℗ 2016 Navona
| Released | June 10, 2016 |
| Duration | 1h 53m 09s |
| Record Label | Navona |
| Catalogue No. | NV6044 |
| Genre | Classical (Orchestral) |
Paula Diehl: Separation: Works for Large and Small Ensemble from 1982-2015
Various Artists
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
In Hand
Paula Diehl; Moravian Philharmonic Orchestra; Petr Vronský |
9:09 | |||
|
Right of Way
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1.2
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I. Andante
Paula Diehl; Slovak Radio Symphony Orchestra; Róbert Stankovský |
3:33 | |||
|
1.3
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II. Adagio
Paula Diehl; Slovak Radio Symphony Orchestra; Róbert Stankovský |
4:55 | |||
|
1.4
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III. Adagio
Paula Diehl; Slovak Radio Symphony Orchestra; Róbert Stankovský |
5:12 | |||
|
1.5
|
IV. Andante
Paula Diehl; Slovak Radio Symphony Orchestra; Róbert Stankovský |
3:01 | |||
|
1.6
|
V. Andante
Paula Diehl; Slovak Radio Symphony Orchestra; Róbert Stankovský |
1:15 | |||
|
1.7
|
On Wisdom
Paula Diehl; Slovak Radio Chorus; Albert Goken |
5:51 | |||
|
Till the Walls Fall
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1.8
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I. Indirect Interlock
Paula Diehl; Czech Radio Symphony Orchestra; Vladimír Válek |
3:05 | |||
|
1.9
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II. Indirect Interlock
Paula Diehl; Czech Radio Symphony Orchestra; Vladimír Válek |
3:04 | |||
|
1.10
|
III. Direct Interlock
Paula Diehl; Czech Radio Symphony Orchestra; Vladimír Válek |
3:09 | |||
|
1.11
|
IV. Direct Interlock
Paula Diehl; Czech Radio Symphony Orchestra; Vladimír Válek |
2:27 | |||
|
1.12
|
V. Intervals Separate
Paula Diehl; Czech Radio Symphony Orchestra; Vladimír Válek |
2:18 | |||
|
1.13
|
Prosper The Word
Paula Diehl; Slovak Radio Chorus; Albert Goken |
9:20 | |||
|
Insiders
|
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|
1.14
|
I. —
Paula Diehl; Moravian Philharmonic Orchestra; Vit Micka |
3:12 | |||
|
1.15
|
II. —
Paula Diehl; Moravian Philharmonic Orchestra; Vit Micka |
3:26 | |||
|
1.16
|
III. —
Paula Diehl; Moravian Philharmonic Orchestra; Vit Micka |
2:18 | |||
|
Gambit
|
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|
2.1
|
I. —
Paula Diehl; Moravian Philharmonic Chamber Players; Petr Vronský |
2:17 | |||
|
2.2
|
II. —
Paula Diehl; Moravian Philharmonic Chamber Players; Petr Vronský |
2:03 | |||
|
2.3
|
III. —
Paula Diehl; Moravian Philharmonic Chamber Players; Petr Vronský |
2:09 | |||
|
2.4
|
IV. —
Paula Diehl; Moravian Philharmonic Chamber Players; Petr Vronský |
3:48 | |||
|
2.5
|
Wedding Day
Paula Diehl; Bradford Gleim; Chiharu Naruse |
4:20 | |||
|
On Course
|
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|
2.6
|
I. —
Paula Diehl; Moyzes Quartet |
2:52 | |||
|
2.7
|
II. —
Paula Diehl; Moyzes Quartet |
2:46 | |||
|
2.8
|
III. —
Paula Diehl; Moyzes Quartet |
2:44 | |||
|
2.9
|
IV. —
Paula Diehl; Moyzes Quartet |
2:52 | |||
|
2.10
|
V. —
Paula Diehl; Moyzes Quartet |
2:23 | |||
|
2.11
|
Gusts
Paula Diehl; Chiharu Naruse |
0:50 | |||
|
Illumination
|
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|
2.12
|
I. —
Paula Diehl; Jonathan Roberts; Robert St. Cyr |
2:14 | |||
|
2.13
|
II. —
Paula Diehl; Jonathan Roberts; Robert St. Cyr |
1:53 | |||
|
2.14
|
III. —
Paula Diehl; Jonathan Roberts; Robert St. Cyr |
2:06 | |||
|
2.15
|
IV. —
Paula Diehl; Jonathan Roberts; Robert St. Cyr |
2:47 | |||
|
2.16
|
Anyone
Paula Diehl; Bradford Gleim; Chiharu Naruse |
4:08 | |||
|
2.17
|
Meeting Places
Paula Diehl; Moravian Philharmonic Chamber Players; Petr Vronský |
5:42 | |||
|
Digital Booklet
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Paula Diehl created a unique compositional system called Separation in 1978 which she has been developing since. The basic concept behind Separation is the gradual detachment of interlocking perfect fourth intervals through a series of phases. Diehl’s system allows the characteristics of each instrument to shine through in explorations of harmonic content and structure; she has utilized it to create a rich catalogue of works for both small and large ensembles. This double album offers a representative cross section of her music with an emphasis on the last three decades, the period in which her compositional voice flowered most fully. Expansive orchestral scores and more intimate chamber works speak clearly to the singularity of Diehl’s style and provide a nice reminder that it is often those on the periphery, those who are pushed outside instead of welcomed inside, who frequently have the most fascinating things to say.
