℗ 2020 Taylor Swift
| Released | December 11, 2020 |
| Duration | 1h 00m 33s |
| Record Label | Taylor Swift |
| Genre | Alternative |
|
1.1
|
willow
Taylor Swift |
3:34 | |||
|
1.2
|
champagne problems EXPLICIT
Taylor Swift |
4:02 | |||
|
1.3
|
gold rush EXPLICIT
Taylor Swift |
3:04 | |||
|
1.4
|
‘tis the damn season
Taylor Swift |
3:49 | |||
|
1.5
|
tolerate it EXPLICIT
Taylor Swift |
4:05 | |||
|
1.6
|
no body, no crime (feat. HAIM)
Taylor Swift; HAIM |
3:35 | |||
|
1.7
|
happiness EXPLICIT
Taylor Swift |
5:15 | |||
|
1.8
|
dorothea
Taylor Swift |
3:45 | |||
|
1.9
|
coney island (feat. The National)
Taylor Swift; The National |
4:35 | |||
|
1.10
|
ivy EXPLICIT
Taylor Swift |
4:20 | |||
|
1.11
|
cowboy like me EXPLICIT
Taylor Swift |
4:35 | |||
|
1.12
|
long story short
Taylor Swift |
3:35 | |||
|
1.13
|
marjorie
Taylor Swift |
4:17 | |||
|
1.14
|
closure
Taylor Swift |
3:00 | |||
|
1.15
|
evermore (feat. Bon Iver)
Taylor Swift; Bon Iver |
5:02 | |||
|
Digital Booklet
|
Grammy Award Nomination, 2022 – Album Of The Year
Grammy Award WINNER, 2022 – Producer Of The Year, Non-Classical
Jack Antonoff
Gold Rush (T)
"... full of unexpected experiments, ambitious story songs and moments of narrative mythmaking that often turn the lens back on herself."
- Rolling Stone
Just months after the release of folklore, Taylor Swift surprises fans again with an ambitious new album. evermore can be seen as a companion album to folklore, seeing Swift team up once again with collaborators Jack Antonoff, Aaron Dessner, Justin Vernon, and William Bowery. This time around, Swift also invites Haim, The National, and Bon Iver as featured guest artists.
“To put it plainly, we just couldn’t stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music. We chose to wander deeper in."
- Taylor Swift
88.2 kHz / 24-bit PCM – Taylor Swift Studio Masters
Tracks 1, 2, 11, 12 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Tracks 3-10, 13, 15 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Track 14 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1, 2, 11, 12 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Tracks 3-10, 13, 15 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Track 14 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.32 -0.35 to -0.20 | -11.43 -13.34 to -10.37 | -9.15 -10.60 to -8.10 | 6 5 to 7 | |
| 1 | willow | -0.35 | -10.37 | -8.6 | 5 |
| 2 | champagne problems | -0.35 | -12.03 | -9.7 | 7 |
| 3 | gold rush | -0.35 | -11.37 | -9.2 | 6 |
| 4 | ‘tis the damn season | -0.20 | -10.98 | -8.7 | 6 |
| 5 | tolerate it | -0.35 | -11.96 | -9.5 | 7 |
| 6 | no body, no crime (feat. HAIM) | -0.35 | -10.72 | -8.2 | 6 |
| 7 | happiness | -0.35 | -12.49 | -10.2 | 7 |
| 8 | dorothea | -0.35 | -10.55 | -8.1 | 6 |
| 9 | coney island (feat. The National) | -0.20 | -10.86 | -9.1 | 6 |
| 10 | ivy | -0.35 | -10.69 | -8.6 | 6 |
| 11 | cowboy like me | -0.35 | -11.13 | -9.1 | 7 |
| 12 | long story short | -0.35 | -10.46 | -8.5 | 6 |
| 13 | marjorie | -0.35 | -11.83 | -9.5 | 6 |
| 14 | closure | -0.35 | -12.66 | -9.7 | 7 |
| 15 | evermore (feat. Bon Iver) | -0.24 | -13.34 | -10.6 | 7 |