7:02 | ||
1.4
|
Saturday Night in the Village
Brian Bromberg |
5:26 | ||
1.5
|
Boomerang
Brian Bromberg |
9:54 | ||
1.6
|
Havana Nights (aka Havana Nagila)
Brian Bromberg |
8:34 | ||
1.7
|
Bernie's Bop
Brian Bromberg |
8:10 | ||
1.8
|
Don't Stop 'Til You Get Enough
Brian Bromberg |
5:57 | ||
1.9
|
Naw'lins!
Brian Bromberg |
8:22 | ||
1.10
|
Susumu's Blues
Brian Bromberg |
5:49 | ||
1.11
|
Washington and Lee Swing
Brian Bromberg |
2:18 | ||
Total Playing Time 72:41
|
Brian Bromberg's trio release Full Circle features a rousing programme of originals, alongside a cover of Michael Jackson's "Don't Stop 'Til You Get Enough" and the 1910 traditional "Washington and Lee Swing".
Brian Bromberg’s career began as a teenager backing saxophonist Stan Getz. In the nearly forty years since and over 20 projects in his catalog, Bromberg has established himself as a first-call master of the upright as well as electric basses, releasing more than 20 albums globally as a leader and providing low-end for the likes of Chris Botti, Lee Ritenour and Michael Bublé.
Brian Bromberg’s career began as a teenager backing saxophonist Stan Getz. In the nearly forty years since and over 20 projects in his catalog, Bromberg has established himself as a first-call master of the upright as well as electric basses, releasing more than 20 albums globally as a leader and providing low-end for the likes of Chris Botti, Lee Ritenour and Michael Bublé.
96 kHz / 24-bit PCM – Artistry Music Studio Masters
Tracks 1, 11 – 44.1 kHz / 24-bit PCM
Tracks 2-10 – 96 kHz / 16-bit PCM
Tracks 1, 11 – 44.1 kHz / 24-bit PCM
Tracks 2-10 – 96 kHz / 16-bit PCM