Szymanowski, Klecki & Bargielski: Works for Violin & Piano
Dominika Przech, Adam Goździewski
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata in D Minor, Op. 9
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1.1
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I. Allegro moderato. Patetico
Karol Szymanowski; Dominika Przech; Adam Goździewski |
10:12 | |||
1.2
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II. Andante tranquillo e dolce
Karol Szymanowski; Dominika Przech; Adam Goździewski |
6:16 | |||
1.3
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III. Allegro molto, quasi presto
Karol Szymanowski; Dominika Przech; Adam Goździewski |
5:27 | |||
1.4
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Introduction & Rondo, Op. 21
Paweł Klecki; Dominika Przech; Adam Goździewski |
16:09 | |||
Neosonatina
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1.5
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I. Allegretto grazioso
Zbigniew Bargielski; Dominika Przech; Adam Goździewski |
3:42 | |||
1.6
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II. Allegretto sciolto
Zbigniew Bargielski; Dominika Przech; Adam Goździewski |
2:27 | |||
1.7
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III. Animato
Zbigniew Bargielski; Dominika Przech; Adam Goździewski |
3:10 | |||
1.8
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Notturno ‘81
Zbigniew Bargielski; Dominika Przech; Adam Goździewski |
14:39 | |||
Digital Booklet
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Violinist Dominika Przech and pianist Adam Mikolaj Gozdziewski present a repertoire of Polish music created throughout the 20th century, extremely ambitious in terms of performance and interpretation. All works presented on the album refer to the output of Karol Szymanowski, whose early Sonata in D minor, op. 9 opens the album. Original references to Szymanowski’s music in the works of Pawel Klecki and Zbigniew Bargielski are perceptible on the purely musical level, especially when one is aware of the artistic development path and inspiration of both artists.
The thread connecting Bargielski with Szymanowski goes back to his teenage years and his studies under the supervision of the following composers: Piotr Perkowski, Tadeusz Szeligowski, Boleslaw Szabelski and Nadia Boulanger, two of whom were Szymanowski’s students, one was his friend and Nadia Boulanger was the person to whom Szymanowski directed his students for further education:
"Testimony of his [Szymanowski’s] students, who were my teachers, embellished my ideas and intuitions” – the composer himself admits.A well-thought-out, mature interpretation of the presented works reveals not only their affinity in terms of form, emotionality or motivic phrases, but also emphasizes the individual details of all these elements."
96 kHz / 24-bit PCM – DUX Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -0.30 to -0.30 | -20.49 -25.43 to -16.00 | -16.18 -19.30 to -12.70 | 13 10 to 16 | |
1 | I. Allegro moderato. Patetico | -0.30 | -18.75 | -14.1 | 10 |
2 | II. Andante tranquillo e dolce | -0.30 | -22.06 | -17.3 | 14 |
3 | III. Allegro molto, quasi presto | -0.30 | -16.00 | -12.7 | 10 |
4 | Introduction & Rondo, Op. 21 | -0.30 | -20.19 | -16.4 | 12 |
5 | I. Allegretto grazioso | -0.30 | -20.13 | -16.3 | 12 |
6 | II. Allegretto sciolto | -0.30 | -22.79 | -18.2 | 14 |
7 | III. Animato | -0.30 | -18.59 | -15.1 | 12 |
8 | Notturno ‘81 | -0.30 | -25.43 | -19.3 | 16 |