℗ 2021 Naxos
| Released | March 12, 2021 |
| Duration | 1h 02m 01s |
| Record Label | Naxos |
| Catalogue No. | 8.669049 |
| Genre | Classical (Opera) |
Daron Aric Hagen: Orson Rehearsed (Opera Version) [Live]
Daron Aric Hagen, Fifth House Ensemble, Roger Zahab, Omar Mulero, Robert Frankenberry, Robert Orth, Peter Marshall
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Orson Rehearsed (Opera Version)
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1.1
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Overture (Live)
Daron Aric Hagen; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:10 | |||
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1.2
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Maybe a Man's Name (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
4:14 | |||
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1.3
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Everybody's Shakespeare (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
4:13 | |||
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1.4
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Lament for Jacaré (Live)
Daron Aric Hagen; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:44 | |||
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1.5
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First Nachtmusik (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:24 | |||
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1.6
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The Magnificent Downbeats (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:07 | |||
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1.7
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All Through (Live)
Daron Aric Hagen; Robert Frankenberry; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:27 | |||
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1.8
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Manhattan Ambulance Ride (Live)
Daron Aric Hagen; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:08 | |||
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1.9
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Border Sequence (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:38 | |||
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1.10
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Card Tricks and Talk Show Badinage (Live)
Daron Aric Hagen; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:25 | |||
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1.11
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Second Nachtmusik (Live)
Daron Aric Hagen; Omar Mulero; Fifth House Ensemble; Roger Zahab |
3:16 | |||
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1.12
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Beatrice Welles Practices Chopin, 1924 (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Fifth House Ensemble; Roger Zahab |
3:48 | |||
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1.13
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Consider the Chimes (Live)
Daron Aric Hagen; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:20 | |||
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1.14
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Serenade for Rita (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
5:23 | |||
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1.15
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Myocardial Infarction (Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
3:04 | |||
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1.16
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Postlude (Go On] [Live)
Daron Aric Hagen; Omar Mulero; Robert Frankenberry; Robert Orth; Daron Aric Hagen; Fifth House Ensemble; Roger Zahab |
5:16 | |||
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1.17
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Charlie's Rag (End Title] [Live)
Daron Aric Hagen; Peter Marshall |
2:24 | |||
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Digital Booklet
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Daron Hagen is a Guggenheim, Rockefeller, and Kennedy Center Friedheim Award-winning composer, with a catalogue of internationally performed work spanning four decades. His opera-film Orson Rehearsed is the psychological, emotional and spiritual journey taken by the American actor, polymath and creator of Citizen Kane Orson Welles, as he finds himself on the threshold between life and death. Memories of Welles as a wunderkind and in his swashbuckling prime are brought to life, as well as successes and failures both real and imagined, with the consolation of a life fully lived. Fusing live players with pre-recorded sounds and effects, the film version of Orson Rehearsed has been a multiple award winner at festivals in the US, Europe and beyond.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track 17 – 44.1 kHz / 24-bit PCM Track 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
Track 17 – 44.1 kHz / 24-bit PCM Track 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.61 -16.03 to -0.22 | -28.96 -36.88 to -22.35 | -26.25 -33.70 to -19.60 | 14 12 to 16 | |
| 1 | Overture (Live) | -2.09 | -24.46 | -21.9 | 14 |
| 2 | Maybe a Man's Name (Live) | -5.15 | -26.98 | -24.0 | 14 |
| 3 | Everybody's Shakespeare (Live) | -8.87 | -29.58 | -27.0 | 14 |
| 4 | Lament for Jacaré (Live) | -6.06 | -31.73 | -28.9 | 16 |
| 5 | First Nachtmusik (Live) | -11.47 | -33.75 | -32.8 | 14 |
| 6 | The Magnificent Downbeats (Live) | -5.06 | -28.70 | -27.0 | 14 |
| 7 | All Through (Live) | -7.32 | -30.07 | -27.6 | 13 |
| 8 | Manhattan Ambulance Ride (Live) | -3.69 | -23.91 | -21.4 | 12 |
| 9 | Border Sequence (Live) | -6.28 | -25.65 | -22.9 | 12 |
| 10 | Card Tricks and Talk Show Badinage (Live) | -2.10 | -22.35 | -19.6 | 12 |
| 11 | Second Nachtmusik (Live) | -15.18 | -36.77 | -33.7 | 12 |
| 12 | Beatrice Welles Practices Chopin, 1924 (Live) | -10.25 | -34.32 | -30.4 | 16 |
| 13 | Consider the Chimes (Live) | -1.03 | -25.20 | -21.7 | 14 |
| 14 | Serenade for Rita (Live) | -3.92 | -26.35 | -23.6 | 13 |
| 15 | Myocardial Infarction (Live) | -0.22 | -25.42 | -22.3 | 15 |
| 16 | Postlude (Go On] [Live) | -7.60 | -30.22 | -27.9 | 13 |
| 17 | Charlie's Rag (End Title] [Live) | -16.03 | -36.88 | -33.5 | 13 |