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Wranitzky: Orchestral Works, Vol. 1

Czech Chamber Philharmonic Orchestra Pardubice, Marek Štilec

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Die Post-Station oder Die unerwartete Zusammenkunft  
1.1
Overture
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
4:51
Symphony in C Major, Op. 19 "Coronation"  
1.2
I. Andante maestoso - Allegro vivace
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
10:37
1.3
II. Andante con moto
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
5:59
1.4
III. Menuetto. Allegretto
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
3:48
1.5
IV. Finale. Presto
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
6:09
Symphony in B-Flat Major, Op. 33 No. 1  
1.6
I. Allegro molto
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
8:03
1.7
II. Adagio
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
5:50
1.8
III. Menuetto. Allegretto
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
6:11
1.9
IV. Finale. Allegro vivace
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
5:59
Das Fest der Lazaronen (Excerpts)  
1.10
Overture
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
5:35
1.11
Allegro maestoso
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
2:33
1.12
Andantino
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
0:48
1.13
Allegro
Paul Wranitzky; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec
2:07
Digital Booklet
Total Playing Time    68:30
Czech-born Paul Wranitzky, a contemporary of Mozart, was the most important symphonist in Vienna at the turn of the 18th century. To mark the ascension to the throne of Franz II in 1792, Wranitzky wrote the grand Symphony in C major, a work of regal quality and festive exuberance. Wranitzky’s mature symphonic style is on display in the Symphony in B flat major, with its expanded orchestral forces, contrasting textures and broad musical invention. Overtures from two operas offer a sampling of Wranitzky’s dramatic writing for the stage.
96 kHz / 24-bit PCM – Naxos Studio Masters

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