℗ 2021 Naxos
| Released | January 15, 2021 |
| Duration | 1h 14m 42s |
| Record Label | Naxos |
| Catalogue No. | 8.573866 |
| Genre | Classical (Orchestral) |
Liszt & Busoni: Orchestral Works
Goran Filipec, Kodály Philharmonic Orchestra, Imre Kollár
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Hungarian Fantasy, S. 123 (Ed. G. Filipec)
Franz Liszt; Goran Filipec; Kodály Philharmonic Orchestra; Imre Kollár |
14:33 | |||
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1.2
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Rhapsodie espagnole, BV B 58 (After Liszt's S. 254)
Ferruccio Busoni; Goran Filipec; Kodály Philharmonic Orchestra; Imre Kollár |
13:46 | |||
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De profundis, S. 121a (Excerpts Completed by J. Rosenblatt)
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1.3
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Andante
Franz Liszt; Goran Filipec; Kodály Philharmonic Orchestra; Imre Kollár |
19:35 | |||
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1.4
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Allegro moderato
Franz Liszt; Goran Filipec; Kodály Philharmonic Orchestra; Imre Kollár |
10:53 | |||
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1.5
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Totentanz, BV B 72 (After Liszt's S. 126)
Ferruccio Busoni; Goran Filipec; Kodály Philharmonic Orchestra; Imre Kollár |
15:55 | |||
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Digital Booklet
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The wedding in 1568 of Renate of Lorraine to Wilhelm V, heir to the throne of the Duke of Bavaria, was a sumptuous, 18-day spectacular designed to rival those of the Italian courts. Orlande de Lassus had been the court’s maestro di cappella since 1556. Using an eye-witness account of the event, Ensemble Origo presents a hypothetical reconstruction of some of his musical contributions – a Te Deum, the moresca (a genre related to the villanella), and an improvised comedy – thereby shedding light on some of the various meanings that the music had for its 16th-century listeners.
Ensemble Origo is an early music ensemble founded in 2010 and directed by Connecticut-based musicologist and conductor Eric Rice. Its aim is to present vibrant performances and recordings of early music – from the Middle Ages through to the Baroque – that reflect the context in which the repertory was originally produced and heard; ‘Origo’ is Latin for ‘earliest beginning’, ‘lineage’, or ‘origin’. The ensemble draws on a roster of musicians from Connecticut, Boston, and New York.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.36 -3.91 to -0.80 | -28.03 -30.14 to -26.99 | -24.08 -26.00 to -22.70 | 16 15 to 18 | |
| 1 | Hungarian Fantasy, S. 123 (Ed. G. Filipec) | -0.80 | -27.79 | -23.6 | 17 |
| 2 | Rhapsodie espagnole, BV B 58 (After Liszt's S. 254) | -2.58 | -26.99 | -23.4 | 15 |
| 3 | Andante | -3.71 | -30.14 | -26.0 | 17 |
| 4 | Allegro moderato | -3.91 | -28.13 | -24.7 | 15 |
| 5 | Totentanz, BV B 72 (After Liszt's S. 126) | -0.80 | -27.07 | -22.7 | 18 |