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Pachamama, meaning Mother Earth in Quechua (the native language used by the Incas in Peru), is a tribute to the one, huge, living organism floating in space which gives life to every single one of us. A tribute to the perfect timing in life that puts everything together at the right moment, in the right place, so that all of us can be walking, breathing, laughing, creating, experimenting, listening. Every composition on the album relates to the Pachamama and its habitants. It could be a Guacamayo (macaw) taking flight, a Shipiba (healer from the Amazon jungle) like Elisa Vargas chanting, a poet like Nicomedes studying, or anything or anybody that is trying to make the world a more beautiful place. “A trip” is how its creator, Cote Calmet, defines this project. ‘Phisqa’ (‘five’ in Quechua, the native language of Peru) is a word chosen to inspire our five senses as human beings. PHISQA is also the staging of a new way of merging the rich texture of Afro-Peruvian, Andean and Amazonian rhythms with the elegance, spontaneity, freedom and virtuosity of the jazz language. Formed in the city of Dublin (Ireland) in 2010, PHISQA escapes the traditional way in which Peruvian rhythms have been fused with jazz. Calmet – composer, conductor and drummer of the group – explains: “First of all I tried to approach Peruvian music, trying to use another method of playing it with jazz. I used a lot of the concepts of opening the solos of the themes, as well as having more architectural structures. I have also avoided having a cajón or other type of native percussion next to the drums, so I passed all those rhythms to my instrument. PHISQA explores the wealth of Afro-Peruvian, Andean and Amazonian music but with jazz instruments: soprano and tenor sax, trumpet, guitar, drums and double bass. That way we can move from a totally Peruvian rhythm to the newest in contemporary jazz and fusion.”