℗ 2018 Cherry Red Records Ltd Cherry Red Records Ltd
| Released | January 22, 2021 |
| Duration | 38m 45s |
| Record Label | Cherry Red Records |
| Genre | Rock (New Wave) |
|
1.1
|
Snap It Around
48 Chairs |
3:21 | |||
|
1.2
|
Relentless
48 Chairs |
3:29 | |||
|
1.3
|
Camaracadabra
48 Chairs |
3:39 | |||
|
1.4
|
Psycle Sluts
48 Chairs |
2:27 | |||
|
1.5
|
Samurai Swords
48 Chairs |
3:36 | |||
|
1.6
|
Cob On
48 Chairs |
2:58 | |||
|
1.7
|
You Were Never There
48 Chairs |
3:46 | |||
|
1.8
|
Discolero
48 Chairs |
3:40 | |||
|
1.9
|
Rhino Whip
48 Chairs |
3:47 | |||
|
1.10
|
Too Nice For Nigel
48 Chairs |
2:54 | |||
|
1.11
|
Snap It Around (Version)
48 Chairs |
3:02 | |||
|
1.12
|
Tootsies
48 Chairs |
2:06 |
Documenting the unlikely coupling of British free jazz bastion Lol Coxhill and the sarcy synth pop don't-wannabes known as Gerry And The Holograms this rare incognito full-length album bridges the micro-niches of electronic jazz and punk jazz from a band formed in 1979 at an axis where DIY and new wave hadn't quite collided!
With sprinklings of post-punk female vocals worthy of PragVEC and Suburban Lawns, featuring angular art rock paeans to voodoo dolls and closed-circuit TV, this privately released album comes directly from the man who gave Martin Hannett some of his best ideas and wrote the "Blue"print for Manchester's new musical order. Imagine if Talking Heads became Mark E Smith’s backing band for a week before being sacked for wearing a Frank Zappa t-shirt while Eric Dolphy forgot to take his headphones off… If that sounds up your street, then you should be paying double. A genuine lost moment from the post-punk era with progressive pop credentials from the university of Alberto Y Lost Trios Paranoias before everyone got a job at the local Factory.
48 kHz / 24-bit PCM – Cherry Red Records Studio Masters
Tracks 6, 12 – contains material which has been processed by a perceptual audio coding algorithm; 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 6, 12 – contains material which has been processed by a perceptual audio coding algorithm; 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.67 -1.95 to -0.22 | -14.21 -15.57 to -13.44 | -11.63 -12.60 to -10.30 | 9 8 to 10 | |
| 1 | Snap It Around | -0.25 | -13.69 | -10.3 | 9 |
| 2 | Relentless | -0.72 | -13.44 | -11.5 | 9 |
| 3 | Camaracadabra | -0.26 | -14.13 | -12.3 | 10 |
| 4 | Psycle Sluts | -0.49 | -13.47 | -11.2 | 9 |
| 5 | Samurai Swords | -0.49 | -14.54 | -11.5 | 10 |
| 6 | Cob On | -1.95 | -14.28 | -11.6 | 8 |
| 7 | You Were Never There | -0.22 | -14.10 | -11.9 | 10 |
| 8 | Discolero | -0.25 | -14.44 | -12.0 | 10 |
| 9 | Rhino Whip | -0.90 | -13.72 | -11.1 | 9 |
| 10 | Too Nice For Nigel | -0.81 | -14.79 | -12.2 | 10 |
| 11 | Snap It Around (Version) | -0.87 | -14.34 | -11.3 | 9 |
| 12 | Tootsies | -0.81 | -15.57 | -12.6 | 10 |