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Edward Gregson: Instrumental Music

Amy Yule, Paul Janes, Yuri Torchinsky, Gareth Small, Jennifer Galloway, Ewan Easton, Timothy Pooley, Katy Jones, Sergio Castelló López

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3 Matisse Impressions (Version for Flute & Piano)  
1.1
No. 1, Pastoral
Edward Gregson; Amy Yule; Paul Janes
2:41
1.2
No. 2, Lux, calme et volupté
Edward Gregson; Amy Yule; Paul Janes
4:04
1.3
No. 3, La danse
Edward Gregson; Amy Yule; Paul Janes
3:17
1.4
Serenata notturna (Version for Violin & Piano)
Edward Gregson; Yuri Torchinsky; Paul Janes
8:37
Cameos  
1.5
No. 1, Intrada
Edward Gregson; Gareth Small; Paul Janes
1:15
1.6
No. 2, Serenade
Edward Gregson; Gareth Small; Paul Janes
1:42
1.7
No. 3, Canon Dance
Edward Gregson; Gareth Small; Paul Janes
1:11
1.8
No. 4, Alla marcia
Edward Gregson; Gareth Small; Paul Janes
1:26
1.9
No. 5, Song with Variation
Edward Gregson; Gareth Small; Paul Janes
2:49
1.10
No. 6, Danse macabre
Edward Gregson; Gareth Small; Paul Janes
2:08
1.11
No. 7, Paean
Edward Gregson; Gareth Small; Paul Janes
2:33
Oboe Sonata  
1.12
I. Allegro giocoso
Edward Gregson; Jennifer Galloway; Paul Janes
2:55
1.13
II. Andante doloroso
Edward Gregson; Jennifer Galloway; Paul Janes
4:42
1.14
III. Allegretto con brio
Edward Gregson; Jennifer Galloway; Paul Janes
3:50
1.15
Alarum
Edward Gregson; Ewan Easton
8:06
1.16
Love Goddess
Edward Gregson; Timothy Pooley; Paul Janes
7:34
Divertimento  
1.17
I. Moto perpetuo
Edward Gregson; Katy Jones; Paul Janes
2:39
1.18
II. Canzona
Edward Gregson; Katy Jones; Paul Janes
2:42
1.19
III. Scherzino
Edward Gregson; Katy Jones; Paul Janes
1:36
Tributes (Excerpts)  
1.20
No. 3, To Igor Stravinsky (For Linda Merrick)
Edward Gregson; Sergio Castelló López; Paul Janes
3:10
1.21
No. 2, To Gerald Finzi (For John Bradbury)
Edward Gregson; Sergio Castelló López; Paul Janes
3:48
1.22
No. 5, To Béla Bartók (For Michael Collins)
Edward Gregson; Sergio Castelló López; Paul Janes
3:03
Digital Booklet
Total Playing Time    75:48
Edward Gregson’s career has followed two parallel paths, one to the top tier of music education and the other towards the international reputation he now enjoys as a composer. This representative selection is Gregson’s own and spans more than half a century, from the youthful exuberance of his Oboe Sonata to specially prepared versions of two of his most evocative compositions, Three Matisse Impressions and Love Goddess. The selected soloists are drawn from two leading symphony orchestras with which Gregson enjoys special relationships.
96 kHz / 24-bit PCM – Naxos Studio Masters

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