℗ 2020 Gramola Records
Released | January 15, 2021 |
Duration | 1h 06m 26s |
Record Label | Gramola Records |
Catalogue No. | Gramola99223 |
Genre | Classical (Romantic Era) |
Schubert's Women
Gabriele Jacoby, Klaudia Tandl, Niall Kinsella
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Das Echo
Gabriele Jacoby |
2:10 | |||
4 Refrainlieder, Op. 95, D. 866
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1.2
|
No. 3, Die Männer sind méchant
Klaudia Tandl; Niall Kinsella |
2:17 | |||
1.3
|
Du liebst mich nicht, Op. 59 No. 1, D. 756
Klaudia Tandl; Niall Kinsella |
3:39 | |||
1.4
|
Des Mädchens Klage, Op. 58 No. 3, D. 191
Klaudia Tandl; Niall Kinsella |
4:01 | |||
1.5
|
Kennst du das Land
Gabriele Jacoby |
1:24 | |||
1.6
|
Nur wer die Sehnsucht kennt
Gabriele Jacoby |
0:31 | |||
1.7
|
Mignon, D. 321 (1832 Version)
Klaudia Tandl; Niall Kinsella |
4:12 | |||
4 Gesänge aus "Wilhelm Meister", Op. 62, D. 877 (Excerpts)
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1.8
|
No. 2, Heiss mich nicht reden
Klaudia Tandl; Niall Kinsella |
4:04 | |||
1.9
|
No. 3, So lasst mich scheinen
Klaudia Tandl; Niall Kinsella |
3:06 | |||
1.10
|
No. 4, Nur wer die Sehnsucht kenn
Klaudia Tandl; Niall Kinsella |
2:54 | |||
1.11
|
Erster Verlust
Gabriele Jacoby |
0:36 | |||
1.12
|
Liebesbotschaft
Gabriele Jacoby |
1:09 | |||
1.13
|
Der Jüngling an der Quelle, D. 300
Klaudia Tandl; Niall Kinsella |
1:44 | |||
1.14
|
Luisens Antwort, D. 319 (1895 Version)
Klaudia Tandl; Niall Kinsella |
2:15 | |||
1.15
|
Thekla, eine Geisterstimme
Gabriele Jacoby |
1:39 | |||
1.16
|
Thekla, Op. 88 No. 2, D. 595 (1827 Version)
Klaudia Tandl; Niall Kinsella |
5:03 | |||
1.17
|
Die junge Nonne, Op. 43 No. 1, D. 828
Klaudia Tandl; Niall Kinsella |
4:18 | |||
1.18
|
Der Fischer
Gabriele Jacoby |
1:39 | |||
1.19
|
Das Rosenband
Gabriele Jacoby |
0:48 | |||
1.20
|
Das Heidenröslein
Gabriele Jacoby |
1:14 | |||
1.21
|
Der Fischer, Op. 5 No. 3, D. 225 (1821 Version)
Klaudia Tandl; Niall Kinsella |
2:39 | |||
1.22
|
Heidenröslein, Op. 3 No. 3, D. 257
Klaudia Tandl; Niall Kinsella |
1:53 | |||
1.23
|
Faust Final Lines
Gabriele Jacoby |
0:22 | |||
1.24
|
Der König in Thule, Op. 5 No. 5, D. 367
Klaudia Tandl; Niall Kinsella |
3:21 | |||
1.25
|
Gretchen am Spinnrade, Op. 2, D. 118
Klaudia Tandl; Niall Kinsella |
3:24 | |||
1.26
|
Gretchen im Zwinger, D. 564 (Completed by B. Britten)
Klaudia Tandl; Niall Kinsella |
6:04 | |||
Digital Booklet
|
The Austrian mezzo-soprano Klaudia Tandl, acting legend Gabriele Jacoby and the Irish pianist Niall Kinsella present with Schubert’s Women Schubert songs and recitations by contemporary poets with a strong connection to women and the subject “love”. There are classics like Das Heidenröslein, Du liebst mich nicht, Des Mädchens Klage or Nur wer die Sehnsucht kennt, but also lesser known songs like Luisens Antwort, Thekla or Gretchens Bitte. These are intertwined with poems by Johann Wolfgang von Goethe, Ludwig Rellstab, Friedrich Schiller, Ignaz Franz Castelli, and Friedrich Gottlieb Klopstock, which Gabriele Jacoby stages in a unique way.
88.2 kHz / 24-bit PCM – Gramola Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.18 -12.93 to -0.16 | -28.63 -34.02 to -22.56 | -24.64 -28.90 to -19.10 | 14 11 to 16 | |
1 | Das Echo | -6.07 | -31.59 | -27.5 | 15 |
2 | No. 3, Die Männer sind méchant | -2.02 | -22.84 | -19.7 | 14 |
3 | Du liebst mich nicht, Op. 59 No. 1, D. 756 | -2.78 | -25.17 | -20.8 | 13 |
4 | Des Mädchens Klage, Op. 58 No. 3, D. 191 | -1.86 | -25.23 | -22.1 | 13 |
5 | Kennst du das Land | -8.75 | -32.32 | -27.6 | 13 |
6 | Nur wer die Sehnsucht kennt | -12.21 | -33.31 | -28.4 | 14 |
7 | Mignon, D. 321 (1832 Version) | -1.33 | -24.24 | -20.9 | 14 |
8 | No. 2, Heiss mich nicht reden | -2.25 | -25.97 | -21.9 | 15 |
9 | No. 3, So lasst mich scheinen | -3.90 | -26.60 | -22.8 | 14 |
10 | No. 4, Nur wer die Sehnsucht kenn | -2.66 | -26.88 | -22.6 | 13 |
11 | Erster Verlust | -12.93 | -34.02 | -28.9 | 13 |
12 | Liebesbotschaft | -11.62 | -32.82 | -28.7 | 15 |
13 | Der Jüngling an der Quelle, D. 300 | -6.37 | -29.10 | -26.0 | 11 |
14 | Luisens Antwort, D. 319 (1895 Version) | -4.55 | -26.61 | -23.1 | 13 |
15 | Thekla, eine Geisterstimme | -10.30 | -33.37 | -28.9 | 16 |
16 | Thekla, Op. 88 No. 2, D. 595 (1827 Version) | -9.03 | -30.19 | -27.3 | 12 |
17 | Die junge Nonne, Op. 43 No. 1, D. 828 | -1.36 | -24.87 | -21.8 | 14 |
18 | Der Fischer | -9.13 | -31.83 | -27.4 | 15 |
19 | Das Rosenband | -11.63 | -33.36 | -28.5 | 15 |
20 | Das Heidenröslein | -9.69 | -32.62 | -26.8 | 15 |
21 | Der Fischer, Op. 5 No. 3, D. 225 (1821 Version) | -6.31 | -26.59 | -23.7 | 13 |
22 | Heidenröslein, Op. 3 No. 3, D. 257 | -6.38 | -27.22 | -23.7 | 13 |
23 | Faust Final Lines | -10.92 | -32.35 | -27.3 | 11 |
24 | Der König in Thule, Op. 5 No. 5, D. 367 | -6.22 | -27.67 | -24.4 | 12 |
25 | Gretchen am Spinnrade, Op. 2, D. 118 | -0.33 | -22.56 | -19.1 | 13 |
26 | Gretchen im Zwinger, D. 564 (Completed by B. Britten) | -0.16 | -24.99 | -20.7 | 16 |