℗ 2021 Naxos
Released | January 15, 2021 |
Duration | 1h 10m 54s |
Record Label | Naxos |
Catalogue No. | 8.574218 |
Genre | Classical (Orchestral) |
Alrich, Jenkins & Rorem: Mallet Concertos
Evelyn Glennie, City Chamber Orchestra of Hong Kong, Jean Thorel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Marimba Concerto
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1.1
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I. Con moto
Alexis Alrich; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
11:13 | |||
1.2
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II. Lento
Alexis Alrich; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
9:54 | |||
1.3
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III. Energico
Alexis Alrich; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
11:57 | |||
1.4
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Marimba Concerto "La foila" (After Corelli's Op. 5 No. 12)
Karl Jenkins; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
11:20 | |||
Mallet Concerto
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1.5
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I. A Beginning
Ned Rorem; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
3:35 | |||
1.6
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II. Another Minotaur
Ned Rorem; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
5:27 | |||
1.7
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III. Back and Forth
Ned Rorem; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
3:40 | |||
1.8
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IV. A Xylo-Waltz
Ned Rorem; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
3:18 | |||
1.9
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V. Let Me In
Ned Rorem; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
4:45 | |||
1.10
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VI. Tag
Ned Rorem; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
2:12 | |||
1.11
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VII. An Ending
Ned Rorem; Evelyn Glennie; City Chamber Orchestra of Hong Kong; Jean Thorel |
3:33 | |||
Digital Booklet
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This compilation of concertos for mallet instruments features triple GRAMMY Award-winning percussion virtuoso Dame Evelyn Glennie and City Chamber Orchestra of Hong Kong. Alexis Alrich’s Marimba Concerto, a rich amalgam of bold rhythms and exuberance, also explores Mexican and Asian-inspired music.
Sir Karl Jenkins traces the 15th-century tune La Folia, furnishing it with refinement and strongly characterized intensity. Ned Rorem’s Mallet Concerto highlights the contrasting resonances of four different pitched mallets in music of drama and dynamism.
Dame Evelyn Glennie is the first person in musical history to successfully create and sustain a career as a full-time solo percussionist. As an eclectic and innovative musician and composer, she is constantly redefining the goals and expectations of percussion. Her diverse collaborations include performances with Björk, Bobby McFerrin, Sting, Mark Knopfler, The King’s Singers and Béla Fleck. She has performed as soloist with many of the world’s major orchestras, and took a lead role in the opening ceremony to mark the 2012 Olympics in London.
Dame Evelyn Glennie has commissioned over two hundred new works for solo percussion from many of the world’s most eminent composers. She has made over forty solo recordings, three of which have received GRAMMY Awards. She has received over ninety international awards, including an Order of the British Empire (OBE), Dame Commander (DBE) and the Companion of Honour.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.75 -13.34 to -0.49 | -26.38 -33.37 to -21.26 | -22.05 -29.70 to -17.70 | 14 10 to 18 | |
1 | I. Con moto | -0.68 | -21.29 | -17.8 | 13 |
2 | II. Lento | -0.69 | -22.93 | -19.6 | 13 |
3 | III. Energico | -0.64 | -21.26 | -17.7 | 13 |
4 | Marimba Concerto "La foila" (After Corelli's Op. 5 No. 12) | -1.49 | -23.34 | -20.0 | 13 |
5 | I. A Beginning | -13.34 | -33.37 | -29.7 | 10 |
6 | II. Another Minotaur | -2.65 | -28.04 | -22.4 | 16 |
7 | III. Back and Forth | -5.83 | -26.87 | -23.0 | 13 |
8 | IV. A Xylo-Waltz | -0.49 | -25.49 | -20.1 | 18 |
9 | V. Let Me In | -2.69 | -27.12 | -21.0 | 14 |
10 | VI. Tag | -2.89 | -27.61 | -22.0 | 15 |
11 | VII. An Ending | -9.82 | -32.82 | -29.3 | 13 |