℗ 2020 Debay Sounds
| Released | December 18, 2020 |
| Duration | 1h 27m 18s |
| Record Label | Debay Sounds,LLC |
| Genre | Folk |
Notes From The Archive: Recordings 2011-2016 (With Commentary)
Maggie Rogers
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Intro – Notes from the Archive
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1.1
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Recordings 2011-2016 (Commentary)
Maggie Rogers |
3:10 | |||
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Part I – Rock EP
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1.2
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2016 (Commentary)
Maggie Rogers |
6:10 | |||
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1.3
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Celadon & Gold
Maggie Rogers |
3:11 | |||
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1.4
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Together
Maggie Rogers |
3:22 | |||
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1.5
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Steady Now
Maggie Rogers |
3:51 | |||
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1.6
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One More Afternoon
Maggie Rogers |
4:39 | |||
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Part II – Blood Ballet
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1.7
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2012-2015 (Commentary)
Maggie Rogers |
3:56 | |||
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1.8
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Blood Ballet
Maggie Rogers |
4:23 | |||
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1.9
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Resonant Body
Maggie Rogers |
3:22 | |||
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1.10
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Symmetry
Maggie Rogers |
2:52 | |||
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1.11
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Little Joys
Maggie Rogers |
3:55 | |||
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1.12
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On The Page
Maggie Rogers |
3:19 | |||
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1.13
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James
Maggie Rogers |
4:29 | |||
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Part III – Del Water Gap
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1.14
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2012-2013 (Commentary)
Maggie Rogers |
3:50 | |||
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1.15
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(Does It Feel Slow?)
Maggie Rogers |
0:17 | |||
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1.16
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New Song
Maggie Rogers |
6:22 | |||
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Part IV – The Echo
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1.17
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2011-2012 (Commentary)
Maggie Rogers |
4:06 | |||
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1.18
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Anybody
Maggie Rogers |
3:16 | |||
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1.19
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Kids Like Us
Maggie Rogers |
4:03 | |||
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1.20
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Wolves
Maggie Rogers |
3:57 | |||
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1.21
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Satellite
Maggie Rogers |
7:07 | |||
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Outro – Notes from the Archive
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1.22
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Recordings 2011-2016 (Commentary)
Maggie Rogers |
3:41 | |||
Grammy Award-nominated singer and songwriter Maggie Rogers is releasing her 16-track retrospective project titled Notes from the Archive: Recordings 2011 – 2016. This special edition features the artist's own commentary on the process of her artistic development.
The project is said to be a close documentation of Rogers’ artistic evolution leading up to the creation of her Capitol Records debut Heard It In A Past Life. She explains the influence and intention behind Notes from the Archive in a 3-minute self-narrated visual introducing the retrospective.
“I started writing songs as a way to process and document my life. A few years later, music production became a way for me to hear those songs alive and in full form in the world. This record is about looking back on those 10 years of work. It’s about looking to the future by honoring the past.”
- Maggie Rogers
96 kHz / 24-bit PCM – Debay Sounds,LLC Studio Masters
Tracks 1-22 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-22 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.99 -4.34 to -0.36 | -16.58 -24.48 to -10.14 | -13.24 -20.60 to -7.40 | 10 6 to 17 | |
| 1 | Recordings 2011-2016 (Commentary) | -3.31 | -24.48 | -20.6 | 15 |
| 2 | 2016 (Commentary) | -0.92 | -23.70 | -20.1 | 17 |
| 3 | Celadon & Gold | -0.40 | -10.14 | -7.4 | 6 |
| 4 | Together | -0.40 | -10.64 | -7.7 | 6 |
| 5 | Steady Now | -0.54 | -10.95 | -8.0 | 6 |
| 6 | One More Afternoon | -0.54 | -12.34 | -9.7 | 6 |
| 7 | 2012-2015 (Commentary) | -0.40 | -22.09 | -18.5 | 16 |
| 8 | Blood Ballet | -0.40 | -16.65 | -13.0 | 10 |
| 9 | Resonant Body | -0.54 | -13.22 | -10.2 | 8 |
| 10 | Symmetry | -0.54 | -16.06 | -13.0 | 10 |
| 11 | Little Joys | -0.40 | -13.64 | -10.8 | 8 |
| 12 | On The Page | -0.54 | -18.53 | -14.7 | 11 |
| 13 | James | -0.40 | -13.30 | -10.2 | 8 |
| 14 | 2012-2013 (Commentary) | -1.76 | -22.32 | -18.9 | 14 |
| 15 | (Does It Feel Slow?) | -4.34 | -23.83 | -19.3 | 14 |
| 16 | New Song | -0.54 | -13.92 | -10.6 | 6 |
| 17 | 2011-2012 (Commentary) | -1.51 | -21.91 | -18.3 | 15 |
| 18 | Anybody | -0.36 | -11.38 | -8.3 | 6 |
| 19 | Kids Like Us | -0.40 | -15.01 | -12.0 | 8 |
| 20 | Wolves | -0.54 | -13.39 | -10.6 | 7 |
| 21 | Satellite | -0.54 | -13.61 | -9.5 | 6 |
| 22 | Recordings 2011-2016 (Commentary) | -2.44 | -23.77 | -19.9 | 16 |