℗ 2021 IBS Classical
Released | April 2, 2021 |
Duration | 1h 03m 02s |
Record Label | IBS Classical |
Catalogue No. | IBS-12021 |
Genre | Classical (Renaissance) |
Per voi ardo
Carlos Mena, Manuel Minguillón
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Amor tu sai (Arr. E. de Valderrábano)
Jacques Arcadelt; Carlos Mena; Manuel Minguillón |
2:20 | |||
1.2
|
Vita de la mia vita (Arr. E. de Valderrábano)
Philippe Verdelot; Carlos Mena; Manuel Minguillón |
2:01 | |||
1.3
|
Soneto No. 20 "Benedicto sea el giorno"
Enríquez de Valderrábano; Manuel Minguillón |
1:16 | |||
1.4
|
Fantasia No. 14 "Contrahecha a una del milanes"
Enríquez de Valderrábano; Manuel Minguillón |
2:48 | |||
1.5
|
La vita fugge
Alonso Mudarra; Carlos Mena; Manuel Minguillón |
3:49 | |||
1.6
|
O gelosia d'amanti
Alonso Mudarra; Carlos Mena; Manuel Minguillón |
2:35 | |||
1.7
|
Sparci sparcium (Arr. D. Pisador)
Sebastiano Festa; Manuel Minguillón |
3:31 | |||
1.8
|
Lagrime mesti (Arr. D. Pisador)
Adrian Willaert; Carlos Mena; Manuel Minguillón |
3:15 | |||
1.9
|
A quando a quando havea (Arr. D. Pisador)
Adrian Willaert; Carlos Mena; Manuel Minguillón |
3:24 | |||
1.10
|
Fantasia No. 7
Miguel de Fuenllana; Manuel Minguillón |
1:39 | |||
1.11
|
Il bianco e dolce cigno (Arr. M. de Fuenllana)
Jacques Arcadelt; Carlos Mena; Manuel Minguillón |
2:01 | |||
1.12
|
Quanto sia lieto il giorno (Arr. M. de Fuenllana)
Philippe Verdelot; Carlos Mena; Manuel Minguillón |
3:26 | |||
1.13
|
Quanto ti vegio
Miguel de Fuenllana; Carlos Mena; Manuel Minguillón |
1:05 | |||
1.14
|
Fantasía No. 1
Alonso Mudarra; Manuel Minguillón |
1:29 | |||
1.15
|
Fantasía No. 7
Alonso Mudarra; Manuel Minguillón |
2:05 | |||
1.16
|
Itene a l'ombra
Alonso Mudarra; Carlos Mena; Manuel Minguillón |
4:32 | |||
1.17
|
Fantasia No. 13 "De contrapunto"
Enríquez de Valderrábano; Manuel Minguillón |
1:57 | |||
1.18
|
Soneto No. 2
Enríquez de Valderrábano; Manuel Minguillón |
2:13 | |||
1.19
|
Gloriar mi poss'io donne (Arr. E. de Valderrábano)
Philippe Verdelot; Carlos Mena; Manuel Minguillón |
2:18 | |||
1.20
|
Madonna qual certezza (Arr. E. de Valderrábano)
Philippe Verdelot; Carlos Mena; Manuel Minguillón |
2:44 | |||
1.21
|
Tiento No. 2
Miguel de Fuenllana; Manuel Minguillón |
1:32 | |||
1.22
|
O s'io potessi donna (Arr. M. de Fuenllana)
Jacquet de Berchem; Carlos Mena; Manuel Minguillón |
2:41 | |||
1.23
|
O felici occhi miei (Arr. M. de Fuenllana)
Jacques Arcadelt; Carlos Mena; Manuel Minguillón |
1:36 | |||
1.24
|
Madonna per voi ardo (Arr. M. de Fuenllana)
Philippe Verdelot; Carlos Mena; Manuel Minguillón |
1:57 | |||
1.25
|
O bene mio (Arr. D. Pisador)
Adrian Willaert; Carlos Mena; Manuel Minguillón |
2:48 | |||
1.26
|
Madonna mia fa (Arr. D. Pisador)
Adrian Willaert; Carlos Mena; Manuel Minguillón |
2:00 | |||
Digital Booklet
|
Per voi ardo presents a large number of Italian madrigals in the form they are preserved in Spain in the vihuela books of Enríquez de Valderrábano (1547), Diego Pisador (1552) and Miguel de Fuenllana (1554). They are complemented by settings by Alonso Mudarra, original compositions like Milán’s, using Italian texts of the same flavour, and with accompaniments that parallel the arranged madrigals in many ways. Some solo works by Mudarra and Fuenllana offer brief momeThe arrangements by Valderrábano, Pisador and Fuenllana, on the other hand, follow exactly the precedent of the 1536 Willaert-Verdelot collection. They are tablature arrangements of the madrigals without modification that are sung in exactly the way that Verdelot and Willaert envisaged. In the absence of parallel sources in Italy, they are important not only as evidence of the spread of this practice to Spain, but also as the main written evidence that confirms a continuing practice of singing arrangements of 1530s madrigals for decades after they first appeared.
