℗ 2020 MIRARE
| Released | February 19, 2021 |
| Duration | 58m 39s |
| Record Label | Mirare |
| Catalogue No. | MIR554D |
| Genre | Classical (Chamber) |
La Nuit transfigurée
Trio Karénine
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Tristia (After Vallée d'Obermann, S. 723c, Arr. for Piano, Violin and Cello)
Franz Liszt; Trio Karénine |
15:30 | |||
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6 Studien in kanonischer Form, Op. 56
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1.2
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I. Nicht zu schnell
Robert Schumann; Theodor Kirchner; Trio Karénine |
2:13 | |||
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1.3
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II. Mit innigem Ausdruck
Robert Schumann; Theodor Kirchner; Trio Karénine |
3:44 | |||
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1.4
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III. Andantino
Robert Schumann; Theodor Kirchner; Trio Karénine |
1:43 | |||
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1.5
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IV. Innig
Robert Schumann; Theodor Kirchner; Trio Karénine |
2:55 | |||
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1.6
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V. Nicht zu schnell
Robert Schumann; Theodor Kirchner; Trio Karénine |
2:20 | |||
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1.7
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VI. Adagio
Robert Schumann; Theodor Kirchner; Trio Karénine |
4:02 | |||
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Verklärte Nacht, Op. 4
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1.8
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I. Sehr langsam
Arnold Schönberg; Eduard Steuermann; Trio Karénine |
5:49 | |||
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1.9
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II. Breiter
Arnold Schönberg; Eduard Steuermann; Trio Karénine |
5:40 | |||
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1.10
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III. Schwer betont
Arnold Schönberg; Eduard Steuermann; Trio Karénine |
2:04 | |||
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1.11
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IV. Sehr breit and langsam
Arnold Schönberg; Eduard Steuermann; Trio Karénine |
8:46 | |||
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1.12
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V. Sehr ruhig
Arnold Schönberg; Eduard Steuermann; Trio Karénine |
3:53 | |||
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Digital Booklet
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This new recording by the Trio Karénine surveys Austro-German Romanticism of the second half of the nineteenth century, featuring transcriptions of Liszt's Vallée d'Obermann (Tristia), Schoenberg's Verklärte Nacht and Schumann's Six Canonic Studies. At once a homage to and a manifesto on behalf of the piano trio medium, it is an invitation to discover magnificent rarities, whether arranged by the composer himself or by other musicians.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.55 -7.30 to -0.49 | -24.85 -30.95 to -22.03 | -20.78 -27.70 to -16.80 | 14 12 to 17 | |
| 1 | Tristia (After Vallée d'Obermann, S. 723c, Arr. for Piano, Violin and Cello) | -0.49 | -23.50 | -18.9 | 15 |
| 2 | I. Nicht zu schnell | -3.79 | -23.30 | -20.0 | 12 |
| 3 | II. Mit innigem Ausdruck | -7.07 | -27.31 | -24.0 | 13 |
| 4 | III. Andantino | -7.30 | -26.87 | -23.1 | 12 |
| 5 | IV. Innig | -1.74 | -24.14 | -20.9 | 13 |
| 6 | V. Nicht zu schnell | -0.69 | -23.49 | -20.2 | 15 |
| 7 | VI. Adagio | -4.68 | -30.95 | -27.7 | 17 |
| 8 | I. Sehr langsam | -0.87 | -23.44 | -18.2 | 13 |
| 9 | II. Breiter | -0.50 | -22.03 | -17.8 | 14 |
| 10 | III. Schwer betont | -1.71 | -22.61 | -16.8 | 12 |
| 11 | IV. Sehr breit and langsam | -0.50 | -23.85 | -19.8 | 14 |
| 12 | V. Sehr ruhig | -1.21 | -26.66 | -22.0 | 15 |