℗ 2020 UMG Recordings; A Motown Records Release This Compilation
Released | April 15, 1964 |
Duration | 27m 13s |
Record Label | UNI/MOTOWN |
Genre | R & B |
Together
Marvin Gaye, Mary Wells
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Once Upon A Time
Marvin Gaye; Mary Wells |
2:27 | |||
1.2
|
Deed I Do
Marvin Gaye; Mary Wells |
2:55 | |||
1.3
|
Until I Met You (Corner Pocket)
Marvin Gaye; Mary Wells |
3:19 | |||
1.4
|
Together
Marvin Gaye; Mary Wells |
2:43 | |||
1.5
|
(I Love You) For Sentimental Reasons
Marvin Gaye; Mary Wells |
2:33 | |||
1.6
|
The Late Late Show
Marvin Gaye; Mary Wells |
2:43 | |||
1.7
|
After The Lights Go Down Low
Marvin Gaye; Mary Wells |
2:48 | |||
1.8
|
Just Squeeze Me (But Don't Tease Me)
Marvin Gaye; Mary Wells |
2:31 | |||
1.9
|
What's The Matter With You Baby
Marvin Gaye; Mary Wells |
2:23 | |||
1.10
|
You Came A Long Way From St. Louis
Marvin Gaye; Mary Wells |
2:51 |
Together is the first and only studio album released by the duo team of American Motown artists Marvin Gaye and Mary Wells. It was released on the Motown label on April 15, 1964. The album brought together the rising star Gaye with Wells, an established star with a number-one pop hit to her name (1964's "My Guy"), singing mostly standards and show tunes, in the hopes that Gaye would benefit from the exposure.
This album became the first charted album credited to Gaye, peaking at number 42 on the Billboard Pop Albums chart and yielding two top 20 singles, "Once Upon a Time" and "What's the Matter with You Baby". Shortly afterwards, Wells, who received bad advice from her former husband and manager, left Motown upon reaching 21. The label had to find another duet partner for Gaye, enlisting Kim Weston for one album, Take Two, also consisting of similar material, but later yielding a longer-lasting pairing of Gaye with Tammi Terrell, with more contemporary material.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – UNI/MOTOWN Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.29 -0.29 to -0.29 | -15.53 -16.83 to -14.39 | -12.37 -14.30 to -11.20 | 11 10 to 12 | |
1 | Once Upon A Time | -0.29 | -16.83 | -14.3 | 12 |
2 | Deed I Do | -0.29 | -14.39 | -11.3 | 10 |
3 | Until I Met You (Corner Pocket) | -0.29 | -15.92 | -13.0 | 11 |
4 | Together | -0.29 | -15.39 | -12.4 | 11 |
5 | (I Love You) For Sentimental Reasons | -0.29 | -15.39 | -12.8 | 10 |
6 | The Late Late Show | -0.29 | -15.00 | -11.2 | 10 |
7 | After The Lights Go Down Low | -0.29 | -15.84 | -12.5 | 11 |
8 | Just Squeeze Me (But Don't Tease Me) | -0.29 | -15.87 | -12.5 | 11 |
9 | What's The Matter With You Baby | -0.29 | -15.43 | -12.1 | 11 |
10 | You Came A Long Way From St. Louis | -0.29 | -15.29 | -11.6 | 11 |