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Aquarelles

Alexandre Collard, Nicolas Royez

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Divertimento  
1.1
I. Introduzione
Jean Françaix; Alexandre Collard; Nicolas Royez
1:41
1.2
II. Aria di Cantabile
Jean Françaix; Alexandre Collard; Nicolas Royez
2:35
1.3
III. Canzonetta
Jean Françaix; Alexandre Collard; Nicolas Royez
3:15
Ariettes oubliées, L. 60  
1.4
C'est l'extase
Claude Debussy; Alexandre Collard; Nicolas Royez
2:34
1.5
Il pleure dans mon cœur
Claude Debussy; Alexandre Collard; Nicolas Royez
2:22
1.6
L'Ombre des arbres
Claude Debussy; Alexandre Collard; Nicolas Royez
2:42
1.7
Paysages belges - Chevaux De Bois
Claude Debussy; Alexandre Collard; Nicolas Royez
2:51
1.8
Aquarelles I - Green
Claude Debussy; Alexandre Collard; Nicolas Royez
2:25
1.9
Aquarelles II - Spleen
Claude Debussy; Alexandre Collard; Nicolas Royez
2:29
Sonate, Op. 7  
1.10
I. Allegro
Jane Vignery; Alexandre Collard; Nicolas Royez
8:04
1.11
II. Lento ma non troppo
Jane Vignery; Alexandre Collard; Nicolas Royez
7:07
1.12
III. Allegro ben moderato
Jane Vignery; Alexandre Collard; Nicolas Royez
3:11
1.13
En Forêt
Eugène Bozza; Alexandre Collard; Nicolas Royez
6:39
1.14
En Irlande
Eugène Bozza; Alexandre Collard; Nicolas Royez
5:03
1.15
Chant lointain
Eugène Bozza; Alexandre Collard; Nicolas Royez
3:48
1.16
Sur les cimes
Eugène Bozza; Alexandre Collard; Nicolas Royez
7:40
1.17
Entretiens
Eugène Bozza; Alexandre Collard; Nicolas Royez
9:21
1.18
Canon à l'Octave
Jean Françaix; Alexandre Collard; Nicolas Royez
1:06
Total Playing Time    74:53
French music of the 20th century is resplendent with colors. The rich mixture of sounds of piano and horn wonderfully bring out this quality in the repertory that Alexandre Collard and Nicolas Royez wished to not only showcase but to enrich - they especially desired to place their particular sonority in the service of the music of Claude Debussy, one of the major composers of that time. For this, they decided to make a transcription of Debussy's "Ariettes Oubliées" that entrusts the original sung verses of Paul Verlaine to the poetic and melodic voice of the horn. The poet Verlaine provided the evocative title of this album: Aquarelles. Particularly beloved by wind players, the works of Jean Françaix sparkle with rhythm and humor. Eugène Bozza, who composed prolifically especially for the horn, took full advantage of the pastoral nature of the instrument to paint bucolic and impetuous landscapes that delighted the two nature lovers that Collard and Royez are. As for Jane Vignery, a Belgian composer influenced by the impressionists, she left the artists a sonata that is heroic and adventurous yet playful - a true masterpiece!
48 kHz / 24-bit PCM – Paraty Studio Masters

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