℗ 2014 Delphian Records Ltd
| Released | February 9, 2015 |
| Duration | 1h 15m 19s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34148 |
| Genre | Classical (Keyboard) |
William Faulkes: An Edwardian Concert
Duncan Ferguson
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Festival Prelude on ‘Ein’ feste Burg’
William Faulkes; Duncan Ferguson |
6:47 | |||
|
1.2
|
Fantasia
William Faulkes; Duncan Ferguson |
11:34 | |||
|
1.3
|
Scherzo symphonique concertant
William Faulkes; Duncan Ferguson |
8:00 | |||
|
1.4
|
Theme (Varied) in E Flat Major
William Faulkes; Duncan Ferguson |
5:09 | |||
|
1.5
|
Barcarolle in B Flat Major
William Faulkes; Duncan Ferguson |
8:17 | |||
|
1.6
|
Concert Overture in E Flat Major
William Faulkes; Duncan Ferguson |
13:22 | |||
|
1.7
|
Mélodie in F Major (Arr. Faulkes)
Anton Rubinstein; William Faulkes; Duncan Ferguson |
3:49 | |||
|
1.8
|
Fantasia on Old Welsh Airs
William Faulkes; Duncan Ferguson |
8:21 | |||
|
1.9
|
Légende and Finale
William Faulkes; Duncan Ferguson |
10:00 |
"Ferguson’s playing and Delphian’s presentation provide Faulkes’s music with as fine a podium as anyone could wish for."
- Choir & Organ
"... (Faulkes) could have wished for no more persuasive an advocate than Duncan Ferguson, nor a finer instrument than this glorious and historically correct 'Father' Willis ..."
- Gramophone
"Four Stars ... distils the spirit of the Edwardian era ... Ferguson knows the instrument intimately and gives its tonal palette a thorough workout, even managing a moment of pure 'Wurlitzer' in the arrangement of Rubinstein's Mélodie No. 1."
- BBC Music Magazine
Critically acclaimed Scottish organist Duncan Ferguson once again proves himself compelling on this programme devoted to William Faulkes, considered England’s most prolific organ composer of all time. Faulkes was one of the leading figures in a generation of organist composers whose style of writing speaks from and of the golden age of organ recitals: melodious, spirited, uplifting music that, long out of fashion, is now enjoying something of a resurgence thanks to recordings like these.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.81 -14.34 to -0.20 | -24.86 -33.03 to -21.01 | -21.57 -33.20 to -17.30 | 11 7 to 14 | |
| 1 | Festival Prelude on ‘Ein’ feste Burg’ | -2.23 | -21.80 | -17.8 | 11 |
| 2 | Fantasia | -0.20 | -22.41 | -17.3 | 12 |
| 3 | Scherzo symphonique concertant | -1.68 | -21.01 | -18.5 | 12 |
| 4 | Theme (Varied) in E Flat Major | -3.26 | -24.64 | -18.7 | 12 |
| 5 | Barcarolle in B Flat Major | -14.34 | -31.52 | -33.2 | 7 |
| 6 | Concert Overture in E Flat Major | -0.26 | -22.72 | -18.7 | 13 |
| 7 | Mélodie in F Major (Arr. Faulkes) | -11.91 | -33.03 | -32.8 | 8 |
| 8 | Fantasia on Old Welsh Airs | -0.20 | -21.89 | -17.3 | 12 |
| 9 | Légende and Finale | -0.20 | -24.69 | -19.8 | 14 |