℗ 2021 IBS Classical
| Released | April 16, 2021 |
| Duration | 1h 12m 31s |
| Record Label | IBS Classical |
| Catalogue No. | IBS-52021 |
| Genre | Classical (Piano) |
La muse oubliée
Antonio Oyarzabal
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Prelude, Op. 73
Mana-Zucca Cassel; Antonio Oyarzabal |
2:41 | |||
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2 Piano Pieces, Op. 54
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1.2
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No. 1, Scottish Legend
Amy Beach; Antonio Oyarzabal |
3:00 | |||
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1.3
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Phoebé, Op. 30
Mel Bonis; Antonio Oyarzabal |
2:34 | |||
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1.4
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Desdémona, Op. 101
Mel Bonis; Antonio Oyarzabal |
2:27 | |||
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1.5
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Viviane, Op. 80
Mel Bonis; Antonio Oyarzabal |
2:34 | |||
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1.6
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Mélisande, Op. 109
Mel Bonis; Antonio Oyarzabal |
2:28 | |||
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Pièces de clavecin, Book 1
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1.7
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Gavotte in A Minor
Élisabeth Jacquet de la Guerre; Antonio Oyarzabal |
1:15 | |||
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Pièces de clavecin, Book 2 (Excerpts)
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1.8
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Rigaudon I in D Minor
Élisabeth Jacquet de la Guerre; Antonio Oyarzabal |
0:40 | |||
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1.9
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Rigaudon II in D Major
Élisabeth Jacquet de la Guerre; Antonio Oyarzabal |
1:44 | |||
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1.10
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Menuet in G Major
Élisabeth Jacquet de la Guerre; Antonio Oyarzabal |
1:05 | |||
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1.11
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Rondeau in G Minor
Élisabeth Jacquet de la Guerre; Antonio Oyarzabal |
1:18 | |||
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1.12
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Klavierstück in E Major
Ethel Smyth; Antonio Oyarzabal |
3:49 | |||
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3 Romances, Op. 21
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1.13
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No. 1, Andante
Clara Schumann; Antonio Oyarzabal |
4:53 | |||
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1.14
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No. 2, Allegretto
Clara Schumann; Antonio Oyarzabal |
1:16 | |||
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1.15
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No. 3, Agitato
Clara Schumann; Antonio Oyarzabal |
4:27 | |||
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3 Morceaux
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1.16
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No. 1, D'un vieux jardin
Lili Boulanger; Antonio Oyarzabal |
2:51 | |||
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1.17
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No. 2, D'un jardin clair
Lili Boulanger; Antonio Oyarzabal |
2:01 | |||
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1.18
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No. 3, Cortège
Lili Boulanger; Antonio Oyarzabal |
1:44 | |||
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Esquisses d'une après midi Basque
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1.19
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No. 1, Vers le bois
Emiliana de Zubeldía; Antonio Oyarzabal |
0:38 | |||
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1.20
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No. 2, L'écho dans la montagne
Emiliana de Zubeldía; Antonio Oyarzabal |
0:53 | |||
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1.21
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No. 3, Sous le vieux roble
Emiliana de Zubeldía; Antonio Oyarzabal |
1:08 | |||
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1.22
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No. 4, La petite fleur solitaire
Emiliana de Zubeldía; Antonio Oyarzabal |
0:57 | |||
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1.23
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No. 5, Un souvenir d'usandizaga - Au bord du ruisseau
Emiliana de Zubeldía; Antonio Oyarzabal |
1:28 | |||
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1.24
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No. 6, Retour à la maison
Emiliana de Zubeldía; Antonio Oyarzabal |
0:53 | |||
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1.25
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Pastorale in C Major
Germaine Tailleferre; Antonio Oyarzabal |
3:28 | |||
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2 Pièces
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1.26
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No. 1, Larghetto
Germaine Tailleferre; Antonio Oyarzabal |
2:40 | |||
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1.27
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No. 2, Valse lente
Germaine Tailleferre; Antonio Oyarzabal |
1:23 | |||
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1.28
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Prelude No. 6
Ruth Crawford Seeger; Antonio Oyarzabal |
2:52 | |||
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1.29
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Prelude in E Major
Lūcija Garūta; Antonio Oyarzabal |
3:10 | |||
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April Preludes, Op. 13
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1.30
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No. 1, Allegro ma non troppo
Vítězslava Kaprálová; Antonio Oyarzabal |
1:57 | |||
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1.31
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No. 2, Andante
Vítězslava Kaprálová; Antonio Oyarzabal |
3:02 | |||
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1.32
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No. 3, Andante semplice
Vítězslava Kaprálová; Antonio Oyarzabal |
1:53 | |||
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1.33
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No. 4, Vivo
Vítězslava Kaprálová; Antonio Oyarzabal |
1:43 | |||
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3 Mélodies, Op. 4
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1.34
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No. 2 in C-Sharp Minor, H-U 420
Fanny Mendelssohn; Antonio Oyarzabal |
1:39 | |||
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Digital Booklet
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Pianist Antonio Oyarzabal takes us on a journey through the work of thirteen different female composers, most of them pianists. Their pieces have been a real source of motivation and inspiration for him. Here he pays tribute to the names and work of these women, unfairly and sadly neglected, in the shadow of compositions written by men. It is a musical journey that takes us on different paths: from Jacquet de la Guerre’s French Baroque style to the avant garde proposals of Ruth Crawford Seeger in the beginning of the XXth century; from Lili Boulanger’s languor to Germaine Tailleferre’s constant joviality; or from the more popular Clara Schumann and Fanny Mendelssohn to the almost completely unknown Mana Zucca or Lucija Garuta. All of this is expressed by the extraordinary sensitivity of a performer who, through long and intense research, has dived deep into the life and historical context of these thirteen unique artistic voices, in order to provide them with the relevance they deserve.
