℗ 2016 Polydor Ltd. (UK) under exclusive license in the U.S. to Republic Records, a division of UMG Recordings, Inc.
| Released | May 6, 2016 |
| Duration | 1h 16m 23s |
| Record Label | Universal Records |
| Genre | Electronic |
|
1.1
|
Radio Silence
James Blake |
4:01 | |||
|
1.2
|
Points
James Blake |
3:31 | |||
|
1.3
|
Love Me In Whatever Way
James Blake |
5:03 | |||
|
1.4
|
Timeless
James Blake |
4:22 | |||
|
1.5
|
f.o.r.e.v.e.r.
James Blake |
2:41 | |||
|
1.6
|
Put That Away And Talk To Me
James Blake |
3:58 | |||
|
1.7
|
I Hope My Life (1-800 Mix)
James Blake |
5:40 | |||
|
1.8
|
Waves Know Shores
James Blake |
2:56 | |||
|
1.9
|
My Willing Heart
James Blake |
4:03 | |||
|
1.10
|
Choose Me
James Blake |
5:38 | |||
|
1.11
|
I Need A Forest Fire (feat. Bon Iver)
James Blake; Bon Iver |
4:17 | |||
|
1.12
|
Noise Above Our Heads
James Blake |
5:04 | |||
|
1.13
|
The Colour In Anything
James Blake |
3:34 | |||
|
1.14
|
Two Men Down
James Blake |
6:02 | |||
|
1.15
|
Modern Soul
James Blake |
5:33 | |||
|
1.16
|
Always
James Blake |
5:05 | |||
|
1.17
|
Meet You In The Maze
James Blake |
4:55 |
"... not only Blake at his best, but also his most personal. Blake's expanded his both his heart and his process here, making music with others outside of his laptop to demonstrate the growth that had led to this brilliant, fulfilling work."
- Exclaim!
"Four Stars ... (Blake’s vocal style) is not only distinctive, it’s peerless. It’s magical in its evocative powers ... he can summon a sort of joyful sadness that seems to transcend the song itself ... feels both toweringly accomplished and heart-wrenchingly frail ... for that reason it should be treasured."
- The Guardian
"... proves why he's Beyoncé's favourite sad sound sculptor ... for a guy who specializes in quiet, forlorn music, James Blake can deliver quite an emotional wallop ... reaches back to the abstract electronics and agile, brittle beats of his early EPs while pushing his songwriting towards new levels of sad urgent grandeur. Blake's bell-clear tenor has never sounded more wounded, or more ethereal ..."
- Rolling Stone
Critics worldwide lavishly praised The Colour In Anything, the first full-length release from British electronic artist and producer James Blake since his 2013 number one dance album Overgrown. Co-produced by Rick Rubin, The Colour In Anything features guests Frank Ocean and Justin Vernon of Bon Iver.
44.1 kHz / 24-bit PCM – Universal Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.29 -2.42 to 0.00 | -16.58 -25.96 to -13.00 | -14.02 -21.70 to -10.80 | 10 7 to 16 | |
| 1 | Radio Silence | -0.75 | -13.00 | -10.8 | 7 |
| 2 | Points | -0.29 | -17.94 | -16.1 | 11 |
| 3 | Love Me In Whatever Way | -0.09 | -15.02 | -12.6 | 8 |
| 4 | Timeless | 0.00 | -13.70 | -12.4 | 8 |
| 5 | f.o.r.e.v.e.r. | -2.42 | -21.53 | -17.8 | 11 |
| 6 | Put That Away And Talk To Me | 0.00 | -15.99 | -14.6 | 10 |
| 7 | I Hope My Life (1-800 Mix) | 0.00 | -15.26 | -13.5 | 10 |
| 8 | Waves Know Shores | -1.10 | -19.01 | -15.8 | 11 |
| 9 | My Willing Heart | 0.00 | -15.33 | -13.1 | 9 |
| 10 | Choose Me | 0.00 | -14.17 | -11.3 | 8 |
| 11 | I Need A Forest Fire (feat. Bon Iver) | 0.00 | -13.85 | -11.3 | 8 |
| 12 | Noise Above Our Heads | 0.00 | -13.65 | -12.1 | 8 |
| 13 | The Colour In Anything | 0.00 | -18.50 | -14.6 | 12 |
| 14 | Two Men Down | -0.14 | -16.74 | -13.7 | 11 |
| 15 | Modern Soul | 0.00 | -15.83 | -12.8 | 9 |
| 16 | Always | -0.03 | -16.38 | -14.1 | 10 |
| 17 | Meet You In The Maze | -0.16 | -25.96 | -21.7 | 16 |