44.1 kHz / 24-bit PCM – Navona Studio Masters
In Hand recorded March 3, 2015 at Reduta Hall in Olomouc Czech Republic Recording Session Producer: Vít Mužík Recording Session Engineer: Aleš Dvořák Right of Way , On Wisdom , Till the Walls Fall, Prosper the Word , and Insiders recording information unavailable Gambit recorded March 6, 2014 at Reduta Hall in Olomouc Czech Republic Recording Session Producer: Vít Mužík Recording Session Engineer: Zdeněk Slavotínek Anyone, Wedding Day , and Gusts recorded November 20, 2014 at Futura Productions in Roslindale MA Recording Session Producer: Andy Happel Recording Session Engineer: John Weston Illumination recorded April 8, 2015 at the Dover Church in Dover MA Recording Session Producer: Andy Happel Recording Session Engineer: Tom Stephenson Meeting Places was recorded March 1, 2011 at Reduta Hall in Olomouc Czech Republic Recording Session Producer: Vít Mužík Recording Session Engineer: Richard Mlynar Executive Producer: Bob Lord Executive A&R: Sam Renshaw A&R: Brandon MacNeil Recording Session Manager: Matt Konrad Audio Director: Jeff LeRoy Mastering: Shaun Michaud Production Engineer: Nate Hunter Art & Production: Director Brett Picknell Graphic Design: Emily Roulo Marketing: Morgan MacLeod
In Hand recorded March 3, 2015 at Reduta Hall in Olomouc Czech Republic Recording Session Producer: Vít Mužík Recording Session Engineer: Aleš Dvořák Right of Way , On Wisdom , Till the Walls Fall, Prosper the Word , and Insiders recording information unavailable Gambit recorded March 6, 2014 at Reduta Hall in Olomouc Czech Republic Recording Session Producer: Vít Mužík Recording Session Engineer: Zdeněk Slavotínek Anyone, Wedding Day , and Gusts recorded November 20, 2014 at Futura Productions in Roslindale MA Recording Session Producer: Andy Happel Recording Session Engineer: John Weston Illumination recorded April 8, 2015 at the Dover Church in Dover MA Recording Session Producer: Andy Happel Recording Session Engineer: Tom Stephenson Meeting Places was recorded March 1, 2011 at Reduta Hall in Olomouc Czech Republic Recording Session Producer: Vít Mužík Recording Session Engineer: Richard Mlynar Executive Producer: Bob Lord Executive A&R: Sam Renshaw A&R: Brandon MacNeil Recording Session Manager: Matt Konrad Audio Director: Jeff LeRoy Mastering: Shaun Michaud Production Engineer: Nate Hunter Art & Production: Director Brett Picknell Graphic Design: Emily Roulo Marketing: Morgan MacLeod
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.88 -4.36 to -0.29 | -20.27 -24.17 to -16.86 | -16.78 -20.60 to -12.90 | 12 10 to 14 | |
| 1.1 | In Hand | -0.45 | -20.41 | -17.0 | 13 |
| 1.2 | I. Andante | -0.50 | -19.17 | -16.3 | 12 |
| 1.3 | II. Adagio | -0.50 | -20.44 | -16.7 | 12 |
| 1.4 | III. Adagio | -0.50 | -20.30 | -16.8 | 13 |
| 1.5 | IV. Andante | -0.50 | -18.87 | -16.4 | 12 |
| 1.6 | V. Andante | -0.50 | -17.25 | -12.9 | 10 |
| 1.7 | On Wisdom | -0.50 | -21.10 | -17.9 | 13 |
| 1.8 | I. Indirect Interlock | -0.50 | -19.81 | -16.8 | 14 |
| 1.9 | II. Indirect Interlock | -0.50 | -20.58 | -17.2 | 14 |
| 1.10 | III. Direct Interlock | -0.50 | -20.17 | -16.6 | 12 |
| 1.11 | IV. Direct Interlock | -0.50 | -21.73 | -17.8 | 14 |
| 1.12 | V. Intervals Separate | -0.50 | -20.49 | -16.3 | 13 |
| 1.13 | Prosper The Word | -0.50 | -22.00 | -18.1 | 13 |
| 1.14 | I. — | -0.50 | -19.68 | -16.4 | 12 |
| 1.15 | II. — | -0.50 | -20.26 | -16.9 | 12 |
| 1.16 | III. — | -0.50 | -18.11 | -14.0 | 10 |
| 2.1 | I. — | -1.67 | -23.15 | -19.5 | 12 |
| 2.2 | II. — | -1.26 | -17.46 | -14.7 | 10 |
| 2.3 | III. — | -0.50 | -18.80 | -15.7 | 11 |
| 2.4 | IV. — | -0.50 | -19.34 | -15.6 | 11 |
| 2.5 | Wedding Day | -0.29 | -19.88 | -16.1 | 12 |
| 2.6 | I. — | -0.50 | -24.05 | -20.4 | 14 |
| 2.7 | II. — | -0.65 | -20.97 | -17.4 | 13 |
| 2.8 | III. — | -3.48 | -23.46 | -20.1 | 13 |
| 2.9 | IV. — | -0.50 | -19.93 | -16.4 | 13 |
| 2.10 | V. — | -3.26 | -24.17 | -20.6 | 14 |
| 2.11 | Gusts | -0.37 | -22.00 | -16.9 | 14 |
| 2.12 | I. — | -0.97 | -20.17 | -17.3 | 13 |
| 2.13 | II. — | -1.12 | -19.39 | -16.4 | 11 |
| 2.14 | III. — | -4.36 | -19.72 | -16.6 | 10 |
| 2.15 | IV. — | -0.50 | -16.86 | -14.1 | 11 |
| 2.16 | Anyone | -0.52 | -20.06 | -16.3 | 12 |
| 2.17 | Meeting Places | -0.50 | -19.06 | -15.6 | 12 |