℗ 2021 Accentus Music
| Released | February 12, 2021 |
| Duration | 1h 14m 38s |
| Record Label | Accentus Music |
| Catalogue No. | ACC-30531 |
| Genre | Classical (Piano) |
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Violin Partita No. 3 in E Major, BWV 1006 (Excerpts Arr. S. Rachmaninoff for Piano)
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1.1
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I. Prelude
Johann Sebastian Bach; Zlata Chochieva |
3:19 | |||
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1.2
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III. Gavotte
Johann Sebastian Bach; Zlata Chochieva |
2:44 | |||
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1.3
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VII. Gigue
Johann Sebastian Bach; Zlata Chochieva |
1:09 | |||
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Brandenburg Concerto No. 3 in G Major, BWV 1048
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1.4
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I. Vivo (Arr. I. Friedman for Piano)
Johann Sebastian Bach; Zlata Chochieva |
5:45 | |||
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Flute Sonata in E-Flat Major, BWV 1031
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1.5
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II. Siciliano (Arr. I. Friedman for Piano)
Johann Sebastian Bach; Zlata Chochieva |
2:28 | |||
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Violin Partita No. 1 in B Minor, BWV 1002
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1.6
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VII. Tempo di borea (Arr. I. Friedman for Piano)
Johann Sebastian Bach; Zlata Chochieva |
2:08 | |||
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Müllerlieder von Franz Schubert, S. 565
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1.7
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No. 5, Wohin?
Franz Liszt; Zlata Chochieva |
2:48 | |||
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Franz Schuberts geistliche Lieder, S. 562
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1.8
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No. 1, Litanei
Franz Liszt; Zlata Chochieva |
3:31 | |||
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12 Lieder von Franz Schubert, S. 558
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1.9
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No. 2, Auf dem Wasser zu singen
Franz Liszt; Zlata Chochieva |
3:43 | |||
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1.10
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Die Forelle, S. 564 (After Schubert's D. 550)
Franz Liszt; Zlata Chochieva |
3:51 | |||
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Lieder aus Franz Schubert's Schwanengesang, S. 560
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1.11
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No. 7, Ständchen
Franz Liszt; Zlata Chochieva |
5:39 | |||
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Mendelssohns Lieder, S. 547 (Excerpts)
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1.12
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No. 1, Auf Flügeln des Gesanges
Franz Liszt; Zlata Chochieva |
3:29 | |||
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1.13
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No. 2, Sonntagslied
Franz Liszt; Zlata Chochieva |
1:54 | |||
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1.14
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No. 4, Neue Liebe
Franz Liszt; Zlata Chochieva |
2:07 | |||
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A Midsummer Night's Dream, Op. 61, MWV M 13
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1.15
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I. Scherzo (Arr. S. Rachmaninoff for Piano)
Felix Mendelssohn; Zlata Chochieva |
3:59 | |||
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L'Arlésienne Suite No. 1, Op. 23bis, WD 40
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1.16
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II. Minuetto (Arr. S. Rachmaninoff for Piano)
Georges Bizet; Zlata Chochieva |
2:49 | |||
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Symphony No. 3 in D Minor
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1.17
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II. Tempo di Menuetto. Sehr mäßig (Arr. I. Friedman for Piano)
Gustav Mahler; Zlata Chochieva |
9:19 | |||
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1.18
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Lullaby Op. 16 No. 1, TH 95 (Arr. S. Rachmaninoff for Piano)
Pyotr Ilyich Tchaikovsky; Zlata Chochieva |
3:41 | |||
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The Fair at Sorotchintsy
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1.19
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Hopak (Arr. S. Rachmaninoff for Piano)
Modest Mussorgsky; Zlata Chochieva |
1:41 | |||
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1.20
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Adagio in G Minor (Arr. I. Friedman for Piano)
Giovanni Battista Grazioli; Zlata Chochieva |
4:35 | |||
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6 Viennese Dances
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1.21
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No. 1, Tempo di Valse lente (After Gärtner)
Ignaz Friedman; Zlata Chochieva |
3:59 | |||
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Digital Booklet
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Accentus Music releases this new album of piano transcriptions interpreted by acclaimed pianist Zlata Chochieva. Transcribing musical works for other instruments or instrumentations has a long tradition in music history. Sometimes, the composers themselves wrote different versions of their works and often it is the musicians who adapt works for their own instruments. Even great composers have enjoyed arranging the works of their predecessors and have thus transported them into their time and era of music history and lent their own interpretations to them.
Among those are Sergei Rachmaninoff, Franz Liszt, and Ignaz Friedman – all three great pianists and composers. Renowned Russian pianist Zlata Chochieva presents their transcriptions of the works of great composers such as Bach, Mendelssohn and Mahler on her new album (re)creations.
96 kHz / 24-bit PCM – Accentus Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.91 -9.33 to -0.12 | -23.19 -29.53 to -16.79 | -20.15 -26.60 to -13.70 | 12 11 to 15 | |
| 1 | I. Prelude | -0.12 | -18.52 | -15.7 | 11 |
| 2 | III. Gavotte | -2.36 | -22.44 | -19.4 | 13 |
| 3 | VII. Gigue | -1.25 | -20.24 | -17.3 | 12 |
| 4 | I. Vivo (Arr. I. Friedman for Piano) | -0.12 | -18.92 | -16.3 | 12 |
| 5 | II. Siciliano (Arr. I. Friedman for Piano) | -9.33 | -29.37 | -26.5 | 12 |
| 6 | VII. Tempo di borea (Arr. I. Friedman for Piano) | -0.12 | -18.22 | -15.5 | 11 |
| 7 | No. 5, Wohin? | -6.00 | -24.08 | -21.5 | 11 |
| 8 | No. 1, Litanei | -7.86 | -29.50 | -26.6 | 13 |
| 9 | No. 2, Auf dem Wasser zu singen | -0.16 | -20.18 | -17.2 | 12 |
| 10 | Die Forelle, S. 564 (After Schubert's D. 550) | -3.14 | -23.32 | -19.8 | 12 |
| 11 | No. 7, Ständchen | -1.61 | -25.55 | -22.7 | 15 |
| 12 | No. 1, Auf Flügeln des Gesanges | -2.46 | -26.18 | -23.1 | 13 |
| 13 | No. 2, Sonntagslied | -5.93 | -25.68 | -22.2 | 12 |
| 14 | No. 4, Neue Liebe | -0.12 | -19.49 | -15.9 | 12 |
| 15 | I. Scherzo (Arr. S. Rachmaninoff for Piano) | -0.12 | -19.80 | -17.1 | 13 |
| 16 | II. Minuetto (Arr. S. Rachmaninoff for Piano) | -3.96 | -22.76 | -19.7 | 13 |
| 17 | II. Tempo di Menuetto. Sehr mäßig (Arr. I. Friedman for Piano) | -2.16 | -24.21 | -20.7 | 14 |
| 18 | Lullaby Op. 16 No. 1, TH 95 (Arr. S. Rachmaninoff for Piano) | -3.27 | -26.69 | -23.5 | 12 |
| 19 | Hopak (Arr. S. Rachmaninoff for Piano) | -0.12 | -16.79 | -13.7 | 11 |
| 20 | Adagio in G Minor (Arr. I. Friedman for Piano) | -8.93 | -29.53 | -26.6 | 13 |
| 21 | No. 1, Tempo di Valse lente (After Gärtner) | -1.91 | -25.58 | -22.1 | 15 |