96 kHz / 24-bit PCM – IBS Classical Studio Masters
Tracks 1-34 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-34 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.05 -15.72 to -0.02 | -25.15 -36.50 to -19.05 | -21.54 -32.40 to -16.00 | 13 11 to 15 | |
| 1 | Prelude, Op. 73 | -0.58 | -22.46 | -18.6 | 13 |
| 2 | No. 1, Scottish Legend | -0.38 | -23.96 | -20.0 | 14 |
| 3 | Phoebé, Op. 30 | -4.23 | -25.89 | -23.0 | 13 |
| 4 | Desdémona, Op. 101 | -4.96 | -26.11 | -23.4 | 13 |
| 5 | Viviane, Op. 80 | -4.11 | -23.20 | -20.4 | 12 |
| 6 | Mélisande, Op. 109 | -3.51 | -22.82 | -19.6 | 11 |
| 7 | Gavotte in A Minor | -8.53 | -27.09 | -24.2 | 13 |
| 8 | Rigaudon I in D Minor | -6.67 | -25.37 | -22.3 | 12 |
| 9 | Rigaudon II in D Major | -3.22 | -23.82 | -20.9 | 13 |
| 10 | Menuet in G Major | -8.54 | -27.81 | -25.0 | 12 |
| 11 | Rondeau in G Minor | -4.51 | -24.82 | -21.8 | 12 |
| 12 | Klavierstück in E Major | -2.76 | -23.17 | -20.4 | 13 |
| 13 | No. 1, Andante | -0.87 | -23.32 | -20.1 | 14 |
| 14 | No. 2, Allegretto | -4.03 | -25.75 | -22.7 | 14 |
| 15 | No. 3, Agitato | -3.06 | -21.48 | -18.6 | 12 |
| 16 | No. 1, D'un vieux jardin | -3.28 | -27.44 | -23.3 | 14 |
| 17 | No. 2, D'un jardin clair | -3.29 | -27.21 | -22.8 | 15 |
| 18 | No. 3, Cortège | -1.88 | -22.64 | -19.4 | 13 |
| 19 | No. 1, Vers le bois | -7.74 | -28.79 | -23.8 | 11 |
| 20 | No. 2, L'écho dans la montagne | -4.41 | -28.40 | -24.1 | 13 |
| 21 | No. 3, Sous le vieux roble | -7.77 | -27.99 | -24.0 | 12 |
| 22 | No. 4, La petite fleur solitaire | -15.72 | -36.50 | -32.4 | 11 |
| 23 | No. 5, Un souvenir d'usandizaga - Au bord du ruisseau | -8.65 | -30.31 | -25.9 | 12 |
| 24 | No. 6, Retour à la maison | -3.94 | -23.72 | -20.2 | 12 |
| 25 | Pastorale in C Major | -0.87 | -20.86 | -18.0 | 13 |
| 26 | No. 1, Larghetto | -4.13 | -25.97 | -23.1 | 13 |
| 27 | No. 2, Valse lente | -1.29 | -25.68 | -21.9 | 13 |
| 28 | Prelude No. 6 | -1.45 | -26.30 | -19.7 | 15 |
| 29 | Prelude in E Major | -0.51 | -21.73 | -16.2 | 12 |
| 30 | No. 1, Allegro ma non troppo | -0.98 | -19.05 | -16.0 | 11 |
| 31 | No. 2, Andante | -0.53 | -21.20 | -16.3 | 12 |
| 32 | No. 3, Andante semplice | -4.34 | -28.04 | -24.5 | 12 |
| 33 | No. 4, Vivo | -0.02 | -19.73 | -16.3 | 12 |
| 34 | No. 2 in C-Sharp Minor, H-U 420 | -6.89 | -26.47 | -23.4 | 11 |