℗ 2021 Ben Howard Music Limited
| Released | March 26, 2021 |
| Duration | 1h 02m 29s |
| Record Label | Universal-Island Records |
| Genre | Singer Songwriter |
Collections From The Whiteout
Ben Howard
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Follies Fixture
Ben Howard |
3:59 | |||
|
1.2
|
What A Day
Ben Howard |
5:16 | |||
|
1.3
|
Crowhurst's Meme
Ben Howard |
3:44 | |||
|
1.4
|
Finders Keepers
Ben Howard |
2:49 | |||
|
1.5
|
Far Out
Ben Howard |
4:18 | |||
|
1.6
|
Rookery
Ben Howard |
2:31 | |||
|
1.7
|
You Have Your Way
Ben Howard |
4:25 | |||
|
1.8
|
Sage That She Was Burning
Ben Howard |
4:17 | |||
|
1.9
|
Sorry Kid
Ben Howard |
4:59 | |||
|
1.10
|
Unfurling
Ben Howard |
3:40 | |||
|
1.11
|
Metaphysical Cantations
Ben Howard |
4:21 | |||
|
1.12
|
Make Arrangements
Ben Howard |
4:25 | |||
|
1.13
|
The Strange Last Flight of Richard Russell
Ben Howard |
4:23 | |||
|
1.14
|
Buzzard
Ben Howard |
0:55 | |||
|
2.1
|
What A Day (Edit)
Ben Howard |
4:19 | |||
|
2.2
|
Sorry Kid (Edit)
Ben Howard |
4:08 |
British singer-songwriter Ben Howard is returning with his fourth studio album, Collections From The Whiteout, via Republic Records. Produced with Aaron Dessner (The National, Sharon Van Etten, Taylor Swift), Collections From The Whiteout marks the first time that Howard has opened his studio doors to an outside collaborator.
Howard was in his car, listening to People Collective (the collaborative project spearheaded by Justin Vernon and The National’s Aaron and Bryce Dessner). Struck by the music, Howard was moved to contact Aaron about working together. Collections From The Whiteout was recorded between New York (where Howard worked with Dessner at his Long Pond Studio), Paris, and the artist’s native Devon. The finishing touches were made remotely, amid lockdown, while the artist was hunkered down at his new home in Ibiza.
In addition to musical touches by Dessner, and Howard’s long-time guitarist, Mickey Smith, the album includes contributions by drummer Yussef Dayes, Kate Stables (This Is The Kit), Thomas Bartlett (St. Vincent), and Rob Moose (Bon Iver, Laura Marling, Phoebe Bridgers), among others.
88.2 kHz / 24-bit PCM – Universal-Island Records Studio Masters
Disc 1, Track 7 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Disc 1, Track 7 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.35 -0.35 to -0.25 | -11.09 -14.08 to -9.58 | -8.79 -10.90 to -7.40 | 6 5 to 8 | |
| 1.1 | Follies Fixture | -0.35 | -11.57 | -9.5 | 6 |
| 1.2 | What A Day | -0.25 | -11.57 | -9.4 | 7 |
| 1.3 | Crowhurst's Meme | -0.35 | -11.16 | -9.1 | 6 |
| 1.4 | Finders Keepers | -0.35 | -11.72 | -9.1 | 6 |
| 1.5 | Far Out | -0.35 | -10.16 | -8.0 | 6 |
| 1.6 | Rookery | -0.35 | -13.44 | -10.6 | 7 |
| 1.7 | You Have Your Way | -0.35 | -9.67 | -7.5 | 5 |
| 1.8 | Sage That She Was Burning | -0.35 | -10.82 | -8.3 | 5 |
| 1.9 | Sorry Kid | -0.35 | -9.90 | -7.8 | 5 |
| 1.10 | Unfurling | -0.35 | -9.58 | -7.4 | 5 |
| 1.11 | Metaphysical Cantations | -0.35 | -10.50 | -8.5 | 6 |
| 1.12 | Make Arrangements | -0.35 | -10.56 | -8.2 | 6 |
| 1.13 | The Strange Last Flight of Richard Russell | -0.35 | -11.23 | -9.0 | 6 |
| 1.14 | Buzzard | -0.35 | -14.08 | -10.9 | 8 |
| 2.1 | What A Day (Edit) | -0.35 | -11.88 | -9.8 | 7 |
| 2.2 | Sorry Kid (Edit) | -0.35 | -9.67 | -7.5 | 5 |