℗ 2016 Alpha Classics / Outhere Music
| Released | June 24, 2016 |
| Duration | 1h 50m 44s |
| Record Label | Alpha |
| Catalogue No. | ALPHA472 |
| Genre | Classical (Orchestral) |
Resound Beethoven, Vol. 3
John Malkovich, Herbert Föttinger, Orchester Wiener Akademie, Martin Haselböck
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Egmont, Op. 84
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1.1
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Overture
Ludwig van Beethoven; Orchester Wiener Akademie; Martin Haselböck |
7:20 | |||
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1.2
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Monologue - Song: Die Trommel gerührt
Ludwig van Beethoven; Bernarda Bobro; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
5:46 | |||
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1.3
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Monologue: So freue dich, denn kurz ist alle Freude - Entr'acte No. 1: Andante
Ludwig van Beethoven; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
3:07 | |||
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1.4
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Monologue: Das war Oraniens tiefe Warnerstimme - Entr'acte No. 2: Larghetto
Ludwig van Beethoven; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
6:00 | |||
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1.5
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Monologue - Song: Freudvoll und leidvoll
Ludwig van Beethoven; Bernarda Bobro; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
2:35 | |||
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1.6
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Monologue: Und Egmont tritt herein! - Entr'acte No. 3: Allegro
Ludwig van Beethoven; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
4:42 | |||
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1.7
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Monologue: Des Geistes ewig freiem Eigentum - Entr'acte No. 4. Poco sostenuto e risoluto
Ludwig van Beethoven; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
4:01 | |||
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1.8
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Monologue: O Klärchen! Treues Herz!
Ludwig van Beethoven; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
3:49 | |||
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1.9
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Melodrama: Poco sostenuto
Ludwig van Beethoven; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
4:08 | |||
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1.10
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Monologue: Egmont erwacht - Siegessymphonie (Symphony of Victory): Allegro con brio
Ludwig van Beethoven; Herbert Föttinger; Orchester Wiener Akademie; Martin Haselböck |
3:31 | |||
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1.11
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Overture in C Major to Die Weihe des Hauses (The Consecration of the House), Op. 124
Ludwig van Beethoven; Orchester Wiener Akademie; Martin Haselböck |
10:28 | |||
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Egmont, Op. 84 (Narrated in English)
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2.1
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Overture
Ludwig van Beethoven; Orchester Wiener Akademie; Martin Haselböck |
7:21 | |||
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2.2
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Monologue - Song: Die Trommel gerührt
Ludwig van Beethoven; Bernarda Bobro; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
5:42 | |||
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2.3
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Monologue: So freue dich, denn kurz ist alle Freude - Entr'acte No. 1: Andante
Ludwig van Beethoven; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
3:05 | |||
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2.4
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Monologue: Das war Oraniens tiefe Warnerstimme - Entr'acte No. 2: Larghetto
Ludwig van Beethoven; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
6:05 | |||
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2.5
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Monologue - Song: Freudvoll und leidvoll
Ludwig van Beethoven; Bernarda Bobro; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
2:28 | |||
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2.6
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Monologue: Und Egmont tritt herein! - Entr'acte No. 3: Allegro
Ludwig van Beethoven; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
4:34 | |||
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2.7
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Monologue: Des Geistes ewig freiem Eigentum - Entr'acte No. 4. Poco sostenuto e risoluto
Ludwig van Beethoven; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
3:59 | |||
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2.8
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Monologue: O Klärchen! Treues Herz!
Ludwig van Beethoven; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
3:50 | |||
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2.9
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Melodrama: Poco sostenuto
Ludwig van Beethoven; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
4:06 | |||
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2.10
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Monologue: Egmont erwacht - Siegessymphonie (Symphony of Victory): Allegro con brio
Ludwig van Beethoven; John Malkovich; Orchester Wiener Akademie; Martin Haselböck |
3:39 | |||
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2.11
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Overture in C Major to Die Weihe des Hauses (The Consecration of the House), Op. 124 (repeat)
Ludwig van Beethoven; Orchester Wiener Akademie; Martin Haselböck |
10:28 | |||
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Digital Booklet
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The Resound Beethoven collection brings the orchestral music of Beethoven back to its original Viennese halls and theatres. Four of the six venues where debut performances were held still exist today, as do the eight Viennese theatres where the composer’s works were performed in his lifetime. The orchestral forces of the Wiener Akademie under Martin Haselböck correspond in size and instrumentation to those used by the composer, while producers reproduced the specific acoustic qualities of the room with fullness and transparency. The focus of this programme is theatre music: Herbert Föttinger appears as the narrator in Egmont while John Malkovich narrates the English version.
