℗ 2015 Delphian Records Ltd
| Released | May 4, 2015 |
| Duration | 1h 10m 36s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34147 |
| Genre | Classical (Vocal) |
Romaria: Choral Music from Brazil
Choir of Gonville & Caius College, Cambridge, Geoffrey Webber
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Metaphors
Henrique de Curitiba; Geoffrey Webber; Billy Robson; Choir of Gonville & Caius College, Cambridge; Edward Button; Emily Kay; James Robinson; John Gowers; Malachy Frame |
8:14 | |||
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Carimbó
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1.2
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III. Jacaré (arr. Ernst Mahle)
Traditional; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
1:09 | |||
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1.3
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V. Lavadeira (arr. Ernst Mahle)
Traditional; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge; Elunyd Bradshaw |
1:46 | |||
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1.4
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II. Siriri (arr. Ernst Mahle)
Traditional; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
1:03 | |||
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1.5
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VIII. O Pau rolou (arr. Ernst Mahle)
Traditional; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
0:53 | |||
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1.6
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IX. Vamo acabá co’este samba (arr. Ernst Mahle)
Traditional; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
1:37 | |||
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1.7
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Romaria
Osvaldo Lacerda; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge; Marco Antonio da Silva Ramos |
4:31 | |||
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1.8
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Jubiabá
Carlos A. Pinto Fonseca; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge; Imogen Sebba |
3:31 | |||
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Antiquae Preces Christianae
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1.9
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I. Gloria Patri
Ernani Aguiar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
1:56 | |||
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1.10
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II. Rector potens
Ernani Aguiar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
1:41 | |||
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1.11
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III. Te lucis ante terminum
Ernani Aguiar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
1:46 | |||
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1.12
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Cor dulce, cor amabile
Heitor Villa-Lobos; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
3:19 | |||
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1.13
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Oráculo
J. A. de Almeida Prado; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
3:40 | |||
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1.14
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Ave-Maria
Cláudio Santoro; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
3:26 | |||
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1.15
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Moreninha se eu te pedisse (arr. M. A. da Silva Ramos)
Traditional; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
3:25 | |||
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1.16
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Ismália
Nibaldo Araneda; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
3:57 | |||
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Missa breve sobre ritmos populares brasileiros
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1.17
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I. Kyrie / Modinha
Aylton Escobar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
2:05 | |||
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1.18
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II. Gloria / Cantoria e dança
Aylton Escobar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge; James Robinson; Katie Braithwaite |
6:42 | |||
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1.19
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III. Sanctus / Ponteado
Aylton Escobar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
2:04 | |||
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1.20
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IV. Benedictus / Toada
Aylton Escobar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge; James Robinson; Katie Braithwaite; Nicholas Doig; Susannah Bagnall |
3:13 | |||
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1.21
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V. Agnus Dei / Acalanto
Aylton Escobar; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge |
3:38 | |||
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1.22
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Magnificat-Alleluia
Heitor Villa-Lobos; Geoffrey Webber; Choir of Gonville & Caius College, Cambridge; Kate Symonds-Joy; Liam Crangle |
7:00 | |||
‘Romaria’, a word suggesting pilgrimage, crowds, and processions, evokes much of what is special and distinctive about modern Brazil – its mix of people, its extraordinary vibrancy, its faith. This survey of modern Brazilian choral music reflects all of these qualities, as well as the natural wonders of this amazing land. Geoffrey Webber and his ever-adventurous choir sing both sacred and secular works dating from the 1950s through to the present, in a programme developed in conjunction with experts from the University of São Paulo’s music department. This collaboration also led to the reconstruction of the rainforest soundtrack that originally accompanied Henrique de Curitiba’s inventive and unusual piece Metaphors.
96 kHz / 24-bit PCM – Delphian Records Studio Masters
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.41 -3.79 to -0.40 | -22.42 -24.86 to -17.61 | -18.36 -20.80 to -14.10 | 12 9 to 16 | |
| 1 | Metaphors | -0.40 | -24.65 | -20.4 | 15 |
| 2 | III. Jacaré (arr. Ernst Mahle) | -3.50 | -23.42 | -19.8 | 12 |
| 3 | V. Lavadeira (arr. Ernst Mahle) | -2.68 | -24.16 | -20.4 | 13 |
| 4 | II. Siriri (arr. Ernst Mahle) | -2.86 | -22.55 | -19.2 | 12 |
| 5 | VIII. O Pau rolou (arr. Ernst Mahle) | -0.50 | -20.91 | -17.2 | 11 |
| 6 | IX. Vamo acabá co’este samba (arr. Ernst Mahle) | -0.40 | -17.85 | -14.1 | 10 |
| 7 | Romaria | -0.40 | -24.86 | -20.4 | 16 |
| 8 | Jubiabá | -0.40 | -21.65 | -17.3 | 13 |
| 9 | I. Gloria Patri | -3.79 | -23.59 | -20.2 | 10 |
| 10 | II. Rector potens | -3.33 | -24.57 | -20.8 | 13 |
| 11 | III. Te lucis ante terminum | -1.65 | -22.63 | -18.7 | 12 |
| 12 | Cor dulce, cor amabile | -0.40 | -22.54 | -18.5 | 14 |
| 13 | Oráculo | -0.40 | -23.98 | -19.8 | 14 |
| 14 | Ave-Maria | -0.40 | -22.31 | -15.9 | 11 |
| 15 | Moreninha se eu te pedisse (arr. M. A. da Silva Ramos) | -3.27 | -24.17 | -20.8 | 13 |
| 16 | Ismália | -0.40 | -21.00 | -16.1 | 12 |
| 17 | I. Kyrie / Modinha | -1.61 | -21.90 | -18.6 | 12 |
| 18 | II. Gloria / Cantoria e dança | -0.40 | -20.62 | -15.6 | 11 |
| 19 | III. Sanctus / Ponteado | -0.40 | -19.90 | -15.7 | 11 |
| 20 | IV. Benedictus / Toada | -1.40 | -24.00 | -19.7 | 12 |
| 21 | V. Agnus Dei / Acalanto | -2.03 | -24.26 | -20.6 | 13 |
| 22 | Magnificat-Alleluia | -0.40 | -17.61 | -14.1 | 9 |