℗ 2016 Toccata Classics
| Released | June 3, 2016 |
| Duration | 1h 15m 39s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0368 |
| Genre | Classical (Concertos) |
Arnold Rosner: Orchestral Music
Peter Riegert, Peter Vinograde, London Philharmonic Orchestra, David Amos
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Concerto No. 2, Op. 30
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1.1
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I. Scherzo. Allegro
Arnold Rosner; Peter Vinograde; London Philharmonic Orchestra; David Amos |
7:22 | |||
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1.2
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II. Largo
Arnold Rosner; Peter Vinograde; London Philharmonic Orchestra; David Amos |
5:56 | |||
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1.3
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III. Presto
Arnold Rosner; Peter Vinograde; London Philharmonic Orchestra; David Amos |
6:02 | |||
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1.4
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Gematria, Op. 93
Arnold Rosner; London Philharmonic Orchestra; David Amos |
17:32 | |||
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Six Pastoral Dances, Op. 40
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1.5
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No. 1. Intrada
Arnold Rosner; London Philharmonic Orchestra; David Amos |
1:04 | |||
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1.6
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No. 2. Waltz
Arnold Rosner; London Philharmonic Orchestra; David Amos |
2:09 | |||
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1.7
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No. 3. Pavane
Arnold Rosner; London Philharmonic Orchestra; David Amos |
3:50 | |||
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1.8
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No. 4. Gigue
Arnold Rosner; London Philharmonic Orchestra; David Amos |
1:01 | |||
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1.9
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No. 5. Sarabande
Arnold Rosner; London Philharmonic Orchestra; David Amos |
1:48 | |||
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1.10
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No. 6. Galliard and Reprise
Arnold Rosner; London Philharmonic Orchestra; David Amos |
2:06 | |||
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1.11
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From the Diaries of Adam Czerniaków, Op. 82
Arnold Rosner; Peter Riegert; London Philharmonic Orchestra; David Amos |
26:49 | |||
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Digital Booklet
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The London Philharmonic Orchestra and pianist Peter Vinograde devote this album to late New York-based composer Arnold Rosner, whose musical language drapes the modal harmony and rhythm of pre-Baroque polyphony in rich Romantic colours, producing a style that is instantly recognizable and immediately appealing. The piano concerto which opens this programme reveals that Rosner's personality was present from the start: although it was written before he had any formal training in composition, its confidence and individuality are striking. On the other works here, the LPO displays the full range of Rosner’s music, from his fondness for Elizabethan dance and his exploration of symphonic minimalism to an identification with his Jewish roots, in a harrowing setting for speaker and orchestra of extracts from the diary of the leader of the Warsaw Ghetto, with actor Peter Riegert providing the voice of the speaker.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.75 -16.46 to -0.99 | -26.13 -34.54 to -19.55 | -22.39 -31.90 to -15.20 | 12 11 to 14 | |
| 1 | I. Scherzo. Allegro | -0.99 | -20.21 | -16.2 | 12 |
| 2 | II. Largo | -1.25 | -23.83 | -17.6 | 13 |
| 3 | III. Presto | -0.99 | -19.55 | -15.2 | 11 |
| 4 | Gematria, Op. 93 | -1.00 | -21.34 | -17.6 | 12 |
| 5 | No. 1. Intrada | -5.97 | -25.94 | -22.3 | 12 |
| 6 | No. 2. Waltz | -8.47 | -31.59 | -28.6 | 14 |
| 7 | No. 3. Pavane | -15.10 | -34.03 | -30.9 | 11 |
| 8 | No. 4. Gigue | -6.73 | -28.11 | -25.0 | 14 |
| 9 | No. 5. Sarabande | -16.46 | -34.54 | -31.9 | 11 |
| 10 | No. 6. Galliard and Reprise | -5.32 | -26.62 | -23.2 | 13 |
| 11 | From the Diaries of Adam Czerniaków, Op. 82 | -1.00 | -21.66 | -17.8 | 12 |