℗ 2021 MClassics
| Released | January 22, 2021 |
| Duration | 1h 10m 44s |
| Record Label | MClassics |
| Catalogue No. | MYCL-00004 |
| Genre | Classical |
Nokishita lamp
Ayaka Sato
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz DSD high resolution audio formats
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"nokishita lamp" for Euphonium and Pianomemories
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1.1
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I. Memories
Masanori Kato; Ayaka Sato; Hatsumi Shimizu |
4:53 | |||
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1.2
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Ii. Warmth
Masanori Kato; Ayaka Sato; Hatsumi Shimizu |
5:42 | |||
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Partita in A Minor, Bwv 1013
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1.3
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I. Allemande
Johann Sebastian Bach; Ayaka Sato |
6:57 | |||
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1.4
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Ii. Corrente
Johann Sebastian Bach; Ayaka Sato |
5:03 | |||
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1.5
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Iii. Sarabande
Johann Sebastian Bach; Ayaka Sato |
5:16 | |||
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1.6
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Iv. Bouree anglaise
Johann Sebastian Bach; Ayaka Sato |
3:32 | |||
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1.7
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Variations in E-Flat Major on Bei Mannern, welche Liebe fuhlen from Mozart's Die Zauberflöte, WoO 46
Ludwig van Beethoven; Ayaka Sato; Hatsumi Shimizu |
9:51 | |||
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1.8
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Lied ohne Worte, Op.109
Felix Mendelssohn-bartholdy; Ayaka Sato; Hatsumi Shimizu |
4:55 | |||
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1.9
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Euphonium Concerto
Oliver Waespi; Ayaka Sato; Hatsumi Shimizu |
19:52 | |||
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1.10
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Song for Ina
Philip Sparke; Ayaka Sato; Hatsumi Shimizu |
4:43 | |||
Acclaimed Euphonium soloist Ayaka Sato presents Nokishita lamp, a stunning programme of works spanning from Bach, Beethoven, and Mendelssohn, to contemporary compositions such as the title piece, by Masanori Kato.
Sato was born in 1992 in Kagawa, Japan, and began playing the euphonium at the age of 8. She received her professional musical training on this instrument since 2006. She studied under Yasushi Funahashi, Shuichi Murayama, Mitsuru Saito and Kaoru Tsuyuki at Takamatsu Daiichi High School and Tokyo University of the Arts. At Bern University of the Arts, she is studying with Prof. Thomas Rüedi, as a Master Specialized Music Performance “Soloist” from autumn 2018 as a scholar of the Rohm Music Foundation.
She has won numerous awards including winner in the 3rd International Lieksa Brass Week Euphonium Competition in Finland (2018), winner in the 32th Japan Wind and Percussion Competition in Japan (2015), the 2nd prize at the 2016 International Tuba Euphonium Conference Competition Artist Division in the USA, and the 2nd prize at the 9th Jeju International Brass and Percussion Competition in Korea(2014), among others.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz DSD – MClassics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.77 -2.91 to -0.03 | -21.02 -23.48 to -18.84 | -18.02 -20.40 to -15.80 | 12 10 to 15 | |
| 1 | I. Memories | -0.03 | -21.76 | -17.9 | 13 |
| 2 | Ii. Warmth | -0.64 | -19.19 | -15.8 | 11 |
| 3 | I. Allemande | -0.69 | -21.32 | -18.7 | 12 |
| 4 | Ii. Corrente | -0.53 | -21.63 | -19.0 | 13 |
| 5 | Iii. Sarabande | -1.23 | -21.57 | -18.7 | 12 |
| 6 | Iv. Bouree anglaise | -2.91 | -22.53 | -20.0 | 13 |
| 7 | Variations in E-Flat Major on Bei Mannern, welche Liebe fuhlen from Mozart's Die Zauberflöte, WoO 46 | -0.81 | -23.48 | -20.4 | 15 |
| 8 | Lied ohne Worte, Op.109 | -0.57 | -18.84 | -15.8 | 10 |
| 9 | Euphonium Concerto | -0.03 | -20.00 | -17.0 | 13 |
| 10 | Song for Ina | -0.23 | -19.85 | -16.9 | 11 |