℗ 2015 Delphian Records Ltd
Released | January 22, 2016 |
Duration | 1h 53m 53s |
Record Label | Delphian Records |
Catalogue No. | DCD34166 |
Genre | Classical (Baroque) |
Suite No. 1 in D Minor, BWV 812
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1.1
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I. Allemande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:39 | |||
1.2
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II. Courante
Johann Sebastian Bach; JS Bach; Peter Hill |
2:09 | |||
1.3
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III. Sarabande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:33 | |||
1.4
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IV. Menuet I & II
Johann Sebastian Bach; JS Bach; Peter Hill |
3:12 | |||
1.5
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V. Gigue
Johann Sebastian Bach; JS Bach; Peter Hill |
4:10 | |||
Suite No. 2 in C Minor, BWV 813
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1.6
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I. Allemande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:03 | |||
1.7
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II. Courante
Johann Sebastian Bach; JS Bach; Peter Hill |
2:01 | |||
1.8
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III. Sarabande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:09 | |||
1.9
|
IV. Air
Johann Sebastian Bach; JS Bach; Peter Hill |
1:40 | |||
1.10
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V. Menuet I & II
Johann Sebastian Bach; JS Bach; Peter Hill |
3:00 | |||
1.11
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VI. Gigue
Johann Sebastian Bach; JS Bach; Peter Hill |
3:00 | |||
Suite No. 3 in B minor, BWV 814
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1.12
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I. Allemande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:39 | |||
Suite No. 3 in B Minor, BWV 814
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1.13
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II. Courante
Johann Sebastian Bach; JS Bach; Peter Hill |
2:13 | |||
1.14
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III. Sarabande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:03 | |||
1.15
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IV. Anglaise
Johann Sebastian Bach; JS Bach; Peter Hill |
2:12 | |||
1.16
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V. Menuet & Trio
Johann Sebastian Bach; JS Bach; Peter Hill |
3:21 | |||
1.17
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VI. Gigue
Johann Sebastian Bach; JS Bach; Peter Hill |
2:13 | |||
Suite No. 4 in E-Flat Major, BWV 815
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1.18
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I. Allemande
Johann Sebastian Bach; JS Bach; Peter Hill |
2:57 | |||
1.19
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II. Courante
Johann Sebastian Bach; JS Bach; Peter Hill |
2:18 | |||
1.20
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III. Sarabande
Johann Sebastian Bach; JS Bach; Peter Hill |
2:45 | |||
1.21
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IV. Gavotte
Johann Sebastian Bach; JS Bach; Peter Hill |
1:18 | |||
1.22
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V. Air
Johann Sebastian Bach; JS Bach; Peter Hill |
2:03 | |||
1.23
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VI. Menuet
Johann Sebastian Bach; JS Bach; Peter Hill |
0:58 | |||
1.24
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VII. Gigue
Johann Sebastian Bach; JS Bach; Peter Hill |
2:25 | |||
Suite No. 5 in G Major, BWV 816
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2.1
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I. Allemande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:22 | |||
2.2
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II. Courante
Johann Sebastian Bach; JS Bach; Peter Hill |
1:45 | |||
2.3
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III. Sarabande
Johann Sebastian Bach; JS Bach; Peter Hill |
5:11 | |||
2.4
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IV. Gavotte
Johann Sebastian Bach; JS Bach; Peter Hill |
1:13 | |||
2.5
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V. Bourrée
Johann Sebastian Bach; JS Bach; Peter Hill |
1:21 | |||
2.6
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VI. Loure
Johann Sebastian Bach; JS Bach; Peter Hill |
2:14 | |||
2.7
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VII. Gigue
Johann Sebastian Bach; JS Bach; Peter Hill |
3:24 | |||
Suite No. 6 in E Major, BWV 817
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2.8
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I. Allemande
Johann Sebastian Bach; JS Bach; Peter Hill |
2:51 | |||
2.9
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II. Courante
Johann Sebastian Bach; JS Bach; Peter Hill |
1:41 | |||
2.10
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III. Sarabande
Johann Sebastian Bach; JS Bach; Peter Hill |
3:25 | |||
2.11
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IV. Gavotte
Johann Sebastian Bach; JS Bach; Peter Hill |
1:23 | |||
2.12
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V. Polonaise
Johann Sebastian Bach; JS Bach; Peter Hill |
1:30 | |||
2.13
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VI. Bourrée
Johann Sebastian Bach; JS Bach; Peter Hill |
1:32 | |||
2.14
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VII. Petit Menuet
Johann Sebastian Bach; JS Bach; Peter Hill |
1:20 | |||
2.15
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VIII. Gigue
Johann Sebastian Bach; JS Bach; Peter Hill |
2:34 | |||
Suite in C, K 399
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2.16
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I. Ouverture
Wolfgang Amadeus Mozart; W A Mozart; Peter Hill |
4:30 | |||
2.17
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II. Allemande
Wolfgang Amadeus Mozart; W A Mozart; Peter Hill |
4:06 | |||
2.18
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III. Courante
Wolfgang Amadeus Mozart; W A Mozart; Peter Hill |
2:51 | |||
2.19
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IV. Sarabande (completed by Peter Hill)
Wolfgang Amadeus Mozart; W A Mozart; Peter Hill |
1:58 | |||
2.20
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Gigue in G, K 574
Wolfgang Amadeus Mozart; W A Mozart; Peter Hill |
1:41 |
"The French Suites" have a special place among Bach’s keyboard works. Besides containing music as profound and poetic as any he wrote, their textures have a transparency and sparkle that reflect a move towards the galant style fashionable among Bach’s contemporaries. In this, the third instalment of Peter Hill’s acclaimed Bach series, Hill has chosen to follow the suites with his own completion of Mozart’s Suite in C, K399.
