℗ 2021 Paraty
| Released | April 30, 2021 |
| Duration | 1h 14m 00s |
| Record Label | Paraty |
| Catalogue No. | PTY121365D |
| Genre | Classical (Keyboard (specific genres)) |
Chopin: Complete Sonatas
Veronique Bonnecaze
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Sonata No. 1 in C Minor, Op. 4
|
|||||
|
1.1
|
I. Allegro maestoso
Frederic Chopin; Veronique Bonnecaze |
7:02 | |||
|
1.2
|
II. Minuetto. Allegretto
Frederic Chopin; Veronique Bonnecaze |
3:25 | |||
|
1.3
|
III. Larghetto
Frederic Chopin; Veronique Bonnecaze |
3:56 | |||
|
1.4
|
IV. Finale. Presto
Frederic Chopin; Veronique Bonnecaze |
7:11 | |||
|
Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March"
|
|||||
|
1.5
|
I. Grave. Doppio movimento
Frederic Chopin; Veronique Bonnecaze |
7:47 | |||
|
1.6
|
II. Scherzo
Frederic Chopin; Veronique Bonnecaze |
7:26 | |||
|
1.7
|
III. Marche funèbre. Lento
Frederic Chopin; Veronique Bonnecaze |
9:03 | |||
|
1.8
|
IV. Finale. Presto
Frederic Chopin; Veronique Bonnecaze |
1:43 | |||
|
Sonata No. 3 in B Minor, Op. 58
|
|||||
|
1.9
|
I. Allegro maestoso
Frederic Chopin; Veronique Bonnecaze |
9:23 | |||
|
1.10
|
II. Scherzo
Frederic Chopin; Veronique Bonnecaze |
2:58 | |||
|
1.11
|
III. Largo
Frederic Chopin; Veronique Bonnecaze |
8:49 | |||
|
1.12
|
IV. Finale. Presto non tanto
Frederic Chopin; Veronique Bonnecaze |
5:17 | |||
|
Digital Booklet
|
|||||
It was certainly not his genre of predilection, but Chopin had the merit of writing three piano sonatas. Only two have really passed into posterity, despite criticism of them from learned professors who, like Vincent d'Indy, criticized them for not being regulatory. But, as Camille Bourniquel beautifully writes, "a poet may not want to compose tragedies; if he does, there will always be someone to point out to him that he broke the rules. »
Ce n'était certainement pas son genre de prédilection, mais Chopin a eu le mérite d'écrire trois sonates pour piano. Deux seulement sont réellement passées à la postérité, en dépit des critiques dont elles ont été l'objet de la part de doctes professeurs qui, comme Vincent d'Indy, leurs reprochaient de n'être pas réglementaires. Mais, comme l'écrit joliment Camille Bourniquel, « un poète peut ne pas avoir envie de composer des tragédies ; s'il s'y risque, il se trouvera toujours quelqu'un pour lui faire observer qu'il n'a pas respecté les règles ».
88.2 kHz / 24-bit PCM – Paraty Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.11 -4.05 to -0.10 | -20.98 -25.93 to -17.00 | -17.57 -22.70 to -13.70 | 12 10 to 14 | |
| 1 | I. Allegro maestoso | -0.10 | -18.35 | -15.5 | 11 |
| 2 | II. Minuetto. Allegretto | -2.46 | -22.47 | -19.1 | 13 |
| 3 | III. Larghetto | -4.05 | -25.83 | -22.2 | 13 |
| 4 | IV. Finale. Presto | -0.10 | -17.72 | -14.8 | 11 |
| 5 | I. Grave. Doppio movimento | -0.10 | -17.00 | -13.7 | 10 |
| 6 | II. Scherzo | -0.10 | -20.53 | -16.1 | 12 |
| 7 | III. Marche funèbre. Lento | -0.10 | -23.08 | -18.3 | 14 |
| 8 | IV. Finale. Presto | -1.17 | -21.27 | -18.1 | 13 |
| 9 | I. Allegro maestoso | -0.87 | -20.33 | -17.4 | 12 |
| 10 | II. Scherzo | -1.56 | -22.22 | -18.6 | 12 |
| 11 | III. Largo | -2.63 | -25.93 | -22.7 | 14 |
| 12 | IV. Finale. Presto non tanto | -0.10 | -17.07 | -14.3 | 11 |