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Misa Tango

Astoria, The New Baroque Times Voices, Philippe Gérard

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Misa Tango  
1.1
I. Kyrie
Martín Palmeri; Philippe Gérard; The New Baroque Times Voices; Astoria
6:43
1.2
II. Gloria
Martín Palmeri; Philippe Gérard; The New Baroque Times Voices; Astoria
5:00
1.3
III. Credo
Martín Palmeri; Philippe Gérard; The New Baroque Times Voices; Astoria
9:53
1.4
IV. Sanctus
Martín Palmeri; Philippe Gérard; The New Baroque Times Voices; Astoria
3:11
1.5
V. Benedictus
Martín Palmeri; Philippe Gérard; The New Baroque Times Voices; Astoria
2:57
1.6
VI. Agnus Dei
Martín Palmeri; Philippe Gérard; The New Baroque Times Voices; Astoria
7:29
1.7
Milonga Carrieguera
Astor Piazzolla; The New Baroque Times Voices; Astoria
4:17
1.8
Soledad
Astor Piazzolla; The New Baroque Times Voices; Astoria
6:41
1.9
Milonga en Ay Menor
Astor Piazzolla; The New Baroque Times Voices; Astoria
4:59
Total Playing Time    51:10
MisaTango was composed between September 1995 and April 1996 by the Argentine composer Martín Palmeri. The first performance was given on August 17, 1996 at Teatro Broadway in Buenos Aires by the Orquesta Sinfonica nacional de Cuba, the Choir of the Law Faculty of the University of Buenos Aires and the Polyphonic Choir of the City of Vicente López (choirs to which the work is dedicated). MisaTango is a choral mass on Tango sounds. It is composed on the same movements as a mass in classical Latin, in which the harmonics and syncopated rhythms of tango are mixed. The composer also introduces the emblematic instrument of tango, the bandoneon, soloist alongside a string orchestra (violins, violas, cellos and double bass) and the piano. A mezzo-soprano solo part punctuates the work, responding to the mixed choir. "This work was written with the intention of offering my choirs a choral symphonic work that could bring us closer to the tango repertoire. Indeed, working with my choirs, I have found how difficult and complex the interpretation of traditional tangos by choirs is. This work is therefore a tribute to choirs and tango as well as to its creators. But it is also the result of a spontaneous production, the fruit of my experience as a choir director, pianist and tango arranger." - Martín Palmeri
96 kHz / 24-bit PCM – Antarctica Records Studio Masters

Tracks 1-6 – 48 kHz / 24-bit PCM

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