℗ 2021 Toccata Classics
| Released | April 2, 2021 |
| Duration | 1h 09m 50s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0443 |
| Genre | Classical (Modern Era) |
Hermann: Complete Surviving Music, Vol. 1
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Concerto
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1.1
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I. Allegro cantabile
Pál Hermann; Clive Greensmith; Lviv International Symphony Orchestra; Theodore Kuchar |
10:08 | |||
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1.2
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II. Allegro - Lento - Andante "Disappearance" (After Hermann)
Fabio Conti; Clive Greensmith; Lviv International Symphony Orchestra; Theodore Kuchar |
6:12 | |||
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1.3
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III. Allegro (After Hermann)
Fabio Conti; Clive Greensmith; Lviv International Symphony Orchestra; Theodore Kuchar |
8:33 | |||
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1.4
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IV. Andante (After Hermann)
Fabio Conti; Clive Greensmith; Lviv International Symphony Orchestra; Theodore Kuchar |
4:24 | |||
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1.5
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V. Allegro giocoso (After Hermann)
Fabio Conti; Clive Greensmith; Lviv International Symphony Orchestra; Theodore Kuchar |
7:12 | |||
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Kammersonate (Version for Violin & Strings)
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1.6
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I. Andante
Pál Hermann; Kateryna Poteriaieva; Lviv International Symphony Orchestra; Theodore Kuchar |
3:04 | |||
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1.7
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II. Allegro con brio
Pál Hermann; Kateryna Poteriaieva; Lviv International Symphony Orchestra; Theodore Kuchar |
2:26 | |||
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1.8
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III. Largo
Pál Hermann; Kateryna Poteriaieva; Lviv International Symphony Orchestra; Theodore Kuchar |
0:38 | |||
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1.9
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IV. Allegretto grazioso
Pál Hermann; Kateryna Poteriaieva; Lviv International Symphony Orchestra; Theodore Kuchar |
3:03 | |||
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1.10
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Előjáték
Pál Hermann; Alina Shevchenko; Roman Marchenko |
3:26 | |||
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Suite for Piano
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1.11
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I. Allegretto
Pál Hermann; Alina Shevchenko |
3:22 | |||
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1.12
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II. Molto allegro
Pál Hermann; Alina Shevchenko |
4:23 | |||
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1.13
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III. Lento
Pál Hermann; Alina Shevchenko |
4:40 | |||
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1.14
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Ophélie (Orch. F. Conti)
Pál Hermann; Sofia Soloviy; Lviv International Symphony Orchestra; Theodore Kuchar |
8:19 | |||
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Digital Booklet
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Pál Hermann, born in Budapest in 1902, was not only one of the leading cellists of his generation: he was also an important composer, one of the major figures in Hungarian music in the generation after his teachers Bartók and Kodály. But since only two of his works were published before his early death, in 1944, at the hands of the Nazis, and many more of them were lost, he has not had the esteem that he deserves. This series will present all his surviving compositions, most of them in first recordings. The major work on this first album, Hermann’s Cello Concerto of 1925 in a reconstruction by the Italian composer Fabio Conti (b. 1967), sits somewhere between Bartók and Korngold and bids fair to become a staple of the cello repertoire.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.95 -7.81 to -1.06 | -24.16 -26.85 to -20.54 | -20.66 -22.80 to -16.90 | 14 11 to 16 | |
| 1 | I. Allegro cantabile | -1.06 | -25.94 | -22.5 | 16 |
| 2 | II. Allegro - Lento - Andante "Disappearance" (After Hermann) | -1.06 | -26.85 | -22.2 | 16 |
| 3 | III. Allegro (After Hermann) | -1.06 | -24.37 | -20.5 | 15 |
| 4 | IV. Andante (After Hermann) | -1.06 | -25.57 | -22.0 | 15 |
| 5 | V. Allegro giocoso (After Hermann) | -1.06 | -23.05 | -19.9 | 14 |
| 6 | I. Andante | -4.32 | -23.88 | -20.9 | 12 |
| 7 | II. Allegro con brio | -1.06 | -22.10 | -19.2 | 14 |
| 8 | III. Largo | -7.81 | -24.69 | -21.5 | 11 |
| 9 | IV. Allegretto grazioso | -2.79 | -22.46 | -19.4 | 13 |
| 10 | Előjáték | -1.06 | -20.54 | -16.9 | 12 |
| 11 | I. Allegretto | -1.86 | -26.03 | -22.8 | 14 |
| 12 | II. Molto allegro | -1.06 | -21.17 | -18.2 | 13 |
| 13 | III. Lento | -1.07 | -26.68 | -22.2 | 15 |
| 14 | Ophélie (Orch. F. Conti) | -1.06 | -24.92 | -21.1 | 16 |