℗ 2021 Naxos
| Released | January 29, 2021 |
| Duration | 56m 22s |
| Record Label | Naxos |
| Catalogue No. | 8.574244 |
| Genre | Classical (Percussion) |
American Percussion Works
Percurama Percussion Ensemble
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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First Construction (In Metal)
John Cage; Percurama Percussion Ensemble; Jean Thorel; Matteo Flori; Nicola Carrara; Victor Belloso; Gao Fan; Alexander Wnuk; Michal Jedynak |
8:16 | |||
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Cantata para América mágica, Op. 27
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1.2
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I. Preludio y canto a la aurora
Alberto Ginastera; Signe Asmussen; Percurama Percussion Ensemble; Jean Thorel; Johan Söderholm; Klaes Nielsen; Maciej Swinoga; Daniel Bechmann; Sara Gasparini; Frans Klingfors; Irene Bianco; Tian Ye; Zhan Long Yue; Aikaterini Anagnostidou; Filip Strauch; Marie-Luise Bodendo |
4:50 | |||
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1.3
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II. Nocturno y canto de amor
Alberto Ginastera; Signe Asmussen; Percurama Percussion Ensemble; Jean Thorel; Johan Söderholm; Klaes Nielsen; Maciej Swinoga; Daniel Bechmann; Sara Gasparini; Frans Klingfors; Irene Bianco; Tian Ye; Zhan Long Yue; Aikaterini Anagnostidou; Filip Strauch; Marie-Luise Bodendo |
3:31 | |||
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1.4
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III. Canto para la partida de los guerreros
Alberto Ginastera; Signe Asmussen; Percurama Percussion Ensemble; Jean Thorel; Johan Söderholm; Klaes Nielsen; Maciej Swinoga; Daniel Bechmann; Sara Gasparini; Frans Klingfors; Irene Bianco; Tian Ye; Zhan Long Yue; Aikaterini Anagnostidou; Filip Strauch; Marie-Luise Bodendo |
2:10 | |||
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1.5
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IV. Interludio fantástico
Alberto Ginastera; Percurama Percussion Ensemble; Jean Thorel; Johan Söderholm; Klaes Nielsen; Maciej Swinoga; Daniel Bechmann; Sara Gasparini; Frans Klingfors; Irene Bianco; Tian Ye; Zhan Long Yue; Aikaterini Anagnostidou; Filip Strauch; Marie-Luise Bodendorff; Hugo Selles; |
4:15 | |||
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1.6
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V. Canto de agonía y desolación
Alberto Ginastera; Signe Asmussen; Percurama Percussion Ensemble; Jean Thorel; Johan Söderholm; Klaes Nielsen; Maciej Swinoga; Daniel Bechmann; Sara Gasparini; Frans Klingfors; Irene Bianco; Tian Ye; Zhan Long Yue; Aikaterini Anagnostidou; Filip Strauch; Marie-Luise Bodendo |
4:45 | |||
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1.7
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VI. Canto de la profecía
Alberto Ginastera; Signe Asmussen; Percurama Percussion Ensemble; Jean Thorel; Johan Söderholm; Klaes Nielsen; Maciej Swinoga; Daniel Bechmann; Sara Gasparini; Frans Klingfors; Irene Bianco; Tian Ye; Zhan Long Yue; Aikaterini Anagnostidou; Filip Strauch; Marie-Luise Bodendo |
3:42 | |||
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Concerto for Violin & Percussion Orchestra
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1.8
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I. Allegro maestoso - Allegro vivace
Lou Harrison; Niklas Walentin; Percurama Percussion Ensemble; Jean Thorel; Tomasz Szczepaniak; Jan Runi; Michal Jedynak; Alexander Wnuk |
7:52 | |||
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1.9
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II. Largo
Lou Harrison; Niklas Walentin; Percurama Percussion Ensemble; Jean Thorel; Tomasz Szczepaniak; Jan Runi; Michal Jedynak; Alexander Wnuk |
7:20 | |||
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1.10
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III. Allegro vigoroso
Lou Harrison; Niklas Walentin; Percurama Percussion Ensemble; Jean Thorel; Tomasz Szczepaniak; Jan Runi; Michal Jedynak; Alexander Wnuk |
4:03 | |||
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1.11
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Ionisation (Live)
Edgard Varèse; Percurama Percussion Ensemble; Jean Thorel; Christian Back; René C. Jørgensen; Vladimir Kaplan; Jakob Johansson; Basilias Panagiotis; Andres Ramos; Neeraj Mehta; Alexander Henriksen; Sisse Tomczyk; Bernard Grodos; Julian Belli; Mads Hebsgaard; Lars Vester |
5:38 | |||
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Digital Booklet
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American Percussion Works is a rare collection of seldom heard works each with specific rules or themes as basis for the compositions. In John Cage’s First Construction the principle is based on the figure 16. Alberto Ginastera’s work Cantata para América Mágica, used pre-Columbian texts based on the conditions of human life, with war, natural phenomena, daybreak, night and love. Lou Harrison mixes non-European forms which ‘follow the pattern of having a single melodic part accompanied (or enhanced) by rhythmic percussion’ in his Koncherto. Varèse’s Ionisation also enters a new land being his first solely percussive work where ‘he finds a new grammar for the language of music’
48 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.82 -20.95 to -0.67 | -28.68 -43.51 to -21.99 | -24.13 -38.90 to -18.60 | 14 12 to 16 | |
| 1 | First Construction (In Metal) | -4.60 | -27.44 | -22.9 | 14 |
| 2 | I. Preludio y canto a la aurora | -2.62 | -23.53 | -20.0 | 13 |
| 3 | II. Nocturno y canto de amor | -12.64 | -34.83 | -29.2 | 13 |
| 4 | III. Canto para la partida de los guerreros | -3.04 | -21.99 | -18.6 | 12 |
| 5 | IV. Interludio fantástico | -20.95 | -43.51 | -38.9 | 14 |
| 6 | V. Canto de agonía y desolación | -8.03 | -30.85 | -23.0 | 13 |
| 7 | VI. Canto de la profecía | -2.73 | -27.20 | -22.7 | 14 |
| 8 | I. Allegro maestoso - Allegro vivace | -2.28 | -26.32 | -22.5 | 15 |
| 9 | II. Largo | -4.47 | -30.73 | -26.1 | 16 |
| 10 | III. Allegro vigoroso | -1.94 | -24.02 | -20.4 | 15 |
| 11 | Ionisation (Live) | -0.67 | -25.04 | -21.1 | 15 |