℗ 2021 MIRARE
| Released | April 30, 2021 |
| Duration | 1h 10m 48s |
| Record Label | Mirare |
| Catalogue No. | MIR556D |
| Genre | Classical (Sonata for keyboard, violin etc.) |
Beethoven: Œuvres pour violoncelle et piano
Ivan Karizna, Vassilis Varvaresos
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Violin Sonata No. 9, Op. 47
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1.1
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I. Adagio sostenuto (Arr. for Cello & Piano)
Ludwig van Beethoven; Ivan Karizna; Vassilis Varvaresos |
11:12 | |||
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1.2
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II. Andante con variazioni (Arr. for Cello & Piano)
Ludwig van Beethoven; Ivan Karizna; Vassilis Varvaresos |
14:10 | |||
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1.3
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III. Finale. Presto (Arr. for Cello & Piano)
Ludwig van Beethoven; Ivan Karizna; Vassilis Varvaresos |
8:39 | |||
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1.4
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7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46
Ludwig van Beethoven; Ivan Karizna; Vassilis Varvaresos |
10:23 | |||
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Cello Sonata No. 3, Op. 69
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1.5
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I. Allegro, ma non tanto
Ludwig van Beethoven; Ivan Karizna; Vassilis Varvaresos |
12:37 | |||
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1.6
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II. Scherzo. Allegro molto
Ludwig van Beethoven; Ivan Karizna; Vassilis Varvaresos |
5:25 | |||
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1.7
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III. Adagio cantabile
Ludwig van Beethoven; Ivan Karizna; Vassilis Varvaresos |
8:22 | |||
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Digital Booklet
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Our disc is an expression of our boundless admiration for Ludwig van Beethoven, the great composer who revolutionised musical composition. The three works on this recording are among the earliest compositions in the history of music to recognise the roles of the piano and cello as equally important. This provided a wonderful opportunity for a creative dialogue between the two instruments and for seeking out new methods of musical interaction.
Notre disque est l'expression de notre admiration sans limite pour Ludwig van Beethoven, le grand compositeur qui a révolutionné la composition musicale. Les trois œuvres de cet enregistrement appartiennent à l'une des premières compositions dans l'histoire de la musique, où les rôles du piano et du violoncelle ont été reconnus comme ayant une égale importance. Ainsi, nous avons eu une magnifique occasion d'un dialogue créatif entre les deux instruments et la recherche de nouvelles méthodes d'interaction en musique.
48 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.85 -5.22 to 0.00 | -21.89 -26.83 to -18.49 | -18.49 -24.00 to -14.50 | 13 11 to 14 | |
| 1 | I. Adagio sostenuto (Arr. for Cello & Piano) | -0.01 | -18.49 | -14.5 | 11 |
| 2 | II. Andante con variazioni (Arr. for Cello & Piano) | -5.22 | -26.83 | -24.0 | 14 |
| 3 | III. Finale. Presto (Arr. for Cello & Piano) | -0.07 | -20.38 | -17.2 | 13 |
| 4 | 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46 | -0.07 | -23.20 | -19.5 | 14 |
| 5 | I. Allegro, ma non tanto | 0.00 | -20.06 | -16.6 | 12 |
| 6 | II. Scherzo. Allegro molto | -0.60 | -22.47 | -19.3 | 13 |
| 7 | III. Adagio cantabile | -0.01 | -21.83 | -18.3 | 14 |