℗ 2021 Naxos
| Released | February 12, 2021 |
| Duration | 1h 08m 27s |
| Record Label | Naxos |
| Catalogue No. | 8.579083 |
| Genre | Classical (Baroque Era) |
La magnifique
Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Sonata No. 7 in E Minor "La magnifique"
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1.1
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I. Prélude
Louis-Nicolas Clérambault; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:32 | |||
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1.2
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II. Allegro
Louis-Nicolas Clérambault; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
2:07 | |||
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1.3
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III. Adagio
Louis-Nicolas Clérambault; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
2:09 | |||
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1.4
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IV. Sarabande
Louis-Nicolas Clérambault; Barthold Kuijken; Arnie Tanimoto; Donald Livingston |
1:11 | |||
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1.5
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V. Gigue
Louis-Nicolas Clérambault; Immanuel Davis; Donald Livingston; Arnie Tanimoto |
1:54 | |||
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1.6
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VI. Allegro
Louis-Nicolas Clérambault; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:29 | |||
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Le triomphe de l'amour, LWV 59
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1.7
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Ritournelle pour Diane (Arr. for Chamber Ensemble)
Jean-Baptiste Lully; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:16 | |||
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1.8
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Vos mépris chaque jour (Arr. for Chamber Ensemble)
Michel Lambert; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:32 | |||
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1.9
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On a beau feindre (Arr. for Chamber Ensemble)
Michel Lambert; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
2:05 | |||
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Suite de danses "Qui se joüent ordinairement à tous les bals chez le roy"
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1.10
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No. 99, Menuet
Philippe Rebille Philbert; Barthold Kuijken |
0:53 | |||
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Flute Suite No. 2 in B Minor, Op. 2 No. 10
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1.11
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III. Sarabande "La descosteaux"
Louis-Antoine Dornel; Barthold Kuijken; Arnie Tanimoto; Donald Livingston |
2:41 | |||
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Suite No. 9 in E Minor
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1.12
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IV. Sarabande (Arr. for Chamber Ensemble)
Robert de Visée; Barthold Kuijken; Arnie Tanimoto; Donald Livingston |
2:31 | |||
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1.13
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J'ecoûtois autrefois - Je n'entens qu'à regret (Arr. for Chamber Ensemble)
Jacques-Martin Hotteterre; Barthold Kuijken; Donald Livingston |
5:02 | |||
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Concert No. 8 in G Major "Les goûts réunis"
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1.14
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VII. Sarabande. Grave et tendre
François Couperin; Barthold Kuijken; Arnie Tanimoto; Donald Livingston |
2:18 | |||
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Trio Sonata No. 2 in D Major, Op. 3 No. 2
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1.15
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I. Prélude. Gravement
Jacques-Martin Hotteterre; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:48 | |||
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1.16
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II. Courante. Légèrement
Jacques-Martin Hotteterre; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:41 | |||
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1.17
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III. Grave
Jacques-Martin Hotteterre; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:19 | |||
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1.18
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IV. Gigue. Vivement
Jacques-Martin Hotteterre; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:17 | |||
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Suite No. 9 in G Major "Sonate l'inconnuë"
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1.19
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I. — - II. Vivement
Michel de La Barre; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
4:03 | |||
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1.20
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III. Chaconne
Michel de La Barre; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
4:41 | |||
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Concert No. 13 in G Major "Les goûts réunis"
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1.21
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I. Prélude. Vivement
François Couperin; Barthold Kuijken; Immanuel Davis |
1:03 | |||
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1.22
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II. Air. Agréablement
François Couperin; Barthold Kuijken; Immanuel Davis |
2:40 | |||
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1.23
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III. Sarabande. Tendrement
François Couperin; Barthold Kuijken; Immanuel Davis |
2:34 | |||
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1.24
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IV. Chaconne. Légère
François Couperin; Barthold Kuijken; Immanuel Davis |
2:18 | |||
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Suite No. 2 in G Minor (Excerpts)
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1.25
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I. Prélude
Marin Marais; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
2:45 | |||
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1.26
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II. Fantaisie
Marin Marais; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:23 | |||
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1.27
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IV. Sarabande II
Marin Marais; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
2:32 | |||
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1.28
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VI. Gigue
Marin Marais; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:57 | |||
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1.29
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IX. Menuet II
Marin Marais; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
1:02 | |||
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1.30
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X. Plainte
Marin Marais; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
2:50 | |||
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1.31
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XII. Petite passacaille
Marin Marais; Barthold Kuijken; Immanuel Davis; Arnie Tanimoto; Donald Livingston |
3:54 | |||
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Digital Booklet
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This programme portrays the ‘birth’ of the flute in France in the late 17th century and the following 40 years of its life as a new and fashionable instrument. A famous patron of the arts, King Louis XIV gathered elite composers and musicians to create the refinement, elegance and good taste that was demanded at his Paris Court. From the early petites pièces to more virtuoso suites and sonatas with their ornamented lyricism and grand dance rhythms, the mellow, robust and almost husky sounds of flutes from this period blend and weave around each other like the voices of two singers.
