℗ 2021 DUX
Released | April 2, 2021 |
Duration | 56m 28s |
Record Label | DUX |
Catalogue No. | DUX1677 |
Genre | Classical (Choral) |
Czarnecki: Vesperæ in exaltatione Sanctæ Crucis, Op. 50
Polski Chór Kameralny, Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk, Jan Łukaszewski, Aleksander Kunach, Dawid Biwo
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Vesperæ in exaltatione Sanctæ Crucis, Op. 50
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1.1
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I. Invitatorium
Slawomir Czarnecki; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
2:03 | |||
1.2
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II. Hymnus Vexílla Regis
Slawomir Czarnecki; Aleksander Kunach; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski; Dawid Biwo |
10:44 | |||
1.3
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III. Antiphona 1
Slawomir Czarnecki; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
1:21 | |||
1.4
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IV. Psalmus 146 - Laudáte Dóminum
Slawomir Czarnecki; Aleksander Kunach; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski; Dawid Biwo |
7:26 | |||
1.5
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V. Antiphona 1a
Slawomir Czarnecki; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
1:03 | |||
1.6
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VI. Antiphona 2
Slawomir Czarnecki; Aleksander Kunach; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
1:14 | |||
1.7
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VII. Psalmus 147 - Lauda Jerúsalem
Slawomir Czarnecki; Aleksander Kunach; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski; Dawid Biwo |
5:46 | |||
1.8
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VIII. Antiphona 2a
Slawomir Czarnecki; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
1:01 | |||
1.9
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IX. Antiphona 3
Slawomir Czarnecki; Polski Chór Kameralny; Jan Łukaszewski |
0:49 | |||
1.10
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X. Canticum - Christus Iesus
Slawomir Czarnecki; Polski Chór Kameralny; Jan Łukaszewski |
6:33 | |||
1.11
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XI. Antiphona 3a
Slawomir Czarnecki; Polski Chór Kameralny; Jan Łukaszewski |
1:03 | |||
1.12
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XII. Responsorium breve
Slawomir Czarnecki; Aleksander Kunach; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
3:26 | |||
1.13
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XIII. Antiphona 4
Slawomir Czarnecki; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
1:17 | |||
1.14
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XIV. Magnificat
Slawomir Czarnecki; Aleksander Kunach; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski; Dawid Biwo |
7:38 | |||
1.15
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XV. Antiphona 4a
Slawomir Czarnecki; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski |
1:07 | |||
1.16
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XVI. Cantus Finalis
Slawomir Czarnecki; Aleksander Kunach; Polski Chór Kameralny; Instrumental Ensemble of the Polish Baltic Philharmonic in Gdańsk; Jan Łukaszewski; Dawid Biwo |
3:57 | |||
Digital Booklet
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On September 16-19, 2019, recordings of Vespers by Sławomir Czarnecki took place, which are now released by the DUX publishing house. The composition is in the form of an oratorio with a duration of about 55 minutes. Scheduled for mixed choir, tenor and solo bass, and 10 wind instruments. It is composed for liturgical breviary texts in the universal Latin language, in the post-conciliar arrangement. The composition has 16 parts, covering almost the entire text of the First Vespers liturgy for the Feast of the Exaltation of the Cross (September 14), including the Antiphons. Only the introductory part, the Preambulum, and the last part - Cantus Finalis, contain the old liturgical breviary texts of European and Miechów Bożogrobcy from the 14th century.
In its sound layer, the composition refers to numerous European and Polish music traditions, starting from the Middle Ages, with reference to the form of hymns and sequences, through the multi-chorus and chord colour of the late Renaissance period, with concerto elements characteristic of the baroque era. This multithreading is transformed with elements of contemporary compositional technique, such as interval structuralism, dissonant sounds, minimalism or repetitiveness, creating a composition with postmodern aesthetics, a trend so characteristic of, for example, the works of W. Kilar or HM Górecki, eagerly accepted by listeners.
The message of the composition refers to the 1050th anniversary of the Baptism of Poland, the coming of the Cross to our lands, and with it the inclusion of Poland in the circulation of Christian culture and European civilization.
48 kHz / 24-bit PCM – DUX Studio Masters
Track 2 – 44.1 kHz / 24-bit PCM
Track 2 – 44.1 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.20 -15.58 to -0.55 | -26.86 -33.32 to -19.39 | -23.69 -29.80 to -16.00 | 11 10 to 13 | |
1 | I. Invitatorium | -15.58 | -32.13 | -29.7 | 10 |
2 | II. Hymnus Vexílla Regis | -1.51 | -21.21 | -17.9 | 12 |
3 | III. Antiphona 1 | -12.92 | -30.26 | -27.1 | 11 |
4 | IV. Psalmus 146 - Laudáte Dóminum | -2.30 | -21.43 | -18.4 | 12 |
5 | V. Antiphona 1a | -14.34 | -31.00 | -28.1 | 10 |
6 | VI. Antiphona 2 | -8.69 | -30.18 | -26.8 | 12 |
7 | VII. Psalmus 147 - Lauda Jerúsalem | -1.37 | -19.39 | -16.0 | 11 |
8 | VIII. Antiphona 2a | -11.17 | -30.09 | -27.0 | 11 |
9 | IX. Antiphona 3 | -14.30 | -33.32 | -29.8 | 11 |
10 | X. Canticum - Christus Iesus | -4.26 | -26.87 | -23.8 | 13 |
11 | XI. Antiphona 3a | -13.29 | -31.69 | -28.2 | 11 |
12 | XII. Responsorium breve | -5.30 | -23.85 | -20.7 | 11 |
13 | XIII. Antiphona 4 | -12.07 | -28.57 | -25.6 | 10 |
14 | XIV. Magnificat | -0.55 | -20.73 | -17.4 | 12 |
15 | XV. Antiphona 4a | -11.75 | -29.27 | -26.1 | 10 |
16 | XVI. Cantus Finalis | -1.85 | -19.74 | -16.4 | 11 |