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Tōru Takemitsu: Complete Works & Transcriptions for Solo Guitar

Flavio Nati

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1.1
A Piece for Guitar (For the 60th Birthday of Sylvano Bussotti)
Tōru Takemitsu; Flavio Nati
1:06
All in Twilight  
1.2
No. 1, —
Tōru Takemitsu; Flavio Nati
2:46
1.3
No. 2, Dark
Tōru Takemitsu; Flavio Nati
2:19
1.4
No. 3, —
Tōru Takemitsu; Flavio Nati
1:59
1.5
No. 4, Slightly Fast
Tōru Takemitsu; Flavio Nati
2:32
Folios  
1.6
No. 1, —
Tōru Takemitsu; Flavio Nati
2:35
1.7
No. 2, —
Tōru Takemitsu; Flavio Nati
2:23
1.8
No. 3, —
Tōru Takemitsu; Flavio Nati
2:52
1.9
Equinox
Tōru Takemitsu; Flavio Nati
5:16
In the Woods  
1.10
No. 1, Wainscot Pond (After a Painting by Cornelia Foss)
Tōru Takemitsu; Flavio Nati
3:53
1.11
No. 2, Rosedale
Tōru Takemitsu; Flavio Nati
4:11
1.12
No. 3, Muir Woods
Tōru Takemitsu; Flavio Nati
5:22
12 Songs for Guitar  
1.13
No. 1, Londonderry Air
Tōru Takemitsu; Flavio Nati
3:36
1.14
No. 2, Over the Rainbow (After H. Arlen / From "The Wizard of Oz")
Tōru Takemitsu; Flavio Nati
3:05
1.15
No. 3, Summertime (After G. Gershwin)
Tōru Takemitsu; Flavio Nati
4:24
1.16
No. 4, A Song of Early Spring (After A. Nakada)
Tōru Takemitsu; Flavio Nati
3:38
1.17
No. 5, Amours perdues (After J. Kosma)
Tōru Takemitsu; Flavio Nati
3:12
1.18
No. 6, What a Friend (After C.C. Converse)
Tōru Takemitsu; Flavio Nati
2:46
1.19
No. 7, Secret Love (After S. Fain / From "Calamity Jane")
Tōru Takemitsu; Flavio Nati
2:42
1.20
No. 8, Here, There and Everywhere (After P. McCartney & J. Lennon)
Tōru Takemitsu; Flavio Nati
3:06
1.21
No. 9, Michelle (After P. McCartney & J. Lennon)
Tōru Takemitsu; Flavio Nati
2:52
1.22
No. 10, Hey Jude (After P. McCartney & J. Lennon)
Tōru Takemitsu; Flavio Nati
3:19
1.23
No. 11, Yesterday (After P. McCartney & J. Lennon)
Tōru Takemitsu; Flavio Nati
3:23
1.24
No. 12, The International (After P. De Geyter)
Tōru Takemitsu; Flavio Nati
2:41
1.25
The Last Waltz (Arr. T. Takemitsu for Guitar)
Barry Mason; Les Reed; Flavio Nati
3:15
Digital Booklet
Total Playing Time    79:13
One of the reference musical figures of the second half of the twentieth century, Tòru Takemitsu (1930 -1996) was certainly the most universally recognized composer that Japan has ever had. He has dedicated important works to the guitar, treated both as a soloist or in chamber and orchestral ensembles.
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