℗ 2017 Counterpoint Records
| Released | December 16, 2017 |
| Duration | 1h 14m 09s |
| Record Label | Counterpoint Records |
| Catalogue No. | CR2.3353 |
| Genre | Classical (Solo Instrumental) |
Bach: Cello Suites Nos. 4-6, BWV 1010-1012 (Arr. Rübsam for Lute-Harpsichord)
Wolfgang Rübsam
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. Rübsam for Lute-Harpsichord)
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1.1
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I. Prelude
Johann Sebastian Bach; Wolfgang Rübsam |
4:02 | |||
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1.2
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II. Allemande
Johann Sebastian Bach; Wolfgang Rübsam |
5:03 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Wolfgang Rübsam |
3:45 | |||
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1.4
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IV. Sarabande
Johann Sebastian Bach; Wolfgang Rübsam |
3:12 | |||
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1.5
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V. Bourrées I & II
Johann Sebastian Bach; Wolfgang Rübsam |
5:46 | |||
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1.6
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VI. Gigue
Johann Sebastian Bach; Wolfgang Rübsam |
3:43 | |||
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Cello Suite No. 5 in C Minor, BWV 1011 (Arr. Rübsam for Lute-Harpsichord)
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1.7
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I. Prelude
Johann Sebastian Bach; Wolfgang Rübsam |
6:59 | |||
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1.8
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II. Allemande
Johann Sebastian Bach; Wolfgang Rübsam |
4:40 | |||
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1.9
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III. Courante
Johann Sebastian Bach; Wolfgang Rübsam |
2:47 | |||
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1.10
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IV. Sarabande
Johann Sebastian Bach; Wolfgang Rübsam |
1:53 | |||
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1.11
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V. Gavottes I & II
Johann Sebastian Bach; Wolfgang Rübsam |
5:15 | |||
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1.12
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VI. Gigue
Johann Sebastian Bach; Wolfgang Rübsam |
2:16 | |||
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Cello Suite No. 6 in D Major, BWV 1012 (Arr. Rübsam for Lute-Harpsichord)
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1.13
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I. Prelude
Johann Sebastian Bach; Wolfgang Rübsam |
5:50 | |||
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1.14
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II. Allemande
Johann Sebastian Bach; Wolfgang Rübsam |
5:32 | |||
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1.15
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III. Courante
Johann Sebastian Bach; Wolfgang Rübsam |
3:27 | |||
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1.16
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IV. Sarabande
Johann Sebastian Bach; Wolfgang Rübsam |
3:43 | |||
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1.17
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V. Gavottes I & II
Johann Sebastian Bach; Wolfgang Rübsam |
3:58 | |||
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1.18
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VI. Gigue
Johann Sebastian Bach; Wolfgang Rübsam |
2:18 | |||
Wolfgang Rübsam performs Bach's monumental Cello Suites 4-6 on his specialized Lautenwerk - the "Lute-Harpsichord" - built by Keith Hill:
"For this recording, which is all about the Cantabile style of playing, having a more singing quality of sound is advantageous. Of all the lautenwerks I have built I find this one by far the most satisfying because of its simplicity of construction and the magnificence of its tone."
- Keith Hill
96 kHz / 24-bit PCM – Counterpoint Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.90 -8.92 to -2.44 | -24.02 -26.61 to -20.97 | -21.17 -23.80 to -18.20 | 12 11 to 13 | |
| 1 | I. Prelude | -6.48 | -25.50 | -22.7 | 12 |
| 2 | II. Allemande | -6.40 | -25.57 | -22.7 | 12 |
| 3 | III. Courante | -5.72 | -23.73 | -20.8 | 12 |
| 4 | IV. Sarabande | -8.92 | -26.61 | -23.8 | 12 |
| 5 | V. Bourrées I & II | -7.92 | -25.12 | -22.3 | 12 |
| 6 | VI. Gigue | -7.67 | -24.06 | -21.3 | 11 |
| 7 | I. Prelude | -5.43 | -24.42 | -21.6 | 13 |
| 8 | II. Allemande | -6.40 | -24.50 | -21.6 | 12 |
| 9 | III. Courante | -7.45 | -25.41 | -22.4 | 12 |
| 10 | IV. Sarabande | -8.70 | -26.22 | -23.3 | 12 |
| 11 | V. Gavottes I & II | -4.38 | -23.61 | -20.7 | 12 |
| 12 | VI. Gigue | -4.65 | -23.69 | -20.8 | 13 |
| 13 | I. Prelude | -4.77 | -22.12 | -19.4 | 12 |
| 14 | II. Allemande | -6.07 | -24.42 | -21.6 | 13 |
| 15 | III. Courante | -3.80 | -21.59 | -18.8 | 12 |
| 16 | IV. Sarabande | -5.38 | -23.43 | -20.4 | 12 |
| 17 | V. Gavottes I & II | -2.44 | -21.43 | -18.7 | 12 |
| 18 | VI. Gigue | -3.62 | -20.97 | -18.2 | 11 |