96 kHz / 24-bit PCM – IBS Classical Studio Masters
Tracks 1-26 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-26 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.53 -9.98 to -0.02 | -24.72 -30.78 to -19.90 | -21.28 -27.90 to -15.60 | 13 11 to 15 | |
1 | Amor tu sai (Arr. E. de Valderrábano) | -1.69 | -20.92 | -17.4 | 12 |
2 | Vita de la mia vita (Arr. E. de Valderrábano) | -1.79 | -22.58 | -18.6 | 12 |
3 | Soneto No. 20 "Benedicto sea el giorno" | -4.67 | -28.18 | -25.3 | 15 |
4 | Fantasia No. 14 "Contrahecha a una del milanes" | -5.99 | -28.95 | -26.4 | 14 |
5 | La vita fugge | -1.12 | -23.26 | -19.2 | 13 |
6 | O gelosia d'amanti | -1.20 | -22.97 | -19.1 | 14 |
7 | Sparci sparcium (Arr. D. Pisador) | -5.14 | -28.81 | -25.9 | 13 |
8 | Lagrime mesti (Arr. D. Pisador) | -2.71 | -23.61 | -20.1 | 12 |
9 | A quando a quando havea (Arr. D. Pisador) | -2.10 | -21.88 | -18.1 | 12 |
10 | Fantasia No. 7 | -7.35 | -29.85 | -27.0 | 14 |
11 | Il bianco e dolce cigno (Arr. M. de Fuenllana) | -2.52 | -22.52 | -19.1 | 12 |
12 | Quanto sia lieto il giorno (Arr. M. de Fuenllana) | -1.09 | -23.09 | -19.0 | 14 |
13 | Quanto ti vegio | -0.02 | -20.15 | -15.6 | 13 |
14 | Fantasía No. 1 | -9.34 | -29.33 | -26.7 | 12 |
15 | Fantasía No. 7 | -8.22 | -29.73 | -27.0 | 13 |
16 | Itene a l'ombra | -0.85 | -25.05 | -21.0 | 14 |
17 | Fantasia No. 13 "De contrapunto" | -9.04 | -30.43 | -27.8 | 14 |
18 | Soneto No. 2 | -4.89 | -27.70 | -24.9 | 14 |
19 | Gloriar mi poss'io donne (Arr. E. de Valderrábano) | -1.42 | -20.97 | -17.2 | 11 |
20 | Madonna qual certezza (Arr. E. de Valderrábano) | -2.70 | -23.36 | -19.7 | 13 |
21 | Tiento No. 2 | -9.98 | -30.78 | -27.9 | 13 |
22 | O s'io potessi donna (Arr. M. de Fuenllana) | -2.84 | -24.03 | -20.6 | 13 |
23 | O felici occhi miei (Arr. M. de Fuenllana) | -2.43 | -23.02 | -19.3 | 13 |
24 | Madonna per voi ardo (Arr. M. de Fuenllana) | -1.71 | -20.42 | -16.7 | 11 |
25 | O bene mio (Arr. D. Pisador) | -0.30 | -19.90 | -16.1 | 12 |
26 | Madonna mia fa (Arr. D. Pisador) | -0.62 | -21.12 | -17.5 | 14 |