℗ 2017 Delphian Records
Released | June 23, 2017 |
Duration | 1h 03m 33s |
Record Label | Delphian Records |
Catalogue No. | DCD34194 |
Genre | Classical (Baroque) |
Giovanni Stefano Carbonelli: Sonate da Camera, Nos 1–6
Bojan Čičić, The Illyria Consort
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Sonata da camera No. 1 in D Major
|
|||||
1.1
|
I. Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
3:17 | |||
1.2
|
II. Andante
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
2:28 | |||
1.3
|
III. Largo
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
1:55 | |||
1.4
|
IV. Allegro
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
3:12 | |||
Sonata da camera No. 2 in D Minor
|
|||||
1.5
|
I. Adagio – Allegro – Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
3:01 | |||
1.6
|
II. Allegro
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
2:43 | |||
1.7
|
III. Andante
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
1:49 | |||
1.8
|
IV. Aria (Allegro)
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
0:59 | |||
Sonata da camera No. 3 in E Major
|
|||||
1.9
|
I. Adagio – Allegro – Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
3:40 | |||
1.10
|
II. Allegro
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
2:32 | |||
1.11
|
III. Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
1:10 | |||
Sonata da camera No. 3 in E major
|
|||||
1.12
|
IV. Giga (Allegro)
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
1:56 | |||
Sonata da camera No. 4 in G Major
|
|||||
1.13
|
I. Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
1:25 | |||
1.14
|
II. Andante
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
4:12 | |||
Sonata da camera No. 4 in G major
|
|||||
1.15
|
III. Largo
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
1:00 | |||
1.16
|
IV. Presto
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
2:33 | |||
Sonata da camera No. 5 in G Minor
|
|||||
1.17
|
I. Adagio – Allegro – Adagio – Allegro – Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
3:31 | |||
1.18
|
II. Allegro
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
2:51 | |||
1.19
|
III. Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
0:52 | |||
1.20
|
IV. Giga (Allegro)
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
3:06 | |||
Sonata da camera No. 6 in A Major
|
|||||
1.21
|
I. Adagio – Allegro – Adagio
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
4:10 | |||
1.22
|
II. Allegro
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
2:33 | |||
1.23
|
III. Aria
Giovanni Stefano Carbonelli; Bojan Čičić; The Illyria Consort |
8:38 |
In certain respects, Giovanni Stefano Carbonelli does not quite fit the eighteenth-century mould. For a neo-Corellian, he is unusually fond of complexity, both technical and compositional, and also unusually open to other contemporary influences, such as those of Handel and Vivaldi.
But the quality of his music speaks for itself – virtuosic and joyously melodic, these six ‘chamber sonatas’ had a huge impact on Delphian producer Paul Baxter. Carbonelli’s difficulty has ensured that his work is seldom played, but early-music rising star Bojan Čičić makes sure we have no sense of that as he and his Illyria Consort colleagues champion these groundbreaking compositions with exuberant confidence.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.10 -8.50 to -1.04 | -23.42 -26.96 to -21.11 | -19.72 -23.20 to -17.20 | 12 10 to 15 | |
1 | I. Adagio | -3.84 | -24.46 | -20.3 | 13 |
2 | II. Andante | -1.35 | -21.11 | -17.6 | 12 |
3 | III. Largo | -6.71 | -24.83 | -21.3 | 11 |
4 | IV. Allegro | -2.22 | -22.46 | -18.6 | 13 |
5 | I. Adagio – Allegro – Adagio | -4.89 | -22.34 | -19.1 | 11 |
6 | II. Allegro | -3.22 | -21.46 | -18.2 | 13 |
7 | III. Andante | -3.40 | -21.55 | -18.0 | 12 |
8 | IV. Aria (Allegro) | -3.74 | -21.26 | -17.2 | 11 |
9 | I. Adagio – Allegro – Adagio | -4.29 | -26.02 | -21.7 | 14 |
10 | II. Allegro | -3.30 | -23.52 | -19.7 | 13 |
11 | III. Adagio | -8.50 | -26.41 | -22.4 | 10 |
12 | IV. Giga (Allegro) | -4.57 | -24.14 | -19.9 | 14 |
13 | I. Adagio | -5.01 | -23.08 | -19.8 | 11 |
14 | II. Andante | -2.62 | -21.82 | -18.7 | 13 |
15 | III. Largo | -5.90 | -23.74 | -19.8 | 11 |
16 | IV. Presto | -3.31 | -22.16 | -18.4 | 13 |
17 | I. Adagio – Allegro – Adagio – Allegro – Adagio | -6.10 | -26.00 | -22.2 | 13 |
18 | II. Allegro | -3.51 | -21.69 | -18.5 | 12 |
19 | III. Adagio | -8.16 | -26.96 | -23.2 | 11 |
20 | IV. Giga (Allegro) | -2.89 | -23.01 | -19.3 | 13 |
21 | I. Adagio – Allegro – Adagio | -4.48 | -25.05 | -21.1 | 14 |
22 | II. Allegro | -1.35 | -22.57 | -18.8 | 14 |
23 | III. Aria | -1.04 | -23.06 | -19.7 | 15 |