With Bach and Handel as his models, this work epitomises Mozart’s fascination with Baroque music. Hill’s celebrated return to the studio with Delphian four years ago continues to reap rich artistic rewards, with a ‘Diapason d’Or’ and a recent Gramophone Award nomination for his premiere recording of Messiaen’s rediscovered La Fauvette passerinette. Here in Bach, too, his abundant energy and passion are deeply informed by a lifetime of scholarship.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.96 -16.58 to -4.85 | -30.94 -35.00 to -26.64 | -28.11 -32.20 to -23.40 | 12 10 to 15 | |
1.1 | I. Allemande | -14.00 | -32.12 | -29.4 | 12 |
1.2 | II. Courante | -9.16 | -27.95 | -25.0 | 12 |
1.3 | III. Sarabande | -12.91 | -34.62 | -31.7 | 14 |
1.4 | IV. Menuet I & II | -12.45 | -30.94 | -28.1 | 12 |
1.5 | V. Gigue | -8.16 | -28.09 | -25.2 | 13 |
1.6 | I. Allemande | -14.43 | -33.04 | -30.4 | 12 |
1.7 | II. Courante | -10.33 | -29.79 | -27.0 | 11 |
1.8 | III. Sarabande | -14.05 | -34.55 | -31.7 | 12 |
1.9 | IV. Air | -10.51 | -30.03 | -27.1 | 12 |
1.10 | V. Menuet I & II | -13.00 | -31.32 | -28.5 | 11 |
1.11 | VI. Gigue | -10.75 | -31.12 | -28.2 | 12 |
1.12 | I. Allemande | -13.74 | -33.07 | -30.4 | 12 |
1.13 | II. Courante | -9.52 | -28.09 | -25.1 | 12 |
1.14 | III. Sarabande | -16.22 | -33.99 | -31.3 | 11 |
1.15 | IV. Anglaise | -13.56 | -31.35 | -28.5 | 10 |
1.16 | V. Menuet & Trio | -15.36 | -32.90 | -30.1 | 12 |
1.17 | VI. Gigue | -9.23 | -26.86 | -24.1 | 11 |
1.18 | I. Allemande | -16.12 | -33.15 | -30.5 | 11 |
1.19 | II. Courante | -13.49 | -31.19 | -28.5 | 11 |
1.20 | III. Sarabande | -13.80 | -34.71 | -32.0 | 13 |
1.21 | IV. Gavotte | -11.14 | -29.84 | -27.1 | 12 |
1.22 | V. Air | -13.63 | -31.09 | -28.3 | 11 |
1.23 | VI. Menuet | -16.58 | -33.68 | -30.8 | 11 |
1.24 | VII. Gigue | -9.51 | -28.47 | -25.8 | 13 |
2.1 | I. Allemande | -13.81 | -32.27 | -29.6 | 12 |
2.2 | II. Courante | -10.05 | -27.71 | -25.0 | 11 |
2.3 | III. Sarabande | -14.20 | -35.00 | -32.2 | 12 |
2.4 | IV. Gavotte | -11.57 | -29.87 | -27.1 | 12 |
2.5 | V. Bourrée | -9.25 | -27.32 | -24.4 | 11 |
2.6 | VI. Loure | -14.60 | -34.28 | -31.4 | 12 |
2.7 | VII. Gigue | -8.04 | -27.11 | -24.5 | 11 |
2.8 | I. Allemande | -13.25 | -30.93 | -28.3 | 11 |
2.9 | II. Courante | -11.90 | -30.05 | -27.3 | 11 |
2.10 | III. Sarabande | -10.45 | -30.89 | -27.7 | 13 |
2.11 | IV. Gavotte | -15.82 | -32.67 | -29.8 | 10 |
2.12 | V. Polonaise | -16.28 | -32.62 | -30.0 | 11 |
2.13 | VI. Bourrée | -8.93 | -26.94 | -24.1 | 12 |
2.14 | VII. Petit Menuet | -15.46 | -33.18 | -30.3 | 11 |
2.15 | VIII. Gigue | -9.70 | -28.88 | -26.1 | 11 |
2.16 | I. Ouverture | -4.85 | -26.64 | -23.4 | 15 |
2.17 | II. Allemande | -13.85 | -31.70 | -29.1 | 11 |
2.18 | III. Courante | -10.73 | -31.33 | -28.6 | 13 |
2.19 | IV. Sarabande (completed by Peter Hill) | -6.79 | -31.60 | -28.0 | 15 |
2.20 | Gigue in G, K 574 | -5.12 | -28.28 | -25.3 | 13 |