"It fills us with great joy and gratitude that John Malkovich, with whom we have already had the pleasure of collaborating for several years, has taken on the part of the narrator ... with our interpretations we wish to offer you music in the sound of its own time: we want to add to the possibilities of historical instruments the sound and the aura of the concert halls in which the composer himself conducted and experienced his works."
- Martin Haselböck
96 kHz / 24-bit PCM – Alpha Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.82 -5.24 to -0.34 | -23.31 -32.31 to -16.07 | -18.85 -28.30 to -11.90 | 14 9 to 18 | |
| 1.1 | Overture | -0.50 | -18.24 | -13.9 | 10 |
| 1.2 | Monologue - Song: Die Trommel gerührt | -0.50 | -23.01 | -17.9 | 14 |
| 1.3 | Monologue: So freue dich, denn kurz ist alle Freude - Entr'acte No. 1: Andante | -0.50 | -20.86 | -15.4 | 11 |
| 1.4 | Monologue: Das war Oraniens tiefe Warnerstimme - Entr'acte No. 2: Larghetto | -0.50 | -27.32 | -23.7 | 17 |
| 1.5 | Monologue - Song: Freudvoll und leidvoll | -0.50 | -21.61 | -15.9 | 12 |
| 1.6 | Monologue: Und Egmont tritt herein! - Entr'acte No. 3: Allegro | -0.50 | -24.86 | -20.3 | 15 |
| 1.7 | Monologue: Des Geistes ewig freiem Eigentum - Entr'acte No. 4. Poco sostenuto e risoluto | -0.50 | -24.49 | -20.2 | 15 |
| 1.8 | Monologue: O Klärchen! Treues Herz! | -5.24 | -32.31 | -28.3 | 17 |
| 1.9 | Melodrama: Poco sostenuto | -0.90 | -28.31 | -24.6 | 18 |
| 1.10 | Monologue: Egmont erwacht - Siegessymphonie (Symphony of Victory): Allegro con brio | -0.50 | -17.29 | -12.4 | 10 |
| 1.11 | Overture in C Major to Die Weihe des Hauses (The Consecration of the House), Op. 124 | -0.34 | -19.24 | -15.5 | 12 |
| 2.1 | Overture | -0.50 | -18.25 | -13.9 | 10 |
| 2.2 | Monologue - Song: Die Trommel gerührt | -0.50 | -22.74 | -18.0 | 14 |
| 2.3 | Monologue: So freue dich, denn kurz ist alle Freude - Entr'acte No. 1: Andante | -0.50 | -20.81 | -15.3 | 11 |
| 2.4 | Monologue: Das war Oraniens tiefe Warnerstimme - Entr'acte No. 2: Larghetto | -0.50 | -27.58 | -23.6 | 18 |
| 2.5 | Monologue - Song: Freudvoll und leidvoll | -0.50 | -21.38 | -15.7 | 12 |
| 2.6 | Monologue: Und Egmont tritt herein! - Entr'acte No. 3: Allegro | -0.50 | -24.33 | -19.7 | 15 |
| 2.7 | Monologue: Des Geistes ewig freiem Eigentum - Entr'acte No. 4. Poco sostenuto e risoluto | -0.50 | -24.56 | -20.3 | 15 |
| 2.8 | Monologue: O Klärchen! Treues Herz! | -2.32 | -32.05 | -28.0 | 17 |
| 2.9 | Melodrama: Poco sostenuto | -0.91 | -28.28 | -24.8 | 14 |
| 2.10 | Monologue: Egmont erwacht - Siegessymphonie (Symphony of Victory): Allegro con brio | -0.50 | -16.07 | -11.9 | 9 |
| 2.11 | Overture in C Major to Die Weihe des Hauses (The Consecration of the House), Op. 124 (repeat) | -0.34 | -19.24 | -15.5 | 12 |