℗ 2021 Naxos
Released | March 5, 2021 |
Duration | 1h 20m 38s |
Record Label | Naxos |
Catalogue No. | 9.70314 |
Genre | Classical (Piano) |
Beethoven 32, Vol. 8: Piano Sonatas Nos. 27-29
Boris Giltburg
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 27 in E Minor, Op. 90
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1.1
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I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Ludwig van Beethoven; Boris Giltburg |
6:15 | |||
1.2
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II. Nicht zu geschwind und sehr singbar vorgetragen
Ludwig van Beethoven; Boris Giltburg |
7:39 | |||
Piano Sonata No. 28 in A Major, Op. 101
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1.3
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I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
Ludwig van Beethoven; Boris Giltburg |
4:29 | |||
1.4
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II. Lebhaft. Marschmäßig. Vivace alla Marcia
Ludwig van Beethoven; Boris Giltburg |
6:11 | |||
1.5
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III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
Ludwig van Beethoven; Boris Giltburg |
2:54 | |||
1.6
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III. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro
Ludwig van Beethoven; Boris Giltburg |
7:39 | |||
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier"
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1.7
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I. Allegro
Ludwig van Beethoven; Boris Giltburg |
12:19 | |||
1.8
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II. Scherzo. Assai vivace
Ludwig van Beethoven; Boris Giltburg |
3:06 | |||
1.9
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III. Adagio sostenuto
Ludwig van Beethoven; Boris Giltburg |
17:28 | |||
1.10
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IV. Introduzione. Largo - Fuga. Allegro risoluto
Ludwig van Beethoven; Boris Giltburg |
12:38 | |||
Digital Booklet
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Boris Giltburg’s personal exploration of Beethoven’s 32 piano sonatas reaches its penultimate volume. The Sonata No. 27, Op. 90 dates from 1814 and foreshadows Beethoven’s late period in its nuanced, expressive musical language. Sonata No. 28, Op. 101 is the first of Beethoven’s late period piano works, combining haunting poetic beauty with complex contrapuntal passages. Sonata No. 29, Op. 106, nicknamed ‘Hammerklavier’, is a monumental, symphonic work, pushing all boundaries of what had been achieved in the sonata form so far. Giltburg’s Beethoven 32 project has received critical praise for his playing that "allows every quality of the music to come across at full value" (BBC Music Magazine on Volume 2).
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.77 -6.17 to -0.10 | -27.56 -34.27 to -22.58 | -23.40 -30.40 to -18.50 | 15 13 to 18 | |
1 | I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | -4.22 | -27.45 | -22.0 | 14 |
2 | II. Nicht zu geschwind und sehr singbar vorgetragen | -6.17 | -28.59 | -25.4 | 13 |
3 | I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | -2.94 | -31.42 | -27.2 | 18 |
4 | II. Lebhaft. Marschmäßig. Vivace alla Marcia | -3.48 | -25.25 | -21.4 | 14 |
5 | III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | -2.43 | -33.13 | -28.7 | 15 |
6 | III. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro | -1.03 | -24.32 | -20.3 | 15 |
7 | I. Allegro | -1.77 | -24.19 | -20.3 | 14 |
8 | II. Scherzo. Assai vivace | -0.10 | -24.42 | -19.8 | 13 |
9 | III. Adagio sostenuto | -3.14 | -34.27 | -30.4 | 17 |
10 | IV. Introduzione. Largo - Fuga. Allegro risoluto | -2.40 | -22.58 | -18.5 | 13 |