48 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.24 -8.28 to -0.99 | -21.25 -28.24 to -18.33 | -18.34 -25.20 to -15.30 | 11 9 to 12 | |
| 1 | I. Prélude | -1.02 | -18.33 | -15.3 | 10 |
| 2 | II. Allegro | -1.45 | -20.57 | -17.8 | 11 |
| 3 | III. Adagio | -3.30 | -20.86 | -18.0 | 10 |
| 4 | IV. Sarabande | -4.77 | -21.31 | -18.4 | 9 |
| 5 | V. Gigue | -4.67 | -23.06 | -20.3 | 12 |
| 6 | VI. Allegro | -2.01 | -21.07 | -18.1 | 12 |
| 7 | Ritournelle pour Diane (Arr. for Chamber Ensemble) | -3.57 | -22.21 | -19.2 | 11 |
| 8 | Vos mépris chaque jour (Arr. for Chamber Ensemble) | -2.73 | -20.88 | -18.1 | 10 |
| 9 | On a beau feindre (Arr. for Chamber Ensemble) | -3.43 | -20.16 | -17.3 | 10 |
| 10 | No. 99, Menuet | -8.28 | -28.24 | -25.2 | 11 |
| 11 | III. Sarabande "La descosteaux" | -3.97 | -21.93 | -18.9 | 10 |
| 12 | IV. Sarabande (Arr. for Chamber Ensemble) | -1.45 | -20.31 | -17.0 | 10 |
| 13 | J'ecoûtois autrefois - Je n'entens qu'à regret (Arr. for Chamber Ensemble) | -5.89 | -25.99 | -23.2 | 11 |
| 14 | VII. Sarabande. Grave et tendre | -5.48 | -24.18 | -21.4 | 10 |
| 15 | I. Prélude. Gravement | -2.73 | -19.73 | -16.8 | 10 |
| 16 | II. Courante. Légèrement | -2.28 | -20.26 | -17.4 | 12 |
| 17 | III. Grave | -6.02 | -21.52 | -18.7 | 10 |
| 18 | IV. Gigue. Vivement | -3.01 | -20.10 | -16.9 | 11 |
| 19 | I. — - II. Vivement | -0.99 | -21.44 | -18.7 | 12 |
| 20 | III. Chaconne | -2.56 | -22.42 | -19.7 | 12 |
| 21 | I. Prélude. Vivement | -4.54 | -21.77 | -18.8 | 11 |
| 22 | II. Air. Agréablement | -3.17 | -20.40 | -17.5 | 10 |
| 23 | III. Sarabande. Tendrement | -2.38 | -20.88 | -17.8 | 11 |
| 24 | IV. Chaconne. Légère | -4.07 | -21.54 | -18.6 | 10 |
| 25 | I. Prélude | -0.99 | -18.80 | -16.0 | 10 |
| 26 | II. Fantaisie | -2.99 | -20.73 | -17.8 | 10 |
| 27 | IV. Sarabande II | -1.23 | -19.21 | -16.4 | 10 |
| 28 | VI. Gigue | -2.74 | -20.05 | -17.2 | 12 |
| 29 | IX. Menuet II | -4.07 | -21.22 | -18.3 | 10 |
| 30 | X. Plainte | -1.22 | -19.14 | -16.2 | 10 |
| 31 | XII. Petite passacaille | -3.52 | -20.35 | -17.6 | 10 |