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Brahms: Viola Sonatas, Op. 120 - Zwei Gesänge, Op. 91

Antoine Tamestit, Cédric Tiberghien, Matthias Goerne

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Viola Sonata in F Minor, Op. 120 No. 1  
1.1
I. Allegro appassionato
Johannes Brahms; Friedrich Rückert; Antoine Tamestit; Cédric Tiberghien
7:35
1.2
II. Andante un poco adagio
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
4:38
1.3
III. Allegretto grazioso
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
4:19
1.4
IV. Vivace
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
5:01
1.5
Nachtigall, Op. 97 No. 1 (Arr. for viola and piano)
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
2:27
Viola Sonata in E-Flat Major, Op. 120 No. 2  
1.6
I. Allegro amabile
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
8:37
1.7
II. Allegro appassionato
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
4:53
1.8
III. Andante con moto - Allegro
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
6:58
1.9
Wiegenlied, Op. 49 No. 4 (Arr. for viola and piano)
Johannes Brahms; Antoine Tamestit; Cédric Tiberghien
1:33
Zwei Gesänge, Op. 91  
1.10
I. Gestillte Sehnsucht
Johannes Brahms; Friedrich Rückert; Antoine Tamestit; Cédric Tiberghien; Matthias Goerne
5:08
1.11
II. Geistliches Wiegenlied
Johannes Brahms; Emanuel Geibel; Antoine Tamestit; Cédric Tiberghien; Matthias Goerne
5:07
Digital Booklet
Total Playing Time    56:16
Magisterially rounding off one of the nineteenth century's most remarkable bodies of chamber music, Brahms's two Sonatas op. 120 call for a virtuosity wholly dedicated to their extraordinary lyricism. Just as in the famous 'Lullaby', the melodic line develops with an almost organic naturalness, in close proximity to the human voice. Hence it is hardly surprising in this context to discover two lieder in which baritone and viola are treated as equals, and which are here interpreted by three exceptional musicians!
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