℗ 2021 Paraty
Released February 5, 2021
Duration 1h 02m 50s
Record Label Paraty
Catalogue No. PTY170332D
Genre Classical (String trio, piano trio)
 

Beethoven: Trios for piano, clarinet and cello, Ops. 11 & 38

Filipe Pinto-Ribeiro, Pascal Moraguès, Adrian Brendel

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Trio for piano, clarinet and cello in B-Flat Major, Op. 11 « Gassenhauer »  
1.1
I. Allegro con brio
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
9:43
1.2
II. Adagio
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
5:21
1.3
III. Thema. Pria ch'io l'impegno. Allegretto - con variazioni
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
7:03
Trio for piano, clarinet and cello in E-Flat Major, Op. 38 (After Septet, Op. 20)  
1.4
I. Adagio - Allegro con brio
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
10:31
1.5
II. Adagio cantabile
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
9:03
Trio for piano, clarinet and cello in E-Flat Major, Opus 38 (After Septet Op. 20)  
1.6
III. Tempo di menuetto
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
3:03
Trio for piano, clarinet and cello in E-Flat Major, Op. 38 (After Septet, Op. 20)  
1.7
IV. Andante con variazioni
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
7:06
1.8
V. Scherzo. Allegro molto e vivace
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
3:08
1.9
VI. Andante con moto, alla marcia. Presto
Ludwig van Beethoven; Filipe Pinto-Ribeiro; Pascal Moraguès; Adrian Brendel
7:52
Digital Booklet
In Vienna, Beethoven made a name for himself first and foremost as a virtuoso and improviser. To him, improvising was absolutely euphoric. Czerny said he was impressed by the ease and the vigour with which Beethoven developed a theme on the keyboard. Berlioz wrote in Le Correspondant in 1829, two years after Beethoven's death: "All those who heard him maintain that nothing can give an idea of the wonders that he worked on these occasions; his volcanic genius seemed to erupt, and to launch thousands of blazing ideas with a kind of fury, unknown effects and combinations which one would believe impossible if one saw them on paper." The Trio for Piano, Clarinet (or Violin) and Cello Op. 11 was composed in 1798 in Vienna, performed that same year before Count von Fries, and dedicated to Countess von Thun, Lichnowsky's mother-in-law. Cello, Double Bass, Clarinet, Horn and Bassoon Op. 20, and dedicated it to his friend, the doctor Johann Adam Schmitt. The Trio adopts a structure similar to that of an 18th century Serenade or Divertimento, of several movements, as with those by Haydn and Mozart.
88.2 kHz / 24-bit PCM – Paraty Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.52
-1.68 to -0.20
-22.41
-24.53 to -20.51
-18.89
-21.10 to -16.70
14
12 to 16
1
I. Allegro con brio
-0.20-20.51-16.713
2
II. Adagio
-1.11-23.76-19.912
3
III. Thema. Pria ch'io l'impegno. Allegretto - con variazioni
-0.20-20.85-16.713
4
I. Adagio - Allegro con brio
-0.20-21.84-18.514
5
II. Adagio cantabile
-0.69-24.53-21.114
6
III. Tempo di menuetto
-1.68-22.91-19.812
7
IV. Andante con variazioni
-0.20-24.10-21.016
8
V. Scherzo. Allegro molto e vivace
-0.20-21.58-18.214
9
VI. Andante con moto, alla marcia. Presto
-0.20-21.58-18.114

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