℗ 2021 Audax Records
| Released | February 12, 2021 |
| Duration | 52m 33s |
| Record Label | Audax Records |
| Catalogue No. | ADX13728D |
| Genre | Classical (Suite for harpsichord, lute, etc) |
Bach: Works for lute
Jadran Duncumb
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Suite in G Minor, BWV 995
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1.1
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I. Prelude
Johann Sebastian Bach; Jadran Duncumb |
5:47 | |||
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1.2
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II. Allemande
Johann Sebastian Bach; Jadran Duncumb |
4:44 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Jadran Duncumb |
2:18 | |||
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1.4
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IV. Sarabande
Johann Sebastian Bach; Jadran Duncumb |
1:54 | |||
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1.5
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V. Gavottes I & II
Johann Sebastian Bach; Jadran Duncumb |
5:53 | |||
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1.6
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VI. Gigue
Johann Sebastian Bach; Jadran Duncumb |
2:30 | |||
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1.7
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Prelude in C Minor, BWV 999
Johann Sebastian Bach; Jadran Duncumb |
1:40 | |||
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1.8
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Fugue in G Minor, BWV 1000
Johann Sebastian Bach; Jadran Duncumb |
5:29 | |||
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Partita in C Minor, BWV 997
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1.9
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I. Fantasia
Johann Sebastian Bach; Jadran Duncumb |
3:27 | |||
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1.10
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II. Fuga
Johann Sebastian Bach; Jadran Duncumb |
7:18 | |||
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1.11
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III. Sarabande
Johann Sebastian Bach; Jadran Duncumb |
4:31 | |||
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1.12
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IV. Giga
Johann Sebastian Bach; Jadran Duncumb |
3:08 | |||
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1.13
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VI. Double
Johann Sebastian Bach; Jadran Duncumb |
3:54 | |||
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Digital Booklet
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Johann Sebastian Bach excelled as a player on several instruments, but the lute was not one of them. Even today, this renders his works for solo lute unique in the instrument’s vast repertoire where playing the lute has otherwise been a prerequistite to composing for it. As such, they pose unique challenges and dilemmas for players who want to present this music in the best light. Inspired by his teacher, Rolf Lislevand, Jadran Duncumb eschews the well-thumbed pages of Bach’s own manuscripts and sets out on a different path. Instead, following manuscripts by lutenists contemporary with Bach that take advantage of the instrument’s inherent strengths, he arrives at startling new conclusions.
96 kHz / 24-bit PCM – Audax Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.77 -4.73 to -1.01 | -21.32 -25.88 to -19.01 | -18.43 -22.40 to -16.20 | 13 11 to 14 | |
| 1 | I. Prelude | -1.01 | -19.61 | -16.7 | 13 |
| 2 | II. Allemande | -1.67 | -22.76 | -19.8 | 14 |
| 3 | III. Courante | -2.27 | -21.07 | -18.1 | 12 |
| 4 | IV. Sarabande | -4.73 | -25.88 | -22.4 | 14 |
| 5 | V. Gavottes I & II | -1.01 | -19.01 | -16.2 | 12 |
| 6 | VI. Gigue | -1.01 | -21.28 | -18.3 | 13 |
| 7 | Prelude in C Minor, BWV 999 | -2.59 | -20.62 | -17.9 | 11 |
| 8 | Fugue in G Minor, BWV 1000 | -1.01 | -20.03 | -17.0 | 13 |
| 9 | I. Fantasia | -1.15 | -20.65 | -17.8 | 13 |
| 10 | II. Fuga | -1.01 | -20.18 | -17.5 | 13 |
| 11 | III. Sarabande | -2.62 | -23.65 | -20.8 | 14 |
| 12 | IV. Giga | -1.90 | -22.38 | -19.8 | 14 |
| 13 | VI. Double | -1.02 | -20.10 | -17.3 | 12 |