℗ 2021 Odradek Records
Released | February 5, 2021 |
Duration | 1h 12m 35s |
Record Label | Odradek Records |
Catalogue No. | ODRCD400 |
Genre | Classical (Keyboard) |
En Pièces: Music by Marc Monnet
François-Frédéric Guy
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
En pièces, Premier livre
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1.1
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I. éclats
Marc Monnet; François-Frédéric Guy |
1:35 | |||
1.2
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II. glissades
Marc Monnet; François-Frédéric Guy |
1:10 | |||
1.3
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III. en devenir
Marc Monnet; François-Frédéric Guy |
2:39 | |||
1.4
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IV. comme si de rien n'était
Marc Monnet; François-Frédéric Guy |
1:33 | |||
1.5
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V. de la résonance
Marc Monnet; François-Frédéric Guy |
3:09 | |||
1.6
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VI. extrême
Marc Monnet; François-Frédéric Guy |
1:16 | |||
1.7
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VII. Où est-ce?
Marc Monnet; François-Frédéric Guy |
3:30 | |||
1.8
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VIII. rythme - éclats
Marc Monnet; François-Frédéric Guy |
2:13 | |||
1.9
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IX. l'autre voyage (étude sur les sonorités d'après Imaginary Travel)
Marc Monnet; François-Frédéric Guy |
5:44 | |||
1.10
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X. mouvement de l'âme
Marc Monnet; François-Frédéric Guy |
1:01 | |||
1.11
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XI. pour la mort d'amour
Marc Monnet; François-Frédéric Guy |
4:12 | |||
1.12
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XII. incompréhensible
Marc Monnet; François-Frédéric Guy |
1:33 | |||
En pièces, Deuxième livre
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1.13
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I. du mouvement, de la résonance, du silence
Marc Monnet; François-Frédéric Guy |
10:01 | |||
1.14
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II. jeux d'eau
Marc Monnet; François-Frédéric Guy |
4:21 | |||
1.15
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III. chant obscur
Marc Monnet; François-Frédéric Guy |
6:49 | |||
1.16
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IV. fulgurance
Marc Monnet; François-Frédéric Guy |
1:31 | |||
1.17
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V. berceuse
Marc Monnet; François-Frédéric Guy |
4:13 | |||
1.18
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VI. suspension
Marc Monnet; François-Frédéric Guy |
3:25 | |||
1.19
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VII. balancement onirique
Marc Monnet; François-Frédéric Guy |
3:18 | |||
1.20
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VIII. vertical et mouvant
Marc Monnet; François-Frédéric Guy |
5:23 | |||
1.21
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Lettre à Albertine
Marc Monnet; François-Frédéric Guy |
3:59 |
“Guy’s whole being seems to expand into the music and he embodies an emotional involvement through rhythmic flexibility…”
- Gramophone Magazine
Exceptional French pianist François-Frédéric Guy performs both volumes of Marc Monnet’s inventive, resonant and evocative En pièces, the first set of which was dedicated to him by the composer, a figure renowned for his innovative and often witty scores.
Marc Monnet’s extraordinary musical life has been auspicious from the start: he studied with Kagel and Stockhausen in Cologne, gained attention at the Darmstadt summer school and was awarded a residency at the Villa Medici. The first book of En pièces (2007) is dedicated to François-Frédéric Guy, who premiered the entire collection at the Strasbourg Musica Festival in 2012. A long artistic companionship and a real friendship bind these two artists. François-Frédéric Guy has praised Monnet’s dazzling ability “to push piano techniques to their extreme”, as well as his “freedom of tone”, and his “Schumannian” inspiration in music of “whimsical, even fantastic, and unclassifiable character”.
Following his acclaimed appearance with Geoffroy Couteau on the Odradek release L’obscur est un chemin, François-Frédéric Guy brings his extraordinary intellect and musicianship to Monnet’s music in repertoire with which he feels a powerful and personal affinity. Guy is renowned internationally for his outstanding interpretations, especially as a Beethoven specialist, but is equally at home in contemporary repertoire.
96 kHz / 24-bit PCM – Odradek Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.07 -23.26 to -0.26 | -24.77 -44.89 to -15.66 | -20.10 -41.50 to -12.50 | 13 9 to 20 | |
1 | I. éclats | -2.32 | -20.28 | -15.3 | 10 |
2 | II. glissades | -2.89 | -23.17 | -19.6 | 13 |
3 | III. en devenir | -3.40 | -21.79 | -18.2 | 12 |
4 | IV. comme si de rien n'était | -0.26 | -21.30 | -18.1 | 13 |
5 | V. de la résonance | -0.26 | -24.38 | -17.8 | 14 |
6 | VI. extrême | -0.26 | -15.66 | -12.5 | 9 |
7 | VII. Où est-ce? | -3.09 | -28.73 | -22.0 | 17 |
8 | VIII. rythme - éclats | -0.26 | -18.38 | -15.2 | 13 |
9 | IX. l'autre voyage (étude sur les sonorités d'après Imaginary Travel) | -0.26 | -25.60 | -19.0 | 16 |
10 | X. mouvement de l'âme | -0.26 | -16.83 | -13.5 | 10 |
11 | XI. pour la mort d'amour | -0.26 | -33.67 | -25.6 | 20 |
12 | XII. incompréhensible | -0.26 | -18.93 | -15.9 | 12 |
13 | I. du mouvement, de la résonance, du silence | -0.26 | -24.57 | -19.3 | 15 |
14 | II. jeux d'eau | -0.26 | -20.89 | -15.7 | 11 |
15 | III. chant obscur | -0.26 | -22.79 | -16.9 | 13 |
16 | IV. fulgurance | -0.26 | -22.83 | -17.3 | 14 |
17 | V. berceuse | -23.26 | -44.89 | -41.5 | 14 |
18 | VI. suspension | -7.35 | -29.44 | -26.0 | 13 |
19 | VII. balancement onirique | -18.61 | -39.58 | -36.2 | 12 |
20 | VIII. vertical et mouvant | -0.26 | -19.50 | -15.7 | 11 |
21 | Lettre à Albertine | -0.26 | -27.07 | -20.7 | 17 |