℗ 2021 Challenge Classics
Released | February 12, 2021 |
Duration | 1h 10m 23s |
Record Label | Challenge Classics |
Catalogue No. | CC72832 |
Genre | Classical |
Arias and Overtures
Jan Willem de Vriend, Stavanger Symphony Orchestra, Mari Eriksmoen
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Aspasia from Mitridate, rè di Ponto, K. 87 (K. 74a)
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1.1
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“Al destin che la minaccia”
Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
4:58 | |||
Acis und Galatea, K. 566
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1.2
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Overture
Georg Friedrich Händel; Wolfgang Amadeus Mozart; Stavanger Symphony Orchestra; Jan Willem de Vriend |
3:33 | |||
Der Messias, K. 572
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1.3
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“Wie lieblich ist der Boten Schritt”
Georg Friedrich Händel; Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
2:14 | |||
Idomeneo, K. 366
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1.4
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"Quando avran fine omai" - "Padre, germani, addio!" - "Ecco, Idamante, ahimè"
Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
8:16 | |||
Giulio Cesare in Egitto, HWV 17
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1.5
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“Da tempeste il legno infranto”
Georg Friedrich Händel; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
6:08 | |||
Joshua, HWV 64
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1.6
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"O had I Jubal's Lyre'
Georg Friedrich Händel; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
2:42 | |||
Acis und Galatea, K. 566
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1.7
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“O fühltest du die Qualen” - “Wie’s Täubchen klagt um den Gemahl”
Georg Friedrich Händel; Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
6:07 | |||
1.8
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“Alma grande e nobil core”, K. 578
Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
4:29 | |||
Das Alexander-Fest, K. 591
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1.9
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Overture
Georg Friedrich Händel; Wolfgang Amadeus Mozart; Stavanger Symphony Orchestra; Jan Willem de Vriend |
5:53 | |||
Don Giovanni, K. 527
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1.10
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“Crudele? Troppo mi spiace...” - “Non mi dir”
Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
6:01 | |||
Teseo, HWV 9
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1.11
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"M'adora l'idol mio"
Georg Friedrich Händel; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
5:57 | |||
Die Zauberflöte, K. 620
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1.12
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“Ach, ich fühl’s”
Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
3:58 | |||
Silla, HWV 10
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1.13
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"Secondate, oh giusti dei"
Georg Friedrich Händel; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
2:24 | |||
Teseo, HWV 9
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1.14
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“Amarti si vorrei”
Georg Friedrich Händel; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
4:54 | |||
Don Giovanni, K. 527
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1.15
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“Or sai chi l’onore “
Wolfgang Amadeus Mozart; Mari Eriksmoen; Stavanger Symphony Orchestra; Jan Willem de Vriend |
2:49 |
The profile of Norwegian soprano Mari Eriksmoen continues to rise through her regular appearance on Europe’s major opera, concert and recital stages, and she is consistently praised for her compelling blend of radiant stage personality and purity of vocal tone. This is her first opera arias recital and is focused on Handel and Mozart.
Previously on disc, Eriksmoen features on Schumann’s Szenen aus Goethes Faust with Symphonieorchester des Bayerischen Rundfunks under Daniel Harding, Mozart’s Die Entführung aus dem Serail, both with Akademie für alte Musik Berlin under René Jacobs and Glyndebourne Festival conducted by Robin Ticciati, and in a “poised, elegant and persuasive” (Guardian) debut recital album featuring songs by Grieg, Grøndahl, Wolf and Strauss with Alphonse Cemin.
44.1 kHz / 24-bit PCM – Challenge Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.37 -6.06 to -1.10 | -24.87 -29.92 to -20.85 | -21.15 -24.50 to -17.10 | 14 12 to 16 | |
1 | “Al destin che la minaccia” | -1.10 | -21.56 | -18.2 | 13 |
2 | Overture | -4.38 | -23.38 | -20.1 | 13 |
3 | “Wie lieblich ist der Boten Schritt” | -2.03 | -25.80 | -22.2 | 15 |
4 | "Quando avran fine omai" - "Padre, germani, addio!" - "Ecco, Idamante, ahimè" | -1.10 | -23.86 | -19.9 | 15 |
5 | “Da tempeste il legno infranto” | -1.10 | -24.70 | -21.3 | 16 |
6 | "O had I Jubal's Lyre' | -1.11 | -26.72 | -23.3 | 14 |
7 | “O fühltest du die Qualen” - “Wie’s Täubchen klagt um den Gemahl” | -2.59 | -26.40 | -23.3 | 15 |
8 | “Alma grande e nobil core”, K. 578 | -1.88 | -23.21 | -19.7 | 14 |
9 | Overture | -6.06 | -26.13 | -22.9 | 13 |
10 | “Crudele? Troppo mi spiace...” - “Non mi dir” | -1.10 | -23.66 | -19.5 | 14 |
11 | "M'adora l'idol mio" | -4.73 | -26.84 | -23.1 | 15 |
12 | “Ach, ich fühl’s” | -1.45 | -27.02 | -22.3 | 14 |
13 | "Secondate, oh giusti dei" | -1.10 | -22.95 | -19.8 | 12 |
14 | “Amarti si vorrei” | -4.78 | -29.92 | -24.5 | 15 |
15 | “Or sai chi l’onore “ | -1.10 | -20.85 | -17.1 | 12 |