℗ 2021 Delphian
| Released | January 22, 2021 |
| Duration | 1h 02m 49s |
| Record Label | Delphian |
| Catalogue No. | DCD34250 |
| Genre | Classical (Orchestral) |
Caprices & Laments: Clarinet Concertos by Nielsen, Copland & MacMillan
Maximiliano Martín, Orquesta Sinfónica de Tenerife, Lucas Macías Navarro
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
Clarinet Concerto
|
|||||
|
1.1
|
I. Slowly & Expressively
Aaron Copland; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
5:42 | |||
|
1.2
|
Cadenza. Freely
Aaron Copland; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
2:29 | |||
|
1.3
|
II. Rather Fast
Aaron Copland; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
8:13 | |||
|
Clarinet Concerto, Op. 57, FS 129
|
|||||
|
1.4
|
I. Allegretto un poco
Carl Nielsen; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
8:47 | |||
|
1.5
|
II. Poco adagio
Carl Nielsen; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
4:54 | |||
|
1.6
|
III. Allegro non troppo
Carl Nielsen; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
6:45 | |||
|
1.7
|
IV. Allegro vivace
Carl Nielsen; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
4:16 | |||
|
1.8
|
Tuireadh (Version for Clarinet & String Orchestra)
James MacMillan; Maximiliano Martín; Orquesta Sinfónica de Tenerife; Lucas Macías Navarro |
21:43 | |||
The benevolent shadow of Mozart meets a strain of emotional turbulence in Carl Nielsen’s unforgettable, at times inscrutable Clarinet Concerto – his last major orchestral work, completed three years before his death in 1931. Dating from two decades later, Aaron Copland’s concerto for the same instrument similarly bridges stylistic and expressive contrasts: composed with the genre-crossing expertise of Benny Goodman in mind, it brings a vein of lyrical sadness together with the verve of mid-century popular idioms from both the USA and Brazil.
James MacMillan’s Tuireadh, meanwhile, is a single-minded outpouring of grief, raising instruments to an almost vocal quality of expression in a lament for the victims of the Piper Alpha oil-rig fire. Clarinettist Maximiliano Martín – an internationally active soloist as well as principal clarinet of the Scottish Chamber Orchestra – is joined here by the symphony orchestra of his native Tenerife in three works which truly cover the gamut of human emotion.
44.1 kHz / 24-bit PCM – Delphian Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.95 -2.57 to -0.53 | -19.88 -22.03 to -17.89 | -15.40 -16.90 to -13.80 | 11 10 to 13 | |
| 1 | I. Slowly & Expressively | -1.68 | -20.57 | -16.9 | 11 |
| 2 | Cadenza. Freely | -2.57 | -21.82 | -16.9 | 10 |
| 3 | II. Rather Fast | -0.56 | -18.21 | -13.8 | 10 |
| 4 | I. Allegretto un poco | -0.55 | -18.60 | -14.2 | 10 |
| 5 | II. Poco adagio | -0.57 | -20.42 | -15.6 | 11 |
| 6 | III. Allegro non troppo | -0.53 | -19.47 | -15.7 | 12 |
| 7 | IV. Allegro vivace | -0.55 | -17.89 | -13.8 | 10 |
| 8 | Tuireadh (Version for Clarinet & String Orchestra) | -0.56 | -22.03 | -16.3 | 13 |