℗ 2021 Tactus
Released March 5, 2021
Duration 2h 16m 38s
Record Label Tactus
Catalogue No. TC810790
Genre Classical (Guitar)
 

Giuliani-Guglielmi: Complete Guitar Works

Federica Artuso

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6 Preludi, Op. 46  
1.1
No. 1, Moderato
Emilia Giuliani-Guglielmi; Federica Artuso
2:21
1.2
Belliniana No. 1, Op. 2
Emilia Giuliani-Guglielmi; Federica Artuso
13:55
1.3
Variazioni su un tema di Mercadante, Op. 9
Emilia Giuliani-Guglielmi; Federica Artuso
6:17
1.4
Variazioni su "Ah! Perché non posso odiarti!", Op. 3 (After Bellini)
Emilia Giuliani-Guglielmi; Federica Artuso
11:46
1.5
No. 2, Mosso
Emilia Giuliani-Guglielmi; Federica Artuso
1:32
1.6
Variazioni su "L'amo, ah! L'amo", Op. 1 (After Bellini)
Emilia Giuliani-Guglielmi; Federica Artuso
13:31
1.7
Belliniana No. 2, Op. 4
Emilia Giuliani-Guglielmi; Federica Artuso
15:41
1.8
No. 3, Presto
Emilia Giuliani-Guglielmi; Federica Artuso
2:00
2.1
Variazioni su "Non più mesta accanto al foco", Op. 5 (After Rossini)
Emilia Giuliani-Guglielmi; Federica Artuso
9:25
2.2
No. 4, Moderato
Emilia Giuliani-Guglielmi; Federica Artuso
3:18
2.3
Belliniana No. 3, Op. 6
Emilia Giuliani-Guglielmi; Federica Artuso
13:34
2.4
Belliniana No. 4, Op. 7
Emilia Giuliani-Guglielmi; Federica Artuso
13:18
2.5
No. 5, Moderato
Emilia Giuliani-Guglielmi; Federica Artuso
3:29
2.6
Belliniana No. 5, Op. 8
Emilia Giuliani-Guglielmi; Federica Artuso
13:01
2.7
No. 6, Allegro
Emilia Giuliani-Guglielmi; Federica Artuso
2:20
2.8
Belliniana No. 6, Op. 11
Emilia Giuliani-Guglielmi; Federica Artuso
11:10
Digital Booklet
The project of the musicologist Nicoletta Confalone and of the guitarist Federica Artuso is aimed at the discovery of Emilia Giuliani, illegitimate daughter of the famous Mauro Giuliani that, with his guitar and his compositions, conquered Vienna, the capital of 19th century music. Emilia lived her entire life in a continuous state of difficulty and discomfort, dying of typhus at the age of only thirty- seven. The adverse events of her life and her condition as a woman (considering that in her days it was almost impossible to express her talent as an artist) did not prevent her from reaping flattering successes from audiences and critics in the many European stages of her unfortunately short life: suffice for all the quotation of some Viennese critics who, after a concert she shared with Franz Liszt, exclaimed with admiration: "Every finger, one Liszt!”. In addition to her amazing skills as an instrumentalist, she was also appreciated for her music that she managed to publish with the major publishers of the time: Giovanni Ricordi in Milan and Artaria in Vienna. This double album includes her complete work for guitar, for the first time on an historic instrument, a 1830 René Lacote.
96 kHz / 24-bit PCM – Tactus Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.83
-6.14 to -0.91
-25.55
-27.35 to -22.34
-22.90
-24.70 to -19.60
15
12 to 17
1.1
No. 1, Moderato
-5.78-24.22-21.612
1.2
Belliniana No. 1, Op. 2
-4.53-26.39-23.815
1.3
Variazioni su un tema di Mercadante, Op. 9
-3.52-26.34-23.015
1.4
Variazioni su "Ah! Perché non posso odiarti!", Op. 3 (After Bellini)
-6.14-26.17-23.714
1.5
No. 2, Mosso
-3.01-22.34-19.612
1.6
Variazioni su "L'amo, ah! L'amo", Op. 1 (After Bellini)
-4.74-27.35-24.715
1.7
Belliniana No. 2, Op. 4
-3.86-25.59-23.015
1.8
No. 3, Presto
-3.50-24.00-21.413
2.1
Variazioni su "Non più mesta accanto al foco", Op. 5 (After Rossini)
-2.26-26.88-24.117
2.2
No. 4, Moderato
-5.26-24.37-21.912
2.3
Belliniana No. 3, Op. 6
-0.99-26.74-24.117
2.4
Belliniana No. 4, Op. 7
-3.80-26.20-23.716
2.5
No. 5, Moderato
-5.48-25.69-23.113
2.6
Belliniana No. 5, Op. 8
-3.74-26.73-24.114
2.7
No. 6, Allegro
-0.91-24.27-21.615
2.8
Belliniana No. 6, Op. 11
0.00-25.48-23.017

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