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the cello in my life

Steuart Pincombe

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Suite V in C Minor, BWV 1011  
1.1
I. Prelude
Johann Sebastian Bach; Steuart Pincombe
6:50
1.2
II. Allemande
Johann Sebastian Bach; Steuart Pincombe
6:20
1.3
III. Courante
Johann Sebastian Bach; Steuart Pincombe
2:20
1.4
IV. Sarabande
Johann Sebastian Bach; Steuart Pincombe
4:09
1.5
V. Gavotte I & II
Johann Sebastian Bach; Steuart Pincombe
4:51
1.6
VI. Gigue
Johann Sebastian Bach; Steuart Pincombe
3:05
Sonata VI in F Major  
1.7
I. Adagio
Domenico Galli; Steuart Pincombe
1:44
1.8
II. Allegro
Domenico Galli; Steuart Pincombe
1:39
1.9
III. Andante-Vivace
Domenico Galli; Steuart Pincombe
0:56
1.10
IV. Giga
Domenico Galli; Steuart Pincombe
2:10
1.11
Projection 1
Morton Feldman; Steuart Pincombe
4:08
1.12
Intersection 4
Morton Feldman; Steuart Pincombe
5:26
1.13
Pression
Helmut Lachenmann; Steuart Pincombe
9:23
1.14
Kottos
Iannis Xenakis; Steuart Pincombe
10:51
Total Playing Time    63:52
The young American top cellist Steuart Pincombe wishes to bring insane musical risk to the largest possible audience. Music lovers that haven't embraced classical repertoire yet often can bring the most sincere reactions, even more with such an extensive program which can be found on Pincombe's solo debut The cello in my life. Starting with Bach's elaborate and inscrutable Suite V in C minor till the highly concentrated Pression of Helmut Lachenmann, completed by a partly improvised Sontata VI by Domenico Galli (1 generation before Bach), the intriguing freedom and timelessness of Morton Feldman's music and, serving as a finale, Kottos by Iannis Xenakis, a hearty architecture that's actually hardly playable on 1 cello. As a special factor, all of this is performed, so even the contemporary music (!), on gut strings which are tuned lower than usual. Substantial nerves and energy, addictive narrative skills and furthermost a truly bizarre sound world that will affect the also less educated listener.
96 kHz / 24-bit PCM – 7 Mountain Records Studio Masters

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