℗ 2021 Dacapo Records
| Released | March 19, 2021 |
| Duration | 58m 38s |
| Record Label | Dacapo Records |
| Catalogue No. | 8.226594 |
| Genre | Classical (Contemporary Era) |
Octagonal Room
Jesper Sivebæk, Signe Asmussen, Cæcilie Balling, Michal Haring, Ana Angelovska, Eduardo Sánchez, Hsiao Tung Yuan, Filip Strauch, Max Artved, Morten Zeuthen, Tim Frederiksen, Alba String Quartet
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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4 Rhythmical Pieces
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1.1
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No. 1, Quarter Note = 92
Lars Hegaard; Jesper Sivebæk |
1:26 | |||
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1.2
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No. 2, Quarter Note = 63
Lars Hegaard; Jesper Sivebæk |
2:06 | |||
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1.3
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No. 3, Quarter Note = 60
Lars Hegaard; Jesper Sivebæk |
1:34 | |||
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1.4
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No. 4, Quarter Note = 84
Lars Hegaard; Jesper Sivebæk |
1:29 | |||
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3 Poèmes d'Arthur Rimbaud
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1.5
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No. 1, Enfance
Lars Hegaard; Signe Asmussen; Jesper Sivebæk |
2:57 | |||
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1.6
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No. 2, Veillées
Lars Hegaard; Signe Asmussen; Jesper Sivebæk |
3:25 | |||
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1.7
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No. 3, Départ
Lars Hegaard; Signe Asmussen; Jesper Sivebæk |
1:18 | |||
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Rituals
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1.8
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I. Obsessions
Lars Hegaard; Jesper Sivebæk; Cæcilie Balling; Michal Haring; Ana Angelovska; Eduardo Sánchez; Hsiao Tung Yuan; Filip Strauch; Max Artved |
5:10 | |||
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1.9
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II. Digressions
Lars Hegaard; Jesper Sivebæk; Cæcilie Balling; Michal Haring; Ana Angelovska; Eduardo Sánchez; Hsiao Tung Yuan; Filip Strauch; Max Artved |
7:03 | |||
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1.10
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III. Leaving It All Behind
Lars Hegaard; Jesper Sivebæk; Cæcilie Balling; Michal Haring; Ana Angelovska; Eduardo Sánchez; Hsiao Tung Yuan; Filip Strauch; Max Artved |
5:36 | |||
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Points of Disappearance
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1.11
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No. 1, Quarter Note = 96
Lars Hegaard; Jesper Sivebæk; Morten Zeuthen |
2:42 | |||
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1.12
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No. 2, Quarter Note = 60
Lars Hegaard; Jesper Sivebæk; Morten Zeuthen |
1:17 | |||
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1.13
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No. 3, Quarter Note = 84
Lars Hegaard; Jesper Sivebæk; Morten Zeuthen |
1:23 | |||
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1.14
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No. 4, Quarter Note = 72
Lars Hegaard; Jesper Sivebæk; Morten Zeuthen |
2:08 | |||
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1.15
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No. 5, —
Lars Hegaard; Jesper Sivebæk; Morten Zeuthen |
2:19 | |||
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1.16
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Configurations
Lars Hegaard; Jesper Sivebæk; Tim Frederiksen |
3:59 | |||
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Octagonal Room
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1.17
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I. Quarter Note = 66
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
1:10 | |||
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1.18
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II. Stesso tempo
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
1:52 | |||
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1.19
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III. Stesso tempo
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
1:22 | |||
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1.20
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IV. Quarter Note = 54
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
3:06 | |||
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1.21
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V. Quarter Note = 66
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
1:20 | |||
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1.22
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VI. Quarter Note = 52
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
1:23 | |||
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1.23
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VII. Quarter Note = 66
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
1:17 | |||
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1.24
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VIII. Stesso tempo
Lars Hegaard; Jesper Sivebæk; Alba String Quartet |
1:16 | |||
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Digital Booklet
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The prize-winning Lars Hegaard (b. 1950) has, over more than 40 years, been an important voice in Danish musical life. Centered on the composer’s own instrument, the guitar, we present six of his most important works for small groups. With their refined modernist expressivity, they offer a fascinating picture of the guitar’s possibilities as a solo instrument, as accompanist and as the first amongst equals in chamber music. Lars Hegaard studied guitar with Ingolf Olsen (diploma 1973, music teaching degree 1977), and composition with Ib Nørholm (diploma 1980). He has also taken a music degree at the University of Copenhagen. In 1983 he was awarded a three-year working grant by the National Arts Foundation, and in 1992 the Sylvia and Poul Schierbeck Grant. In addition to that, he has since 1986 received annually working grants from the National Arts Foundation.
48 kHz / 24-bit PCM – Dacapo Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.92 -23.02 to -1.10 | -28.51 -39.95 to -24.85 | -24.85 -36.10 to -21.30 | 14 11 to 21 | |
| 1 | No. 1, Quarter Note = 92 | -4.42 | -24.85 | -21.8 | 13 |
| 2 | No. 2, Quarter Note = 63 | -7.00 | -28.72 | -25.5 | 14 |
| 3 | No. 3, Quarter Note = 60 | -5.79 | -29.18 | -25.6 | 14 |
| 4 | No. 4, Quarter Note = 84 | -2.08 | -29.91 | -26.7 | 21 |
| 5 | No. 1, Enfance | -3.36 | -29.23 | -24.5 | 15 |
| 6 | No. 2, Veillées | -1.10 | -29.30 | -24.2 | 17 |
| 7 | No. 3, Départ | -4.84 | -25.73 | -21.3 | 11 |
| 8 | I. Obsessions | -3.69 | -25.97 | -21.7 | 13 |
| 9 | II. Digressions | -4.32 | -26.41 | -22.8 | 14 |
| 10 | III. Leaving It All Behind | -2.66 | -25.94 | -22.3 | 15 |
| 11 | No. 1, Quarter Note = 96 | -2.94 | -26.51 | -23.6 | 15 |
| 12 | No. 2, Quarter Note = 60 | -4.00 | -30.30 | -26.3 | 14 |
| 13 | No. 3, Quarter Note = 84 | -5.76 | -27.20 | -24.3 | 14 |
| 14 | No. 4, Quarter Note = 72 | -8.52 | -28.67 | -24.7 | 12 |
| 15 | No. 5, — | -5.16 | -27.55 | -23.8 | 12 |
| 16 | Configurations | -4.07 | -27.69 | -24.2 | 15 |
| 17 | I. Quarter Note = 66 | -8.35 | -26.76 | -23.6 | 13 |
| 18 | II. Stesso tempo | -2.30 | -27.77 | -24.4 | 15 |
| 19 | III. Stesso tempo | -6.79 | -26.86 | -24.1 | 12 |
| 20 | IV. Quarter Note = 54 | -2.22 | -26.32 | -21.9 | 15 |
| 21 | V. Quarter Note = 66 | -13.93 | -32.89 | -30.2 | 12 |
| 22 | VI. Quarter Note = 52 | -2.89 | -28.00 | -23.6 | 13 |
| 23 | VII. Quarter Note = 66 | -23.02 | -39.95 | -36.1 | 11 |
| 24 | VIII. Stesso tempo | -12.80 | -32.43 | -29.3 | 12 |